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Stop All the World Now [Special Edition]

 
Album Review: Stop All the World Now [Special Edition]
 

  • Artist: Howie Day
  • Rating: StarStarStarHalf Star
  • Release Date: 2004
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

Howie Day's debut certainly showed promise, especially in the understated heartbreak of "Ghost" and "Morning After." But even in its eventual Sony reissue, Australia was a slapdash, often obvious album that rang with the stubbornness of youth. In his songs of relationships and loneliness, Day was too often the spurned boyfriend rewriting Radiohead and Badly Drawn Boy songs to air his grievances down at the local open-mic night. Given his principal influences, it's not surprising that Day recorded his sophomore effort in London. But he seems to have grown up quite a bit since Australia, and with the help of Verve and James producer Youth, made Stop All the World Now his great leap forward. He'll never outrun comparisons to wide-eyed romantics like Francis Healy and Richard Ashcroft. But instead of simply copping moves, Day has captured the formless yet boundless emotion that's the spiritual motor for both Ashcroft's solo work and Travis' The Man Who. Lyrically, "Brace Yourself" and "Trouble in Here" aren't as specific in their aims; unlike Australia, they never make the listener feel like the she-devil that trampled poor Howie's heart. Their big, beautiful arrangements embrace his voice, which soars into fluttering, higher registers, but also grates with real, pleading grit toward the end of "Brace Yourself." Echoing electric guitars recall Day's effects-laden 2002 tour, which found him performing over his own multiply looped self. But the presence of piano, harmonium, vibraphone, and the London Session Orchestra (most notably on "I'll Take You On") often suggest Bacharach with swelling strings and lilting verses; there's even a sample of what sounds like crashing waves at one point, pulling out all the stops in the production department. All of this lets you know that Stop isn't simply an acoustic troubadour album. But if you needed more proof, there's "She Says." Originally one of Australia's strongest moments, the song's acoustic frame is here bowed out by a full-on arrangement of keening strings, steadily building drums, and enough reverb to fill the Grand Canyon. "When she says she wants someone to love/Hope you know/She doesn't mean you" was always one of his strongest couplets; with the triumphant guitars and surging violins behind it, the track now has the full grandeur of U2's most plaintive moments. The best part? Day has figured out how to sell the emotion as his own, even if the hymns of his heroes still echo through his music. [Stop All the World Now spent several weeks in The Billboard 200 in the fall of 2003. In the fall of 2004, Epic Records finally managed to break the album track "Collide" as a single that reached Billboard's Adult Top 40 Airplay chart. To further stimulate sales for the year-old album, Epic released this "special edition," which adds four bonus tracks. Two are new songs, "This Time Around" and "Standing in the Sun," followed by acoustic versions of "Brace Yourself" and "Collide."] ~ Johnny Loftus, All Music Guide

Tracks

Track TitleComposersPerformersTime
Brace Yourself Howie Day Howie Day (3:39)
Perfect Time of Day Howie Day Howie Day (4:21)
Collide Howie Day Howie Day (4:09)
Trouble in Here Howie Day Howie Day (5:57)
Sunday Morning Song Howie Day Howie Day (3:57)
I'll Take You On Howie Day Howie Day (5:38)
She Says Howie Day Howie Day (4:41)
Numbness for Sound Howie Day Howie Day (3:51)
You & A Promise Howie Day Howie Day (6:24)
End of Our Days Howie Day Howie Day (4:22)
Come Lay Down Howie Day Howie Day (5:57)
This Time Around [*] Howie Day Howie Day (5:11)
Standing in the Sun [*] Howie Day Howie Day (5:41)
Brace Yourself [Acoustic][*] Howie Day Howie Day (3:50)
Collide [Acoustic][*] Howie Day Howie Day (4:37)

Credits

Youth (Producer), Simon Jones (Bass), Chris Lord-Alge (Mixing), Michael Brauer (Mixing), Clive Goddard (Engineer), Clive Goddard (Mixing), Leslie Hall (Organ), Leslie Hall (Synthesizer), Leslie Hall (Guitar), Leslie Hall (Piano), Leslie Hall (Harmonium), Leslie Hall (Tamboura), Leslie Hall (Mellotron), Leslie Hall (Vibraphone), Leslie Hall (Wurlitzer), Ted Jensen (Mastering), Gareth Jones (Programming), The London Session Orchestra (Performer), Gavyn Wright (Conductor), Will Malone (String Arrangements), Jake Chessum (Photography), Philip Rose (Assistant Engineer), Adam Howe (Photography), Lisa Marie (Representation), James Clifford (Guitar), James Clifford (Vocals (Background)), Dime (Assistant), Howie Day (Guitar (Acoustic)), Howie Day (Piano), Howie Day (Vocals), Mark Heaney (Drums), Greg Waterman (Photography), Nathaniel Chan (Mixing Assistant), Nathaniel Chan (Assistant), Alissa Razansky (Representation), Zak Biddu (Representation), Rose Noone (A&R), Farra Mathews (A&R), Claudine Gendron (Cover Design), Sheri Gendron (Cover Design), Spencer Heyfron (Photography), Jonathan Horn (Legal Advisor), Laurie Jenkins (Percussion), Laurie Jenkins (Drums), Vance McNabb (Tour Manager), Dim e (Mixing Assistant)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more

 

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