Career Highlights: The Aristocats, The Jungle Book, Dumbo
First Major Screen Credit: Casey at the Bat (1927)
Biography
Famed for his country-bumpkin features and fruity vocal intonations, American actor Sterling Holloway left his native Georgia as a teenager to study acting in New York City. Working through the Theatre Guild, the young Holloway was cast in the first Broadway production of songwriters Rodgers and Hart, Garrick Gaieties. In the 1925 edition of the revue, Holloway introduced the Rodgers-Hart standard "I'll Take Manhattan;" in the 1926 version, the actor introduced another hit, "Mountain Greenery." Hollywood beckoned, and Holloway made a group of silent two-reelers and one feature, the Wallace Beery vehicle Casey at the Bat (1927), before he was fired by the higher-ups because they deemed his face "too grotesque" for movies. Small wonder that Holloway would insist in later years that he was never satisfied with any of the work Hollywood would throw his way, and longed for the satisfaction of stage work. When talkies came, Holloway's distinctive voice made him much in demand, and from 1932 through the late '40s he became the archetypal soda jerk, messenger boy, and backwoods rube. His most rewarding assignments came from Walt Disney Studios, where Holloway provided delightful voiceovers for such cartoon productions as Dumbo (1941), Bambi (1942), Alice in Wonderland (1951), Ben and Me (1954) and The Jungle Book (1967). Holloway's most enduring role at Disney was as the wistful voice of Winnie the Pooh in a group of mid-'60s animated shorts. On the "live" front, Holloway became fed up of movie work one day when he found his character being referred to as "boy" - and he was past forty at the time. A few satisfactory film moments were enjoyed by Holloway as he grew older; he starred in an above-average series of two reel comedies for Columbia Pictures from 1946 to 1948 (in one of these, 1948's Flat Feat, he convincingly and hilariously impersonated a gangster), and in 1956 he had what was probably the most bizarre assignment of his career when he played a "groovy" hipster in the low-budget musical Shake, Rattle and Rock (1956). Holloway worked prodigiously in TV during the '50s and '60s as a regular or semi-regular on such series as The Life of Riley, Adventures of Superman and The Baileys of Balboa. Edging into retirement in the '70s, Sterling Holloway preferred to stay in his lavish hilltop house in San Laguna, California, where he maintained one of the most impressive and expensive collections of modern paintings in the world. ~ Hal Erickson, All Movie Guide
Sterling Price Holloway, Jr. (January 4, 1905 – November 22, 1992) was a character actor who appeared in 150 films and television shows, and a long-standing voice actor for the Walt Disney Studios, most famously voicing Winnie the Pooh.
Holloway was named after Confederate General Sterling "Pap" Price. He was born in Cedartown, Georgia in the College Park area in 1905, where his father Sterling Price Holloway Sr. was prominent and prosperous, owning a grocery store and serving as mayor in 1912. After attending the Georgia Military Academy in College Park, he attended the American Academy of Dramatic Arts in New York. Holloway made his way through the Theater Guild to appear in the first joint venture of Richard Rodgers and Lorenz Hart, Garrick Gaieties, a series of 1920s revues. With his light tenor voice, young Holloway made a foray into a professional singing. He introduced the Rodgers and Hart standard "I'll Take Manhattan" in 1925, and in the 1926 edition of Garrick Gaieties, he introduced their "Mountain Greenery" ("... where God paints the scenery").
He came back to Cedartown often. That's where he met Frances Lawrence, a native to Georgia. They dated briefly, and soon after parted.[citation needed]
As a radio actor, he was heard on such shows as The Railroad Hour, The United States Steel Hour, Suspense and Lux Radio Theater. With a distinctive voice, he narrated numerous children's records, such as Uncle Remus Stories (Decca), Mother Goose Nursery Rhymes (Disneyland Records) and Peter and the Wolf (RCA Victor).
Little is known about Holloway's personal life except that he adopted a son, Richard, who became a producer. He once admitted to being very stubborn. During his final years, he purchased a house in Los Angeles, where he amassed a major collection of contemporary art about which he sometimes lectured. Holloway was 87 when he died of cardiac arrest November 22, 1992 at a Los Angeles hospital. His ashes were scattered into the Pacific Ocean. A street in Hollywood was named after Holloway in the 1980s. Remaining in real life true to the character of his 1933 short Not the Marrying Kind, Holloway was throughout his life a bachelor.
Filmography
Feature-Length
Holloway (left) in his first feature-length film, American Madness (1932).
A historical marker stands at the birthplace of Sterling Holloway, posted at the corner of Sterling Holloway Place and South College Street, Cedartown, Georgia.
Holloway as he appeared in "The Twilight Zone" episode, "What's in the Box"
The Adventures of Superman - The Machine That Could Plot Crimes (1952) also the same year in the Superman episode "The Whistling Bird" in which he plays the same eccentric scientist