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Summer Stock

 
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Summer Stock

  • Director: Charles Walters
  • AMG Rating: starstarstar
  • Genre: Musical
  • Movie Type: Musical Romance
  • Main Cast: Judy Garland, Gene Kelly, Eddie Bracken, Gloria de Haven, Marjorie Main
  • Release Year: 1950
  • Country: US
  • Run Time: 109 minutes

Plot

Summer Stock represented Judy Garland's swan song at MGM. Garland plays the owner of a New England farm which entrepreneur Gene Kelly hopes to convert into a summer theatre. Gloria DeHaven, a member of Kelly's troupe, also happens to be Garland's sister. Aware that the farm is having financial difficulties, DeHaven talks the recalcitrant Garland into allowing the troupe to set up shop in the barn. All sorts of romances wind their way through the summer air as Kelly mounts his production. In the long-anticipated finale, Garland herself steps into the leading-lady slot vacated by her petulant sister DeHaven, and of course the show is a smasheroo. To watch Garland joyfully perform such numbers as "Friendly Star," "If You Feel Like Singing, Sing," and her legendary "drag" specialty "Get Happy," you'd never suspect that she was on the verge of a nervous breakdown (the film opened while Garland was recovering from a suicide attempt). Adding to the overall exuberance of Summer Stock are such dependable supporting players as Eddie Bracken, Phil Silvers, Marjorie Main and Hans Conried (cast as the troupe's resident romantic baritone!) ~ Hal Erickson, All Movie Guide

Review

By 1950, the "let's put on a show in a barn" idea had been done to death, so it's something of a surprise that Summer Stock is actually an entertaining flick. It's also a reminder of how one single moment in a film can stick in an audience's memory and make them forgive and forget the film's flaws. In this case, that moment is the legendary "Get Happy" number. Performed by Judy Garland in a black tuxedo jacket and rakishly angled fedora, and accompanied by a chorus of men in black, the sequence is simplicity itself -- a fairly bare stage, energetic but not stunning choreography, and Garland in peak vocal form selling the number in a manner that is both commanding and relaxed. There are other highlights as well, such as Gene Kelly's wonderful dance with a newspaper upon an empty (and somewhat squeaky) stage, and Garland's quiet and lovely "Friendly Star" and rousing "If You feel Like Singing." Both stars are in top condition, offering lessons in how to play even hackneyed situations with total conviction and how to put across a number with total ease yet never lose that all-important sense of urgency. The overly familiar plot keeps the film as a whole from greatness, but isolated moments are pure magic. Kelly would move on to the memorable An American in Paris the next year, but it would be four more years before Garland turned up onscreen again -- although, since her return vehicle was A Star Is Born, it was worth the wait. ~ Craig Butler, All Movie Guide

Cast

Phil Silvers - Herb Blake; Ray Collins - Jasper G. Wingait; Nita Bieber - Sarah Higgins; Carleton Carpenter - Artie; Hans Conried - Harrison I. Keath; Erville Alderson - Zeb; George Bunny; Paul E. Burns - Frank; Roy Butler; Michael Chapin; Jeanne Coyne; Jack Daley; Eddie Dunn - Sheriff; Deanna Durbin; Jack Gargan - Clerk; Cameron A. Grant; Carol Haney; Dick Humphreys; Teddy Infur - Boy; Don Powell; Elynne Ray; Almira Sessions - Constance Fliggerton; Kathrun Sheldon - Amy Fliggerton; Reginald Simpson - Producer; Henry Sylvester; Jimmy Thompson; Bunny Waters - Showgirl; Arthur M. Loew, Jr.; Frank Pharr - Townsman; Joe Roach; Bette Arlen; Albert Ruiz - Members of Stock Company; Bridget Carr; Betty Hannon; Joanne Tree; Dorothy Tuttle

Credit

Cedric Gibbons - Art Director, Jack Martin Smith - Art Director, Nick Castle - Choreography, Gene Kelly - Choreography, Charles Walters - Choreography, Walter Plunkett - Costume Designer, Helen Rose - Costume Designer, Charles Walters - Director, Albert Akst - Editor, Harry Warren - Composer (Music Score), Saul Chaplin - Musical Direction/Supervision, Johnny Green - Musical Direction/Supervision, Harold Arlen - Songwriter, Jack Brooks - Songwriter, Saul Chaplin - Songwriter, Mack Gordon - Songwriter, Ted Keoheler - Songwriter, Robert Planck - Cinematographer, Joe Pasternak - Producer, Sy Gomberg - Screenwriter, George Wells - Screenwriter, Sy Gomberg - Book Author, Mack Gordon - From Musical by

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American Theater Guide: Summer Stock
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As early as the first half of the 19th century, summer playhouses on the outskirts of growing American cities began to attract playgoers seeking entertainment as they escaped from city heat and crowds. Many began in parks or gardens where citizens came for light refreshment and cooling breezes. In New York, Chatham Garden had a popular theatre in the 1820s, and a decade later Niblo's Garden offered shows as well as food and drink. One of the oldest summer playhouses, operating up until 1994, was Elitch's Gardens Theatre, founded in Denver in 1890. Almost all these theatres were opened with the idea of presenting light olios for summer, but several of the more successful soon started to offer regular plays, particularly comedies. Although their development was assisted by the spread of trolleycar lines to outlying reaches around the turn of the century, it was really the arrival of the automobile several years later that spurred the greatest growth. One of the earliest summer theatres to gain widespread recognition was the Provincetown Playhouse, which opened on a wharf in Provincetown, Massachusetts, during World War I. However, it was atypical in many ways. Most notably, it was dedicated to serious new drama and not to the rehashed escapist material that soon came to characterize most summer stock. Second, it soon opened a New York branch for winter seasons. Third, it was built on a wharf. Many early summer stock theatres were begun in converted barns or mills and often self‐consciously retained a distinct rustic ambiance for many years. One result was the name popularly given to summer stock—straw‐hat theatre—which reflected its barnlike origins as much as it did the fashion of wearing straw hats in summer. Other examples, atypical in their dedication to serious theatre, were the Hedgerow Theatre in Moylan, Pennsylvania, and the playhouse at Williamstown, Massachusetts. Far more on the order of what the public came to think of as summer theatres were such long‐successful operations as the Bucks County Playhouse in New Hope, Pennsylvania; the Westport Country Playhouse in Westport, Connecticut; the Cape Playhouse in Dennis, Massachusetts; the North Shore Players in Marblehead, Massachusetts; and the Boothbay Playhouse in Boothbay, Maine. Even if much of their fare consisted of frothy comedies, most of the better straw‐hats offered occasional serious dramas and tryouts of new plays. Many also lured stars, either Broadway stars in between major assignments or Hollywood names who did not want to commit themselves to a full New York season or feared the more demanding standards of New York critics. Other houses did not use stars but employed a genuine, if seasonal, stock company. These theatres were built on essentially traditional lines, but huge open‐air amphitheaters such as the one at Jones Beach, near New York, and that of the St. Louis Municipal Outdoor Theatre, also thrived, although they specialized in musicals. The Paper Mill Playhouse, a regular enclosed conversion in Milburn, New Jersey, because of its proximity to New York, was able to extend its seasons, usually of musicals, to an almost year‐round operation. The heyday of the straw‐hats was between the two World Wars and for a short period thereafter. One postwar development was the rise of tents, generally offering musicals in‐the‐round. Economic and other considerations then began to affect playhouses, closing some and forcing others to rely on packaged tours, usually featuring high‐priced names. Most of the tents gave way to permanent structures, with large concrete parking lots that retained little of the bucolic atmosphere once so carefully fostered. However, a number of the old, traditional playhouses still flourish.

Wikipedia: Summer Stock
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For the article about the theatre genre, see Summer stock theatre.

Summer Stock
Directed by Charles Walters
Produced by Joe Pasternak
Written by George Wells (writer), Sy Gromberg (writer and story)
Starring Judy Garland
Gene Kelly
Gloria DeHaven
Marjorie Main
Phil Silvers
Eddie Bracken
Music by Harry Warren, Mack Gordon, Saul Chaplin, Harold Arlen
Cinematography Robert Planck
Editing by Albert Akst
Distributed by Metro-Goldwyn-Mayer
Release date(s) August 31, 1950
Running time 109 minutes
Country United States
Language English

Summer Stock (known as If You Feel Like Singing in the UK) is an MGM musical made in 1950. The film was directed by Charles Walters and stars Judy Garland, Gene Kelly, Eddie Bracken, Gloria DeHaven, Marjorie Main, and Phil Silvers. Nicholas Castle Sr was the choreographer.

Judy Garland struggled with many personal problems during filming, and Summer Stock proved to be her last MGM movie and also her last pairing with Gene Kelly onscreen. MGM terminated Garland's contract in September 1950.[1]

Contents

Plot

Judy Garland stars as Jane Falbury, a farm owner whose actress sister Abigail, played by Gloria DeHaven, arrives at the family farm with her theater troupe. They need a practice stage, and Jane and her housekeeper Esme (Marjorie Main) reluctantly agree to let them use their barn. The actors and actresses, including the director Joe Ross (Gene Kelly), repay her hospitality by doing chores around the farm. Although Joe is engaged to Abigail, he begins to fall in love with Jane after Abigail leaves him in an angry fit. Similarly, although Jane is engaged to Orville (Eddie Bracken), she falls in love with Joe. The movie ends in a spectacular final show in the barn itself, with the new leading lady, Jane.

Soundtrack

All songs were written by Harry Warren (music) and Mack Gordon (lyrics) except where noted. Order of songs per Track listing amazon.com

  1. Overture
  2. "If You Feel Like Singing, Sing" – Judy Garland
  3. "(Howdy Neighbor) Happy Harvest" – Gene Kelly, Garland, Phil Silvers and company stock members
  4. "Dig-Dig-Dig Dig For Your Dinner" – Kelly
  5. Mem'ry Island" – Gloria DeHaven and Hans Conried (dubbed by Pete Roberts)
  6. "Portland Fancy" – (traditional New England contra dance tune) stock company members, Kelly and Garland
  7. "You, Wonderful You" (Jack Brooks and Chaplin, lyrics and Warren, music) – Kelly and Garland
  8. "Friendly Star" – Garland
  9. Newspaper Dance ("You, Wonderful You") – Kelly
  10. All for You" (Saul Chaplin) – Kelly and Garland
  11. "You, Wonderful You" (Reprise) – Kelly and Garland
  12. "Heavenly Music" (Chaplin) – Kelly, Silvers and dogs
  13. "Get Happy" (Harold Arlen (music) and Ted Koehler (lyrics)) – Garland and chorus
  14. "(Howdy Neighbor) Happy Harvest" (finale) – Kelly, Garland, Silvers and company stock members

[2]

Behind the scenes

The filming of this movie was sometimes a struggle for Garland. She was facing many pressures in her personal life, including a heavy reliance on prescription medication.[3][4]

Audiences noticed that in the last number "Get Happy" she appears thinner than in the rest of the film. Before performing the number, she had taken two months off and lost between 15-20 pounds.[3][4][5] Garland finished filming the movie, and embarked on a long promised vacation from the studio. Soon, however, she was called back to star with Fred Astaire in the upcoming film Royal Wedding. Once again, Garland struggled to perform at her absolute best in the face of exhaustion and overwork. She was fired from the film, and her contract with MGM was terminated through mutual agreement.[6][7]

Highlights

The film's most famous scene is the final song-and-dance number "Get Happy" performed by Judy Garland in a tuxedo jacket, black fedora, and black nylons. This sequence was choreographed by Charles Walters and filmed two months after the rest of the movie, after Garland sought the help of a hypnotist in Santa Barbara and lost 20 pounds. With the sedative-hypnotic Paraldahyde on her breath, which the number's male dancers described as sickeningly sweet, Garland performed the number perfectly in one take, and the rest is history. According to New York Times critic Bosley Crowther: " 'Get Happy' finds Miss Garland looking and performing her best."[5][8][9]

In another notable sequence, Kelly performs a solo dance in a darkened barn, using a newspaper and a creaky board as partners and props; the musical accompaniment reprises "You Wonderful You". The dance "turned out to be one of the breakthrough numbers" of his career.[10]

In the film 'Summer Stock', Garland and Kelly share what may be Garland's best dance duet on screen, the swinging "Portland Fancy" where a square dance turns into a heated challenge dance for the two stars.

Trivia

The film has been referenced many times, mostly the "Get Happy" sequence. At the 1995 MTV Video Music Awards Michael Jackson performed Dangerous, and the beginning of the performance was clearly inspired by the movie. Jackson and his dancers wore suits, and a dancer stood in front of Jackson until the beginning of the song, just like in the movie, in which Judy is covered by a dancer at first. Some excerpts from the song can be heard of Jackson's performance.

Duffy's Rain on Your Parade music video was also inspired by that sequence, and Duffy can be seen wearing an outfit similar to Garland's, and dancing against a white background along some male dancers dressed in suits.

Katie Holmes paid homage to Judy Garland performing Get Happy on the television show So You Think You Can Dance. She wore a similar outfit and danced alongside male dancers in suits in front of a match-painted background.

Notes

  1. ^ Frank, p. 285
  2. ^ Summer Stock' soundtrack listingimdb.com, accessed July 22, 2009
  3. ^ a b Green, p. 161
  4. ^ a b Summer Stock historytcm.com, accessed July 23, 2009
  5. ^ a b Wayne, p. 211
  6. ^ Green, p. 162
  7. ^ Frank, p. 280
  8. ^ Crowther, Bosley."Metro Musical, Summer Stock, With Judy Garland and Gene Kelly, Opens at Capitol,"The New York Times, September 1, 1950
  9. ^ Hemming, Roy. The melody lingers on (1999), Newmarket Press, ISBN 1557043809, pp. 19-20
  10. ^ Yudkoff, Alvin. Gene Kelly (2001), Watson-Guptill, ISBN 0823088197, p. 207

References

  • Frank, Gerold. Judy (1999), Da Capo Press, ISBN 0306808943
  • Green, Stanley and Schmidt, Elaine. Hollywood musicals year by year (1999), Hal Leonard Corporation, ISBN 0634007653
  • Wayne, Jane Ellen. The Golden Girls of MGM, (2003), Carroll & Graf Publishers, ISBN 0786713038

External links


 
 
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Movies. Copyright © 2009 All Media Guide, LLC. Content provided by All Movie Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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