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Stanley Jordan

 
Artist: Stanley Jordan
  • Born: July 31, 1959, Chicago, IL
  • Active: '80s, '90s
  • Genres: Jazz
  • Instrumental Pop, Contemporary Jazz Instrument: Guitar
  • Representative Albums: "Stanley Jordan," "Standards, Vol. 1," "Magic Touch"
  • Representative Songs: "Lady in My Life," "All the Children," "Eleanor Rigby"

Biography

Stanley Jordan's discovery in the early '80s rightfully earned a lot of headlines in the jazz world as he came up with a new way of playing guitar. Although he was not the first to use tapping, Jordan's extensive expertise gave him the ability to play two completely independent lines on the guitar (as if it were a keyboard) or, when he wanted, two guitars at a time. He had originally studied piano, although he switched to guitar when he was 11. After graduating from Princeton in 1981, Jordan played for a time on the streets of New York. Soon he was discovered, had the opportunity to play with Benny Carter and Dizzy Gillespie and, after recording a solo album for his own Tangent label, signed with Blue Note. Since then, his career has been surprisingly aimless. Stanley Jordan can play amazing jazz, but he often wastes his talent on lesser material, so one has to be picky in deciding which of his recordings to acquire. Among his many albums are 1985's Magic Touch, 1990s Stolen Moments, 1994's Bolero, 1996's Standards, Vol. 1, 2003's Dreams of Peace, and 2008's State of Nature. ~ Scott Yanow, All Music Guide
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Stanley Jordan

Background information
Born July 31, 1959 (1959-07-31) (age 50)
in Chicago, United States
Genres Jazz, jazz fusion
Occupations Musician
Songwriter
Instruments Electric guitar
Years active 1982 - present
Labels Blue Note/Capitol/EMI Records
Website StanleyJordan.com
Notable instruments
Vigier Arpege

Stanley Jordan (July 31, 1959) is an American jazz/jazz fusion guitarist, best known for his development of the tapping technique for the guitar.

He was born in Chicago, Illinois, and he received a BA in digital music composition from Princeton University in 1981, studying under computer-music composers Paul Lansky and Milton Babbitt.

Contents

Two-handed tapping technique

Normally, a guitarist must use two hands to play each note. One hand presses down a guitar string behind a chosen fret to prepare the note, and the other hand either plucks or strums the string to play that note. Jordan's touch technique is an advanced form of two-handed tapping. The guitarist produces a note using only one finger by quickly tapping (or hammering) his finger down behind the appropriate fret. The force of impact causes the string to vibrate enough to immediately sound the note, and Jordan executes tapping with both hands, and with more legato than is normally associated with guitar tapping. The note's volume can be controlled by varying the force of impact: tapping with greater force produces a louder note.

A helpful analogy to visualize this technique is the distinction between a harpsichord and a piano. A harpsichord produces sound by plucking its strings, and a piano produces sound by striking its strings with tiny hammers. However, while notes produced on a harpsichord or piano sustain after the hammer has struck or the pick has plucked, fingers must remain on a tapped note in order for the sound to continue. This similarity is what led Jordan to attempt such a technique in the first place;[citation needed] he was a classically trained pianist before playing guitar and wanted greater freedom in voicing chords on his guitar.

Jordan's two-handed tapping allows the guitarist to play melody and chords simultaneously. It is also possible, as Jordan has demonstrated, to play simultaneously on two different guitars. Another feature of Jordan's playing is the tuning he uses: from bass to treble EADGCF (all in fourths as on the Chapman Stick, compared with the standard EADGBE), so the patterns for chords are the same wherever they are played on the fretboard.

Stanley Jordan's main guitar was built by Vigier Guitars in 1982: it is an Arpege model on which Vigier made a flat fingerboard, allowing it to have a very low action (0.5/0.7mm). The low action facilitates the tapping technique.

Jordan was the first artist to be signed by Bruce Lundvall when the latter became president of Blue Note Records in 1985 and, consequently, Magic Touch was the first release (not reissue) of the rejuvenated label.[citation needed]

Personal life

Jordan has one 24-year-old daughter from his brief marriage. Jordan's daughter, Julia Jordan, is a guitarist living in Los Angeles, California, and recently completed an album titled Urban Legacy. The album received very positive reviews in the DIY section of Performing Songwriter Magazine.

Stanley Jordan is currently a resident of Sedona, Arizona, where he owns Sedona Books and Music. He attends Arizona State University, working toward a master's degree in music therapy.[1][dead link]

Discography

  • Touch Sensitive[2] (1982)
  • Magic Touch (1985)
  • Standards, Vol. 1 (1986)
  • Flying Home (1988)
  • Cornucopia (1990)
  • Stolen Moments (1991)
  • Bolero (1994)
  • The Best of Stanley Jordan (1995)
  • Stanley Jordan Live in New York (1998)
  • Relaxing Music for Difficult Situations, I (2003)
  • Ragas (2004)
  • Dreams of Peace (2004)
  • State of Nature (2008)

References

  1. ^ http://alumni.princeton.edu/main/news/calendar/black_alumni_conference/StanleyJordanConcert.pdf
  2. ^ "Jordan, Stanley Biography". Bluenote.com. Blue Note Records. http://www.bluenote.com/ArtistBiography.aspx?ArtistId=903809. Retrieved November 13, 2009. "After releasing a solo album on his own, he signed with Blue Note and made his major label debut in 1985 on Magic Touch…." 

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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