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Stage Fright

 
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Stage Fright

  • Director: Alfred Hitchcock
  • AMG Rating: starstarstar
  • Genre: Thriller
  • Movie Type: Psychological Thriller
  • Themes: Clearing One's Name, Miscarriage of Justice, Flight of the Innocent
  • Main Cast: Jane Wyman, Marlene Dietrich, Michael Wilding, Sr., Richard Todd, Kay Walsh
  • Release Year: 1950
  • Country: US
  • Run Time: 110 minutes

Plot

Stage Fright toys with our notions of the dividing line between reality and artifice by being set in the London theatre world. On the lam from the police, Richard Todd takes refuge in the home of his former girlfriend, RADA student Jane Wyman. Todd has been spotted fleeing the scene of a murder, but he insists that he's innocent. Wyman believes his story, but knows that the police won't, so she decides to play detective herself. She also plays several other roles in a variety of disguises so as to escape the notice of genuine detective Michael Wilding. Top-billed Marlene Dietrich plays a Dietrich-like chanteuse whom Wyman pigeonholes as the real murderer. ~ Hal Erickson, All Movie Guide

Review

Alfred Hitchcock returns to the well of his favorite subject -- an innocent man framed for a terrible crime -- and puts an intriguing twist on it in this otherwise ordinary thriller. In this case, Richard Todd stars as the mark whose opening flashback reveals how he accidentally took the blame for a murder committed by his treacherous mistress (Marlene Dietrich). This revelation turns out to be the film's biggest mistake since it is a lie -- an interesting twist, but one that should have been detailed in real time rather than in a flashback. Another gaffe is that none of the characters ever appear to be in any real danger. In his interviews with François Truffaut, Hitchcock fully admitted that these errors are the film's biggest undoing in addition to his feeling that Todd's villain was rather weak. Stage Fright's real gem is Jane Wyman who portrays a willowy young actress whose crush on Todd leads her to helping hide him while trying to prove his innocence. Her beguiling turn as the attractive and earnest Eve is taken up a notch when she uses her acting talents pretending to be a madcap replacement maid for Dietrich's mistress. Interestingly, Wyman turned out to be a handful for Hitchcock when she continuously tried to make her character more glamorous to keep up with the sexy Dietrich. Alastair Sim, in a role just prior to his classic turn as Scrooge in A Christmas Carol, is excellent in a small role as Eve's father. "It'll be one woman to another," Wyman's Eve explains to him on a proposed confrontation with Dietrich, to which he comically replies, "An impressive situation at any time." Based on the novel by Selwyn Jepson, Stage Fright is a film that falls somewhere in the middle of Hitchcock's canon. His cameo comes 40 minutes into the picture when he passes Wyman on the street and then turns to stare at her. ~ Patrick Legare, All Movie Guide

Cast

Alastair Sim - Commodore Gill; Sybil Thorndike - Mrs. Gill; Miles Malleson - Bibulous gent; Hector MacGregor - Freddie Williams; Joyce Grenfell - Shooting Gallery Attendant; Andre Morell - Inspector Byard; Patricia Hitchcock - Chubby Bannister; Ballard Berkeley - Sergeant Mellish; Cyril Chamberlain; Helen Goss; Everley Gregg; Irene Handl; Arthur Howard; Jenny Neumann; Gary Sweet; Talks to Self

Credit

Terence Verity - Art Director, Milo Anderson - Costume Designer, Christian Dior - Costume Designer, Alfred Hitchcock - Director, Edward B. Jarvis - Editor, Leighton Lucas - Composer (Music Score), Louis Levy - Musical Direction/Supervision, Edith Piaf - Songwriter, Cole Porter - Songwriter, Louiguy - Songwriter, Colin Garde - Makeup, Wilkie Cooper - Cinematographer, Alfred Hitchcock - Producer, Terence Verity - Set Designer, Harold King - Sound/Sound Designer, Whitfield Cook - Screenwriter, Ranald MacDougall - Screenwriter, Alma Reville - Screenwriter, James Bridie - Screenwriter, Selwyn Jepson - Book Author

Similar Movies

Aventure Malgache; Confidentially Yours; Deadline at Dawn; I Wake Up Screaming; Murder; Saboteur; Young and Innocent; The 39 Steps; Phantom Lady
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Stage Fright

original film poster
Directed by Alfred Hitchcock
Produced by Alfred Hitchcock (uncredited)
Written by Selwyn Jepson (novel Man Running)
Alma Reville (adaptation)
Whitfield Cook (screenplay)
James Bridie (addl. dialog)
Ranald MacDougall (uncredited)
Starring Jane Wyman
Marlene Dietrich
Michael Wilding
Richard Todd
Alastair Sim
Music by Leighton Lucas
Editing by Edward B. Jarvis
Distributed by Warner Bros.
Release date(s) February 23, 1950
Running time 110 min.
Country UK
Language English

Stage Fright (1950) is an Alfred Hitchcock crime film starring Jane Wyman, Marlene Dietrich, Michael Wilding and Richard Todd. Others in the cast include Alastair Sim, Sybil Thorndike, Kay Walsh, Hitchcock's daughter Patricia Hitchcock in her movie debut and Joyce Grenfell in a humorous vignette.

Produced and directed by Alfred Hitchcock, the story was adapted for the screen by Whitfield Cook, Ranald MacDougall and Alma Reville (the director's wife), with additional dialogue by James Bridie, based on the novel Man Running by Selwyn Jepson.

Contents

Plot Summary

Eve Gill (Jane Wyman), an aspiring actress studying at RADA, is interrupted in the middle of a rehearsal by her friend, actor Jonathan Cooper (Richard Todd). The frantic Jonathan explains that he is the secret lover of flamboyant stage actress/singer, Charlotte Inwood (Marlene Dietrich). He claims that Charlotte visited him after killing her husband in an argument. She was wearing a bloodstained dress and Jonathan agreed to go back to her house and obtain another one. He found the body of Mr. Inwood at the residence, took a spare dress from the wardrobe and then tried to simulate a burglary gone wrong, only to be caught in the act by Charlotte's theatre maid and dresser, Nellie Goode (Kay Walsh). He is now on the run, wanted by the police.

Eve has long had a crush on Jonathan, but accepts that he is not interested in her romantically. She takes him to hide in a house near the coast owned by her father, Commodore Gill (Alastair Sim). Persuaded to help, the Commodore then notices that the blood on Charlotte's dress has been smeared on deliberately, not by accident, and he and Eve suspect that Jonathan has been framed. He angrily rejects this, destroying the dress and thus the best evidence they have on Charlotte.

Eve decides to investigate for herself. Posing as a reporter, she bribes Nellie Goode to pretend that she is ill and cannot work for Charlotte for a while. Eve then utilises her acting skills to affect the false identity and accent of a Cockney maid, claiming to be Nellie's cousin, "Doris Tinsdale", and takes the temporary job of replacing "her cousin" in order to infiltrate Charlotte's household.

In the course of trying to clear Jonathan, Eve gets to meet Detective Inspector Wilfred Smith (Michael Wilding). As Eve, she and Smith get quite friendly and she has to go to great lengths to cover the fact that she is also "Doris" the maid when Smith visits Charlotte to ask further questions. As Eve, she is not able to get much from him on the progress of the investigation.

Out to court Eve, Smith visits her and her mother at their home in London. They are joined by the Commodore who drops subtle hints to Eve that Jonathan has left their house by the sea. Meanwhile, in spite of the tragedies that are surrounding her, Charlotte continues to perform at her West End musical show. She is secretly visited by Jonathan who wants her to accompany him abroad and tells her that he still has the dress with the bloodstain. Charlotte makes it clear that she will not give up her career for a hunted fugitive — in any case she is secretly having an affair with her manager Freddie Williams (Hector MacGregor).

Eve again helps Jonathan escape the police and he hides out at the Gill's London residence. He thanks Eve for her support, but she feels torn since she is starting to fall in love with Wilfred Smith.

When Nellie Goode uncovers the deception that is going on, Eve manages to buy her off with blackmail money. With time running out, she persuades Smith to accompany her to a garden party where Charlotte is singing on stage in a large tent. During the performance, Commodore Gill gets a little boy to take a doll wearing a dress stained with blood, Gill's own, up to the stage. The sight causes Charlotte to collapse and Williams summons "Doris" for assistance. Seeing Eve attending to Charlotte and the stained doll's dress leads Smith to put two and two together.

Smith confronts Eve and the Commodore over their "amateur meddling". They persuade him to set Charlotte up into making a confession. Once the theatre has closed for the evening, Eve comes out of character and confronts Charlotte near a hidden microphone — Smith and his men listening in to the conversation from the loudspeakers. Charlotte admits her involvement in her husband's death (making her an accessory) but denies committing the murder itself, blaming Jonathan.

Eve then sees that Jonathan has been brought to the theatre by the police, Smith having guessed that he was hiding in their house. She falls into histerics, enabling Jonathan to get away. At this point Smith reveals to the Commodore that Jonathan really did kill Mr. Inwood and that he has actually killed before, though he got off on a plea of self-defence.

Hiding below stage, Jonathan confesses to Eve that Charlotte goaded him into killing her husband — but actually in order to make way for Freddie Williams. The story he told Eve when she agreed to hide him was all lies. He has a temper that makes him lash out when provoked. When he threatens to kill her as well, Eve escapes and in the confusion that follows Jonathan is decapitated by the stage's safety curtain.

Production

Though Hitchcock had lived and worked in Hollywood since 1939, this mystery/thriller, which is mixed with humour, was filmed on location in London. The only members of the cast who are not British are the two top billed stars, Wyman and Dietrich.

Featured is an original Cole Porter song, The Laziest Gal In Town performed by Dietrich in a sultry fashion. Costumes were designed by Christian Dior.

Stage Fright garnered some adverse publicity upon its initial release due to the "lying flashback" which is seen at the beginning of the film. However, some film critics, including those of Cahiers du Cinema, see the flashback as simply being an illustration of one person's version of the events: the events as recounted by the character whose voice-over we hear, which was presumably Hitchcock's intention.

The film has a few extra-long takes, reminiscent of those that Hitchcock used in Rope (1948) and Under Capricorn (1949).

In the biography of Dietrich by her daughter Maria, she recounts how Dietrich did not particularly like Jane Wyman, perhaps because they were such opposites. Hitchcock, however, may have utilised this animosity to the film's advantage. At one point in the film, Dietrich compliments Wyman for a change in the way she dresses, when Wyman appears at the garden party.

Hitchcock's cameo

Alfred Hitchcock's cameo is a signature occurrence in most of his films. In Stage Fright he can be seen (39 minutes into the film) as a man on the street turning to look at Eve as she rehearses her scripted introduction speech to Mrs. Inwood. In the June 4, 1950 edition of the New York Times, Hitchcock stated:

"In Stage Fright, I have been told that my performance is quite juicy. I have been told this with a certain air of tolerance, implying that I have now achieved the maximum limits of directorial ham in the movie sandwich. It isn't true. There may have been a "MacGuffin" in my film appearance, but not a ham".

Quotes

  • Charlotte Inwood: "He was an abominable man. Why do women marry abominable men?"
  • Eve Gill: "I'm afraid the murderer might come here, Madam. Might get into the dressing room. Might even murder me, Madam. I'm surprised you're not a bit afraid yourself."
  • Charlotte Inwood: "The theatre is the last place he would be seen. Now stop acting like a silly schoolgirl. The only murderer here is the orchestra leader!"
  • Charlotte Inwood (disappointed with the widow's dress she is trying on) "Can't you make it...plunge...a little in the front?"

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