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Steve Hackett

 
Artist: Steve Hackett
Steve Hackett

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Influenced By:

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Performed Songs By:

Mike Rutherford, Nick Magnus

Worked With:

David Hentschel, John Hackett, John Burns, Tony Banks, John Acock, Peter Gabriel

Formal Connection With:

GTR, Phil Collins, Peter Hicks, Underworld Orchestra
See Steve Hackett Lyrics
  • Born: February 12, 1950, London, England
  • Active: '70s, '80s, '90s, 2000s
  • Genres: Rock
  • Instrument: Guitar, Vocals, Producer
  • Representative Albums: "A Midsummer Night's Dream," "Voyage of the Acolyte," "Bay of Kings"
  • Representative Songs: "Ace of Wands," "Kim," "Spectral Mornings"

Biography

Steve Hackett is best known as the guitarist with Genesis during their best years as both a progressive and commercial band, across ten albums of their history. His arrival in the group's lineup at the start of 1971, replacing original guitarist Anthony Phillips, provided the group with the last ingredient that it needed for success. In the years since, while Phil Collins may have enjoyed pop/rock stardom and an acting career and his other bandmates their periodic successes, Hackett has come the farthest as a star performer and composer in his own right.

Hackett's earliest experience in playing professionally came with groups named Canterbury Glass and Sarabande, doing mainstream rock with a progressive/psychedelic edge. It was as a studio musician that he excelled, recording with a band called Quiet World during 1970. They were signed to the Pye Records label and released an LP entitled The Road on that company's progressive rock-oriented Dawn Records label. In late 1970, Hackett crossed paths with the group when he placed an advertisement in search of like-minded progressive musicians and Genesis' Peter Gabriel responded -- the group's original guitarist, Anthony Phillips, had departed and they needed a replacement. He saw them in concert with a temporary substitute in the guitarist's spot and approached them about joining. Hackett was in the lineup in January of 1971 and was quickly established as an integral part of their sound, though his concert work at their earliest gigs suffered from the fact that Hackett had little experience playing on-stage, which initially made him nervous. He subsequently became not only an essential part of the group's sound, but also of their image; his bespectacled figure, seated and bent over his instrument in studied concentration, helped to set the group apart from flashier progressive rock outfits of the era.

His skill and vast range opened up the group's sound in new ways during their progressive rock phase; coupled with Phil Collins' drumming in the mix, Genesis was turned into a true virtuoso unit, as revealed on the albums Foxtrot, Genesis Live, Selling England by the Pound, and The Lamb Lies Down on Broadway, all among the finest progressive rock LPs ever conceived. Then, following the departure of lead singer Gabriel and his replacement by Collins and their move toward a more commercial sound, Hackett proved equally adept; the difference was that their albums were now selling in the millions instead of the hundreds of thousands, and he was getting far more public exposure than ever before.

Hackett's first solo album, Voyage of the Acolyte, dated from 1975 and was, in many ways, almost a lost Genesis album, featuring Collins and Michael Rutherford in its lineup of musicians. Coming out as it did in the wake of Gabriel's departure from the group, it was a cause of some strain among the members, despite their participation, but Hackett stayed with the band through the tour behind the release of Wind & Wuthering, making his last appearance with the group on the Seconds Out live album, ironically just as the band was ascending into the top ranks of concert attractions and recording acts. Hackett's first post-Genesis solo album was Please Don't Touch!, which deliberately hewed very far from his old group's progressive sound and departed completely from Voyage of the Acolyte as well. He also put together his first touring band, which included Pete Hicks on vocals and John Shearer on drums, as well as brother John Hackett on flute and keyboards, with whom he subsequently recorded the Spectral Mornings album.

Hackett's sound advanced rapidly in the 1980s, through albums such as Defector -- a fascinating musical/political fantasy -- and the pop-oriented Cured. His concert work kept him busy throughout Europe, and the expanding fame of his old band led a steady stream of listeners to check out the work of the former Genesis guitarist, whose playing and personality were so prominent on those classic early albums. He also reunited with Peter Gabriel and Michael Rutherford and then with all of his ex-bandmates for a pair of 1982 charity concerts. The following year, he enjoyed a very successful European single in the guise of "Cell 151" off of the Highly Strung LP, which helped propel that album to hit status. The mid-'80s saw him broaden his sound to include various elements of "world music" in his studio work, and he also to begin playing smaller, more intimate halls where his guitar skills could be better appreciated.

In 1986, Hackett hooked up with Yes guitarist Steve Howe to form GTR, a progressive rock unit that became a favorite of MTV and the rock press, and generated a hit single ("When the Heart Rules the Mind") in America and a platinum-selling album for Arista Records and followed them up with an international tour. Hackett resumed his solo career in 1987, but with the momentum of GTR behind him, he now found crowds of tens of thousands eager to hear him play classical-style acoustic guitar and was becoming the arena rock version of Christopher Parkening or guitarist John Williams. His next major release was Time Lapse, a live retrospective collection of his work from several decades of music-making.

In 1994, Hackett surprised most of his fans by turning back to his roots with Blues with a Feeling, an album built around the sounds of blues guitar and harmonica that harked back to his boyhood. This pointed to one of the ironies of Hackett's career: as a member of Genesis, he was presumed by most fans to have been classically trained, but his music was actually derived from a multitude of influences, to which he's always extended himself in order to embrace and absorb; thus, although originally a rock guitarist with blues roots, Hackett has performed with the London Symphony Orchestra and composed instrumental classical music based on Shakespeare's A Midsummer Night's Dream for EMI's Angel Records label.

Even as his composing career ballooned in the 1990s, he also began playing more concerts and turned back to his progressive rock roots by performing Genesis' classic repertory. Working with a group that includes such luminaries as ex-King Crimson alumni Ian McDonald and John Wetton, not to mention Genesis' Chester Thompson, as well as the Royal Philharmonic Orchestra, Hackett released a live album entitled Genesis Revisited, which was precisely that. During the 1990s, he fronted a group known as Steve Hackett/Friends, including former members of King Crimson, who have revived their classic progressive rock repertory in dramatic new concert form, on CD, and concert video. Since then, Hackett has recorded numerous solo albums, including To Watch the Storms, Metamorpheus, and Wild Orchids. ~ Bruce Eder, All Music Guide
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Discography: Steve Hackett
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Till We Have Faces [UK]

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Spectral Mornings [UK]

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Voyage of the Acolyte [UK]

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Please Don't Touch! [UK]

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Defector [UK]

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Please Don't Touch! [Remastered]

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To Watch the Storms [Japan]

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Wild Orchids [Special Edition]

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Wild Orchids

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Tokyo Tapes [Germany Bonus DVD]

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Hungarian Horizon: Acoustic Live in Budapest

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Somewhere in South America: Live in Buenos Aires

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Watcher of the Skies: Genesis Revisited

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Watcher of the Skies: Genesis Revisited

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Voyage of the Acolyte [Remastered]

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Spectral Mornings [Remastered]

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Defector [Remastered]

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Genesis Files

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Somewhere in South America: Live in Buenos Aires [DVD]

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Once Above a Time Live in Europe 2004

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Live Archive: 70, 80, 90s

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Unauthorized Biography

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Horizons

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Sketches of Satie

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Darktown

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Darktown

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Live in Japan: Tokyo Tapes

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Tokyo Tapes

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Tokyo Tapes

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Archive [Box Set]

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Paper Sleeve Box

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Live Archive 83

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To Watch the Storms

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Cured [Bonus Tracks]

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Highly Strung [Bonus Tracks]

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To Watch the Storms [UK]

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Time Lapse

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Time Lapse

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Hungarian Horizons: Live in Budapest

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Highly Strung [UK Remaster]

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Genesis Revisited

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Genesis Revisited

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Voyage of the Acolyte [Japan]

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Please Don't Touch! [Japan]

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Spectral Mornings [Japan]

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Defector [Japan]

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Tribute

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Cured [UK Remastered]

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There Are Many Sides to Steve Hackett

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Live Archive 05

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Anthology

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Steve Hackett

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Feedback '86

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Feedback '86

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Momentum [UK Bonus Tracks]

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Metamorpheus

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Midsummer Night's Dream

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Midsummer Night's Dream

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Guitar Noir & There Are Many Sides to the Night

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There Are Many Sides to the Night

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Blues with a Feeling

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Blues with a Feeling

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Guitar Noir

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Momentum

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Till We Have Faces

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Bay of Kings

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Bay of Kings

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Highly Strung

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Cured

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Defector

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Spectral Mornings

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Please Don't Touch!

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Voyage of the Acolyte

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Wikipedia: Steve Hackett
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Steve Hackett

Background information
Birth name Stephen Richard Hackett
Born 12 February 1950 (1950-02-12) (age 59)
Pimlico, England
Genres Progressive rock, classical music,Blues pop rock, hard rock
Occupations Musician, Songwriter, Producer
Instruments Guitar, Harmonica, Vocals.
Years active 1970 – present
Labels Charisma, Camino, Charisma, Chrysalis (US), Epic (US), Lamborghini, Start, Wolfwork, Blue Plate/Caroline (US), InsideOut
Associated acts Quiet World, Genesis, GTR
Website hackettsongs.com
Notable instruments
Gibson Les Paul

Stephen Richard Hackett (born 12 February 1950) is a British singer-songwriter and guitarist. He gained prominence as a member of the British progressive rock group Genesis, which he joined in 1970. Hackett remained with the band for eight albums before leaving in 1977 to pursue a solo career.

In 1986, Hackett co-founded the supergroup GTR with another progressive guitarist, Steve Howe of Yes and Asia. The group released a self-titled album that year, which peaked at #11 on the Billboard 200 in the United States and spawned the Top 20 single "When the Heart Rules the Mind". When Hackett left GTR in 1987, the group disbanded.

After leaving GTR, Hackett resumed his solo career and has released albums and toured on a regular basis since. His body of work has encompassed many styles, such as progressive rock, world music, and classical. His playing has influenced guitarists such as Alex Lifeson[1] and Brian May.[2]

Contents

Biography

Hackett was born in Pimlico, London and attended the Sloane Grammar School, Chelsea.

He grew up having access to various musical instruments, such as the recorder and harmonica, but did not develop an interest in the guitar until the age of twelve, when he started playing single notes. By fourteen, he was learning chords and experimenting with chord progressions, although he never received any formal instruction. Hackett's earliest musical influences were classical (Johann Sebastian Bach) and opera (Mario Lanza). He has stated that his compositions are still influenced by them.[3] Hackett also has cited numerous British blues artists as influences, namely Danny Kirwan, Peter Green, and various guitarists in John Mayall & the Bluesbreakers.[4]

Early career

Steve Hackett's earliest professional playing experience came with two bands — Canterbury Glass and Sarabande — both of whom performed rock with progressive elements. His first recording work came in 1970, as a member of Quiet World, a band that included younger brother John Hackett on flute. The group released one album, The Road, but Hackett departed the group soon after.

Hackett, seeking a new band, placed an ad in Melody Maker. The ad, in which Hackett stated he was seeking musicians "determined to strive beyond existing stagnant music forms," was spotted by Genesis vocalist Peter Gabriel, who contacted Hackett. The band had recently lost founding member Anthony Phillips. After seeing Genesis perform, Hackett auditioned for the group and joined in December 1970.

Genesis

Hackett on stage Toronto, June 3, 1977
Photo: Jean-Luc Ourlin

Hackett, who had very little on-stage playing experience when he joined Genesis, had some initial difficulty performing with the group. But he soon settled into his role, and his unique stage image (wearing glasses and seated in a hunched position over his guitar) served as a counter to Gabriel's extravagant costumes and theatrics.

Hackett's first recording with Genesis was Nursery Cryme, released in November 1971. Hackett made an immediate impact on the group's sound, as evidenced by his work on such songs as "The Musical Box" and "The Return of the Giant Hogweed," becoming one of the first guitarists to experiment with the tapping technique normally attributed to Eddie Van Halen. (Hackett has often claimed Van Halen told him he learned the technique after attending a Genesis concert in the early 1970s.)[5] The continuo part in the latter song sounds like a synthesizer because of distortion and because of his legato tapping technique as well as Tony Banks's simultaneous Hohner Pianet continuo. Although Nursery Cryme was not a commercial success, 1972's album Foxtrot was, reaching #12 in the UK. Included on Foxtrot was Hackett's classical guitar composition "Horizons," which quickly became one of his signature pieces.

Foxtrot began a trend of increasing commercial popularity for Genesis, and in the group's 1973 effort, Selling England by the Pound, Hackett showed continued and perfected use of the tapping technique, as well as sweep picking, which was popularised in the 1980s by Yngwie Malmsteen. Both of these techniques can be heard on the track "Dancing with the Moonlit Knight." The track "Firth of Fifth" contains one of Hackett's most well-known guitar solos. The track has remained a favourite in concert, even after Hackett's departure.

During the recording of The Lamb Lies Down on Broadway in 1974, Hackett's contribution shrank from what he had originally contributed on Selling England by the Pound. He attributed his lack of contribution to be that of not being able to come to grips with the material presented, and his failing marriage.[6] Additionally, Hackett injured his hand after accidentally crushing a wine glass, which led to the delay of the Lamb tour. This additionally reflected the tension within the band.[7]

In 1975, Hackett became the first member of Genesis to release a solo album when he issued Voyage of the Acolyte. Assisting with the recording were Phil Collins and Mike Rutherford. Hackett enjoyed the freedom he had when writing and recording his own album, and thus began to become frustrated after returning to the group's more democratic approach to songwriting.

Hackett's frustration increased as Genesis prepared to release 1976's Wind & Wuthering. Hackett was insistent that more of his material be included on the album, but was rebuffed. "Blood on the Rooftops," which Hackett wrote with Collins, made the album but was never played live, and his composition "Please Don't Touch" was rejected completely. Another song, "Inside and Out," was relegated to the Spot the Pigeon EP. Hackett remained with Genesis through the conclusion of the Wind & Wuthering tour, but announced his departure on 8 October 1977, one week before the release of the group's second live album, Seconds Out.

Reunions

Since Hackett's departure, the early '70s lineup of Genesis has reunited on a handful of occasions. On 2 October 1982, the group gathered for a one-off performance entitled "Six of the Best", held to raise money for Peter Gabriel's WOMAD festival. This was the first and last time this lineup had performed since 1975.

In 1998 the group gathered for a photo session and dinner to celebrate the release of the box set, Genesis Archive 1967-75. Hackett re-recorded some of his guitar parts for the box set, as well as participating in the re-recording of 1974's "The Carpet Crawlers" for inclusion on the 1999 Genesis greatest hits album Turn It on Again: The Hits. The rest of the group recorded some new parts as well, although they were not recorded together in the same studio. However, by the time that Trevor Horn and The Art of Noise had mixed these parts, there remained very little of them in the final release other than Gabriel's and Collins' vocals.

In an April 2006 radio interview, Phil Collins discussed a band meeting that took place in November 2005. During that meeting, the group discussed the possibility of reuniting the classic mid-'70s roster for a limited run of shows, including a complete performance of the group's 1974 double album, The Lamb Lies Down on Broadway.[8] However, on 18 October 2006 it was announced that the post-Hackett lineup of Rutherford, Banks, and Collins were instead reforming.[9]

Solo career

Hackett's first post-Genesis album was Please Don't Touch, released in 1978. As with Voyage of the Acolyte, much of the material on the album was in the style of progressive rock. It did contain, however, much more vocal work. Hackett, who had never sung lead on a Genesis song, turned over most of the vocals to a number of singers, including folk singer Richie Havens, R&B singer Randy Crawford, and Steve Walsh of Kansas. He did provide lead vocals for "Carry on Up the Vicarage," but they were processed using a "laughing gnome" vocal effect.[10] The album peaked at #38 on the UK charts and #103 on the Billboard Pop Albums chart in the United States.

A pair of progressive rock albums followed: 1979's Spectral Mornings and 1980's Defector. They were both Top 40 albums in the UK, while they charted #138 and #144 in the United States, respectively. Hackett toured Europe for the first time as a solo act in 1979, and in August performed at the Reading Festival. The Defector tour brought him to the United States for the first time since his final tour with Genesis.

Hackett's first major shift in musical style came with 1981's Cured. Although the album contained some of the progressive and classical pieces for which Hackett was known, it also showcased a much more pop approach. The album was recorded without most of the musicians who had been on Hackett's solo albums since Spectral Mornings (Hackett handled all lead vocal duties). Only longtime collaborators Nick Magnus and John Hackett remained. While Cured did not chart highly in the U.S., it peaked at #15 in the UK, Hackett's highest charting yet.

In the 1980s, Hackett released his first classical guitar albums, Bay of Kings and Momentum, which further enhanced his reputation.[citation needed] The tour for Momentum drew large crowds in Europe, considered unusual for a classical guitarist.

In 1983 Hackett participated on the Best Selling album British/Brazilian singer Ritchie in his Best Selling Brazilian LP "Voo de Coração". Hacket played guitar on various tracks including this one http://www.youtube.com/watch?v=q2C22BhRGV8. Most songs on the LP were huge hits on Brazilian Radio.

On the rock production side, Hackett's work in the 1980s involved the LPs Cured (1981), Highly Strung (1982) and Till We Have Faces (1984). In Highly Strung, more than a nuance of electronic sound appears, making the album unique and unrepeated in Hackett's production, and surely one of the most difficult to approach. Till We Have Faces merges Hackett style sounds with Brazilian percussion.

In 1986, Hackett formed the supergroup GTR with veteran Yes and Asia guitarist Steve Howe. The group released a gold-selling album, produced by Yes/Asia keyboardist Geoff Downes. Hackett soon left GTR over financial and management squabbles. In addition to Howe and Downes, Hackett has also worked with Yes drummer Bill Bruford in Genesis, Yes bassist Chris Squire (Chris Squire's Swiss Choir, 2007) and briefly Yes vocalist Trevor Horn (who produced the 1999 reunion version of "The Carpet Crawlers"). Hackett's long-time keyboadist, Julian Colbeck, played live with Yes spin-off Anderson Bruford Wakeman Howe.

Hackett's solo career continued, releasing a plethora of both electric and acoustic based albums throughout the 90s to the present day. One of his most memorable recordings[citation needed] was the neo-classical influenced A Midsummer Night's Dream, which showcases his guitar skills, accompanied by the Royal Philharmonic Orchestra.

In June 2009, Steve announced a new solo album featuring contributions of many artists, including former Genesis guitarist Anthony Phillips.

The album which was due for release mid October 2009 and called Out of the Tunnel's Mouth was delayed due to legal reasons, but was eventually on sale from November 2009, and will be played on Steve's upcoming European/UK tour.

Personal life

Steve Hackett married Brazilian painter and jewellery artist Kim Poor in 1976. She painted most of his album covers. Her artwork for Voyage of the Acolyte won Album Cover of the Year in 1976.[11] They divorced in 2008.[12]

Steve's younger brother John was involved as flute player and second guitarist in his 1970s bands. John has often appeared as musician and collaborator on his more recent work, particularly on Sketches of Satie (2000), arranged for flute and guitar.

Discography

References

  1. ^ "1984 Alex Lifeson interview". Guitar Magazine. 1984. http://www.angelfire.com/ok3/rush/albuminfo.html. Retrieved 2006-11-20. 
  2. ^ "Interview with Steve Hackett". DMME.net. January 2001. http://www.dmme.net/interviews/hackett.html. Retrieved 2006-11-20. 
  3. ^ ""Steve Hackett, ex Genesis & international rock star and legendary guitarist talks exclusively to tMP."". http://www.themouthpiece.com/vb/showthread.php?t=19731. Retrieved 2006-11-20. 
  4. ^ Hash, Tommy (2005). ""Interview with the legendary Steve Hackett"". Alt.Culture.Guide. http://www.mondogordo.com/int-6.html. Retrieved 2006-11-20. 
  5. ^ "Legends of Rock Guitar" (book). Hal Leonard Corporation. 1997. http://books.google.com/books?id=60Jde3l7WNwC&pg=PA84&lpg=PA84&dq=%22eddie+van+halen%22+%22genesis+concert%22&source=bl&ots=x4RjwnOZ0k&sig=q9w_1_f_vPth9NKmI_SB7qjhw-0&hl=en&ei=jfOcSeGBCpSaNaeGiJAF&sa=X&oi=book_result&resnum=1&ct=result#PPA84,M1. Retrieved 2009-02-19. 
  6. ^ "The Annotated Lamb Lies Down on Broadway"
  7. ^ "Peter Gabriel: An Authorized Biography by Spence Bright, 1988, pub. 1989 by Headline Book Publishing PLC, ISBN 0-7472-3231-8."
  8. ^ "Phil Collins Sheds Light on Possible Genesis Reunion and 2005 Band Meeting". 2006. Worldofgenesis.com. 18 April 2006
  9. ^ ""Rockers Genesis plan reunion tour"". BBC News. 18 October 2006. http://news.bbc.co.uk/2/hi/entertainment/6064022.stm. Retrieved 2006-11-20. 
  10. ^ Please Don't Touch album review. Allmusic.com. Retrieved 1 October 2006.
  11. ^ http://www.kimpoor.com/cover76.html
  12. ^ The Sunday Times, August 2, 2009, available online [1].

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