Main Cast: Tim Daly, Colm Feore, Debrah Farentino, Casey Siemaszko, Jeffrey DeMunn
Release Year: 1999
Country: US
Run Time: 248 minutes
MPAA Rating: PG13
Plot
The first story Stephen King wrote specifically for a television miniseries, Storm of the Century is set in Little Tall Island, a small town off the coast of Maine. The citizens are bracing themselves for what is expected to be the worst snowstorm in 100 years when a mysterious stranger named Andre Linoge (Colm Feore) arrives with a simple command: "Give me what I want and I'll go away." Andre is, in fact, an emissary of Satan, and what he wants is one of the children of Little Tall Island, whom he will raise to take over his assignment on Earth -- it seems that Satan's lifespan, although far longer than that of a normal human, is not unlimited, and he will need a replacement for that time when he must vacate his position. Andre knows everyone's secrets and can make their lives a living hell (no pun intended); he can also destroy the city at will. And only one person in town has the strength to stand up to Andre -- the sheriff, Mike Anderson (Tim Daly). While originally written for television, Stephen King's novelization of Storm of the Century was published shortly after the series was originally broadcast. ~ Mark Deming, All Movie Guide
Review
Storm of the Century, written by Stephen King specifically for television, is one of the better renderings of his work in recent years. The small-town locale, though familiar territory for King, is brought new life by the miniseries' commitment to the severity of its cold-blizzard setting, in which much of the action occurs in the darkness of night or in the blinding white of the snow. The color scheme is often bluish gray, lending the setting a sort of suspended, otherworldly tone that contributes to the eeriness of the story. The seldom-heard New England dialect of its characters also adds to the feeling of the island town's isolation in its peril. Storm's slow pace is both its strength and its weakness. The first two installments (the series was broadcast in three two-hour segments) masterfully set up the story and build up the requisite creepy tension, showing just enough to make viewers ill at ease and eager to know what is really going on in the town. Colm Feore's performance as the evil outsider Andre Linoge is perfectly sinister, played with subtlety rather than scene-chewing theatrics. His dead-on stare alone is enough to induce goose bumps or at least a quickened pulse in the viewer; strangely, he is more effective in his early "normal" form than in the old-man makeup in which he later appears. This high quality of acting does not, however, fully extend to the rest of the cast. Although Mike Anderson (Timothy Daly) and the other "good folk" of the town are reasonably believable, the acting still remains at the TV-movie level. Perhaps the script may also be to blame for this, but the huge size of the cast would have been the greatest prohibitive factor in creating fully realized characters. Overall, though, the overdone quality of the townspeople's innocence and naïveté is fitting to the story and makes Linoge seem all the more sinister, especially in his "outing" of their secret sins. The special effects are a mixed bag. The frantic blizzard and events that occur in its flurries are very effective, but the CGI actions of Linoge's evil cane, for instance, look fake and are not as terrifying as they aim to be. The slow pacing of the story, though effective in setting up the plot line and tone, eventually betrays the series, never building up to any grand heart-pounding ending. Although this creates a slick, well-executed eeriness, it defies audience expectation and may disappoint many viewers. Storm of the Century, more creepy than scary, is still a well-made King miniseries, even if it does not rise to the heights of horror that earlier, similar works such as It achieved. ~ Dana Rowader, All Movie Guide
Storm of the Century, alternatively known as Stephen King's Storm of the Century, is a 1999 horror TV miniseries written by Stephen King and directed by Craig R. Baxley. Promotional material for the miniseries claimed that it was King's first ever story written exclusively for a miniseries, but was actually his second after the not as well known Golden Years. King would later publish the screenplay in book form, with the screenplay format intact. The movie is rated PG-13.
Plot
A very powerful blizzard hits the fictional small town of Little Tall Island (also the setting of King's novel Dolores Claiborne) off the coast of Maine. While trying to deal with the storm, the citizens of the town are visited by Andre Linoge (Colm Feore), a menacing stranger who apparently knows all of the townsfolk's darkest secrets (among which are abortion, adultery, growing marijuana, and gay-bashing). After having killed one of the town's residents (Martha Clarendon), Linoge is jailed. Even though he is kept in jail by the town's trusted constable, Mike Anderson (Timothy Daly), Linoge is somehow able to force people to commit suicide or kill others from within his cell. Linoge constantly repeats "Give me what I want and I'll go away" through his victims as well as to his victims. Interestingly, although the adults are terrified of the stranger, all the children are drawn to him.
In a dream, the townspeople see themselves walking into the sea two-by-two with the word Croatoan (a reference to the colony of Roanoke) carved on their heads. Eventually, Mike finds out that Linoge is an anagram of the demonLegion and agrees to organize the townspeople so they can hear his demands.
What Linoge desires is an heir, one of the eight small children that he had incapacitated early on in the miniseries — someone to "carry on his work when he can no longer do it himself", as although Linoge's life spans millennia, he is not immortal. Any of the eight children, he states, will suit him. After he leaves, a strong argument breaks out in the town hall. Mike Anderson wants the townsfolk to unitedly reject Linoge's request, saying it would be better for all of the adults and children to die than to give Linoge a child to raise. Mike asks "how can they give a child to that man?" His argument, however, falls upon deaf ears, as the townspeople not only fear Linoge, but also fear the possibilities of Linoge killing the children (as Ursula says about her daughter, "Better she live with a bad man than be dead"). After they vote almost unanimously (except for Mike) to accept Linoge's demand, he has one parent of each child draw a magical stone from a bag he has (the stones seen earlier in Ralphie's possession). The child selected is Ralph Anderson, and after contemptuously thanking the town, he departs, assuming in the process his ancient form. Mike chases after him before falling on his knees outside the church, to no avail.
In the film's epilogue, Mike explains (in voiceover narration) that the community of Little Tall, which specializes in keeping secrets, has tried to heal from the traumatic events by attempting to return to a state of normalcy (without complete success, as several characters die in the following years from psychological issues relating to the event). The epilogue reveals that Mike, angry that the town (and his wife) was willing to sacrifice his child to appease pure evil, divorces Molly and leaves town. Molly, who is now remarried to Mike's deputy, has been going to therapy, in which she continues to deny what really happened to her son but admits (for reasons she refuses to specify) that Mike was right to leave her. Mike, meanwhile, has returns to school and becomes a federal marshal stationed in San Francisco. Years later when Mike was out for groceries, he spots Linoge and Ralphie on a busy street. Mike calls out to his son and they stop to look back at him. Ralphie makes eye-contact with him and bares his teeth to him; they are fangs, showing that Ralphie is no longer human. Mike is horrified to see this. However, before Mike has a chance to react, he loses them both in the crowd, and they vanish down a long alley. In a closing voiceover, Mike says he considered calling Molly to tell her but "in the daylight, I know better."