Stephen Shore (born 1947 in New York City) is an American photographer known for his deadpan images of banal scenes and objects in the United States, and for his pioneering use of color in art photography.
Life and work
Stephen Shore was interested in photography from an early age. Self-taught, he received a photographic darkroom kit at age six from a forward-thinking uncle.[1] He began to use a 35mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. His career began at the early age of fourteen, when he made the precocious move of presenting his photographs to Edward Steichen, then curator of photography at the Museum of Modern Art (MoMA). Recognizing Shore's talent, Steichen bought three of his works. At age seventeen, Shore met Andy Warhol and began to frequent Warhol's studio, the Factory, photographing Warhol and the creative people that surrounded him. In 1971, at the age of 24, Shore became the second living photographer to have a solo exhibition at the Metropolitan Museum of Art.[2]
Shore then embarked on a series of cross-country trips, making "on the road" photographs of American and Canadian landscapes. In 1972, he made the journey from Manhattan to Amarillo, Texas, that provoked his interest in color photography. Viewing the streets and towns he passed through, he conceived the idea to photograph them in color, first using 35mm and then an 4x5" view camera before finally settling on the 8x10 format. In 1974 an NEA endowment funded further work, followed in 1975 by a Guggenheim grant and in 1976 a color show at MoMA, NY. His 1982 book, Uncommon Places was a bible for the new color photographers because, alongside William Eggleston, his work proved that a color photograph, like a painting or even a black and white photograph, could be considered a work of art. Many artists, including Nan Goldin, Andreas Gursky, Martin Parr, Joel Sternfeld , and Thomas Struth, have acknowledged his influence on their work.
ARTINFO’s Philip Gefter notes that Stephen Shore as well as William Eggleston borrowed from photorealist painters, such as Robert Cottingham, Richard Estes and Ralph Goings. Gefter notes, “[Shore and Eggleston’s] interpretation of the American vernacular — gas stations, diners, parking lots—is foretold in photorealist paintings that preceded their pictures.” [3]
Books of his photographs include Uncommon Places: 50 Unpublished Photographs; Essex County; The Gardens at Giverny; Stephen Shore: Photographs 1973 - 1993; and The Velvet Years, Andy Warhol's Factory, 1965 - 1967. In 1998, Johns Hopkins University Press published The Nature of Photographs, a book Shore wrote about how photographs function (reprinted in an expanded edition by Phaidon Press). Most recently, Aperture has published Uncommon Places: The Complete Work, and Phaidon has published American Surfaces.
Shore is represented by 303 Gallery in New York; Sprüth Magers in Cologne, Munich, and London; and Rodolphe Janssen in Brussels.
Currently Shore is the director of the photography department at Bard College, a position he has held since 1982.
Catalogues and monographs
- Uncommon Places
- Uncommon Places: 50 Unpublished Photographs
- Essex County
- The Gardens at Giverny
- Stephen Shore: Photographs 1973 - 1993
- The Velvet Years, Andy Warhol's Factory, 1965 - 1967
- Uncommon Places, the Complete Works
- American Surfaces
- Witness No.1
- The Nature of Photographs
- Stephen Shore
- A Road Trip Journal
- One Picture Book #43 Merced River 2007 publ: Nazraeli Press
References
- ^ Interview with Stephen Shore. Wallpaper*, July 26, 2007.
- ^ Alfred Stieglitz had been the first. Michael Kimmelman, Passing Mile Markers, Snapping Pictures. New York Times, May 18, 2007.
- ^ Philip Gefter (January 9, 2008), Keeping It Real, ARTINFO, http://www.artinfo.com/news/story/26416/keeping-it-real/, retrieved 2008-04-23
External links
