Still Caught Up returned listeners to the torrid backbiting and constant recriminations of Millie Jackson's blockbuster Caught Up, and though it didn't compare favorably, it was easily good enough to make it better than her average full-length. Though not live, it has a stagey sound, with frequent monologues, nice testifying backup vocals, an odd breakout of audience applause, and the kind of loose-limbed horn section heard during Elvis' Las Vegas appearances. Jackson sounds resigned at the beginning ("Making the Best of a Bad Situation"), but by the end side one, she's getting just as unhinged as on Caught Up ("The Memory of a Wife") and talking just as tough ("Tell Her It's Over"). It must have grown difficult to select appropriate material for another record of this kind, but she closes it out in style with Mac Davis' "I Still Love You (You Still Love Me)." [The 2006 reissue includes two bonus tracks: a rehearsal version of "The Memory of a Wife" and "How Can I Make Sweet Love to You (If You Won't Stand Still)," an early take of a track from Jackson's I Got to Try It One Time album that was later retitled "One Night Stand."] ~ John Bush, All Music Guide
Charles Chalmers (Vocals (Background)), Millie Jackson (Producer), Mac Emmerman (Engineer), Steve Melton (Engineer), Donna Rhodes (Vocals (Background)), Janie Fricke (Vocals (Background)), Nima Yakubu (Photography), Duncan Cowell (Mastering), Ernie Winfrey (Engineer), Tom Roady (Percussion), Barry Beckett (Keyboards), David Hood (Bass), Tony Rounce (Liner Notes), Jerry Masters (Engineer), Pete Carr (Guitar), Rob Keyloch (Remixing), Roger Hawkins (Drums), Mike Lewis (Arranger), Jimmy Johnson (Guitar), Brad Shapiro (Rhythm Arrangements), Brad Shapiro (Producer), Mike Lewis (Conductor), Tony Rounce (Archive Research), Sandra Rhodes (Vocals (Background)), Brad Shapiro (Conductor)