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Sweet Home Alabama

DVD Release

  • Release Date: 2003
  • Widescreen (2.35:1) - enhanced for 16x9 televisions
  • cc
  • "Off the cutting room floor"- 8 deleted scenes with introduction by director Andy Tennant
  • Alternate ending with commentary
  • Director's audio commentary
  • Shedaisy's "Mine All Mine" music video
  • Dolby Digital 5.1 Surround Sound
  • French language track

  • Rating: StarStar
  • Genre: Romance
  • Movie Type: Romantic Comedy
  • Themes: Haunted By the Past, Rags To Riches, Wedding Bells
  • Director: Andy Tennant
  • Main Cast: Reese Witherspoon, Josh Lucas, Patrick Dempsey, Candice Bergen, Mary Kay Place
  • Release Year: 2002
  • Country: US
  • Run Time: 108 minutes
  • MPAA Rating: PG13

Plot

After establishing herself as a bankable star with the fish out of water comedy Legally Blonde, Reese Witherspoon returns in what could be described as a "fish back in water" comedy. Melanie Carmichael (Witherspoon) is a successful New York fashion designer who is dating Andrew Hennings (Patrick Dempsey), a wealthy socialite whose mother, Katherine Hennings (Candice Bergen), is the Big Apple's mayor. One day, Andrew pops the big question and asks Melanie to marry him; Melanie is overjoyed, but unknown to Andrew, Melanie has some unfinished business to take care of first. Despite her polished uptown image, Melanie grew up poor in the deep South, and as a teenager she married her high school sweetheart Jake Perry (Josh Lucas). Things went sour and Melanie moved East, reinventing herself along the way, but Jake never bothered to legally end their marriage. Now Melanie has to return to her hometown of Pigeon Creek, AL, to tell her parents (Fred Ward and Mary Kay Place) the news and convince Jake to grant her a divorce; however, the more time she spends with her old flame, the more she feels sparks flying between them again, while she also learns her Eastern affectations don't fly with everyone back home. ~ Mark Deming, All Movie Guide

Review

After a string of edgy and often deliberately unsympathetic performances in such films as Freeway, American Psycho, and Election, Reese Witherspoon was probably as surprised as anyone that America was ready to let her become its latest sweetheart. But after the runaway success of Legally Blonde, the budding superstar stuck to safe, fairy-tale material with this mostly winning romantic comedy. Populated by lovable eccentrics and plain but good folks, Sweet Home Alabama's Pigeon Creek is indistinguishable from any number of other sanitized, fictional Southern towns. But Witherspoon, with her kewpie countenance and iron spine, differs just enough from the conventional leading lady to remove the aftertaste from the saccharine material. Taking her cues from the conniving Julia Roberts school of heroines rather than the blander Meg Ryan variety, she drinks, cusses, and condescends her way to a perverse likability. The more she resembles a Jerry Springer guest, the more the audience cheers her on. The film's reassuring "I'm okay, you're okay" geographic relativism may not play well to self-satisfied Manhattanites, but it sure goes down well everywhere else. Heartthrobs Ethan Embry, Patrick Dempsey, and Joshua Lucas provide the requisite broad-based sex appeal, while everyone from Candice Bergen and Jean Smart to Mary Kay Place supplies laughs and lovable stereotypes. Jewel chimes in with the inevitable Lynyrd Skynyrd cover, and boom -- something safe for everyone, like all the best blockbusters. ~ Brian J. Dillard, All Movie Guide

Cast


Mary Kay Place - Pearl Smooter; Fred Ward - Earl Smooter; Jean Smart - Stella Kay; Ethan Embry - Bobby Ray; Melanie Lynskey - Lurlynn; Courtney Gains - Wade; Mary Lynn Rajskub - Dorothea; Rhona Mitra - Tabatha; Nathan Lee Graham - Frederick; Dakota Fanning - Young Melanie; Mark Matkevich - Tom Darovsic; Ted Manson - Colonel Murphy

Credit

Jeanne McCarthy - Casting; Andrew Dunn - Cinematographer; George Fenton - Composer (Music Score); Clay Griffith - Production Designer; Andy Tennant - Director; Mary H. Ellis - Sound/Sound Designer; Juel Bestrop - Casting; Louis D'Esposito - First Assistant Director; Kathleen Chopin - Casting; Dawn Solér - Musical Direction/Supervision; Michael Fottrell - Executive Producer; George Watters II - Supervising Sound Editor; Douglas J. Eboch - Screen Story; Stokely Chaffin - Producer; Neal H. Moritz - Producer; Troy T. Takaki - Editor; Jon Jashni - Executive Producer; Wink Mordaunt - Executive Producer; Sophie de Rakoff Carbonell - Costume Designer; Jay Pelissier - Art Director; Lisa K. Sessions - Set Designer; Laura Z. Wasserman - Musical Direction/Supervision; Tracey Wadmore-Smith - Editor; C. Jay Cox - Screenwriter; Suhail F. Kafity - Supervising Sound Editor

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Wikipedia: Sweet Home Alabama (song)

This article is about the song, for the movie, see Sweet Home Alabama (film)


"Sweet Home Alabama"
"Sweet Home Alabama" cover
Single by Lynyrd Skynyrd
from the album Second Helping
Released 1974
Genre Southern Rock
Length 04:45
Writer Ed King, Gary Rossington, Ronnie Van Zant
Producer Al Kooper
Lynyrd Skynyrd singles chronology
"Don't Ask Me No Questions" "Sweet Home Alabama"
(1974)
"Free Bird" (reissue)
(1975)

"Sweet Home Alabama" is a song by Southern rock band Lynyrd Skynyrd that first appeared in 1974 on their second album, Second Helping.

"Sweet Home Alabama" was an answer to two controversial songs, "Southern Man" and "Alabama" by Neil Young, which were critical of social conditions in the South. "We thought Neil was shooting all the ducks in order to kill one or two," said Ronnie Van Zant at the time (Dupree 1974). Van Zant's musical response, however, was equally controversial, with references to Alabama Governor George Wallace and the Watergate scandal. Despite (or perhaps because of) the debate, the song has become one of the most popular examples of Southern rock. It reached the top ten of the US charts in 1974 and was the band's second hit single.[1]

The Song and the Band's Career

"Sweet Home Alabama" was a major chart hit for a band whose previous singles had "lazily sauntered out into release with no particular intent." The hit led to two TV rock-show offers, which the band turned down.[2]

Creation and recording

At a band practice shortly after bassist Ed King had switched to guitar, King heard fellow guitarist Rossington playing a guitar riff that inspired him (in fact, this riff is still heard in the final version of the song and is played during the verses as a counterpoint to the main D-C+9-G chord progression). In interviews, Ed King has said that, during the night following the practice session, the chords and two main guitar solos came to him in a dream, note for note. King then introduced the song to the band the next day, and a hit was born. Also written at this session was the track that would follow "Alabama" on the Second Helping album, "I Need You."

A live version of the track on the compilation album "Collectybles" places the writing of the song during the late summer of 1973, as the live set available on the album is dated October 30, 1973.

The track was recorded at Studio One in Doraville, Georgia, using just King, bassist Wilkeson, and drummer Burns to lay down the basic backing track. Ed King used a Marshall amp belonging to Allen Collins. The guitar used on the track was a late-1960's Fender Stratocaster. However, King has said that guitar was a pretty poor model and had bad pickups, forcing him to turn the amp up all the way to get decent volume out of it. This guitar is now displayed at the Rock and Roll Hall of Fame Museum in Cleveland, Ohio.

Interesting to note is that the famous "Turn it up" line uttered by Van Zant in the beginning was not intended to be in the song. Ronnie was just asking producer Al Kooper and engineer Rodney Mills to turn up the volume in his headphones so that he could hear the track better.

Following the two "woo's" at the start of the piano solo, Van Zant can be heard ad-libbing "My, Montgomery's got the answer." The duplicate "my" was produced by Kooper turning off one of the two vocal takes.

There is also a semi-hidden vocal line in the second verse after the "Well, I heard Mr. Young sing about her" line (at approximately 0:50). In the left channel, you can hear the phrase "Southern Man" being sung lightly. This was producer Al Kooper doing a Neil Young impression and was just another incident of the band members messing around in the studio while being recorded.

The count-in heard in the beginning of the track is spoken by Ed King. The count-in to the first song on an album was a signature touch that producer Kooper usually put on albums that he made.

Ironically, none of the three writers of the song were originally from Alabama. Ronnie Van Zant and Gary Rossington were both born in Jacksonville, Florida. Ed King was from Glendale, California.

Political references

In conjunction with the defense of the South, the song contains political references which have caused controversy, particularly this verse:

In Birmingham, they love the governor
Now we all did what we could do
Now Watergate does not bother me
Does your conscience bother you?
Tell the truth

Some deny the song expresses support for Wallace's politics, interpreting the lyrics as saying that the band did all they could do to keep Wallace out of office. They argue that a jeer "Boo, boo, boo!" can be heard after the line "In Birmingham, they love the governor" and they interpret this as an attack on Wallace. In 1975, Van Zant said: "The lyrics about the governor of Alabama were misunderstood. The general public didn't notice the words 'Boo! Boo! Boo!' after that particular line, and the media picked up only on the reference to the people loving the governor"[3]. Footage of concerts where they performed the song also confirms the presence of this line (Lyve from Steeltown). Although again this is an area for contention, particularly when regarding the lines "Sweet home Alabama, Oh sweet home baby, Where the skies are so blue, And the governor's true."

Various band members have denied that the song endorses segregation; in a recent radio interview, surviving members stated the last line "Montgomery got the answer" was a reference to the Selma to Montgomery civil rights marches led by Martin Luther King, Jr.

Fans and music historians also argue that the band was clearly sympathetic to African-Americans during the Civil Rights movement, citing the songs "Things Goin' On", and "The Ballad of Curtis Loew", in addition to their obvious admiration for the Muscle Shoals Rhythm Section (which recorded numerous Soul and R&B classics) as prime examples of the group's true political leanings.

Another claim often made is that the third line of the above verse is downplaying the Watergate scandal. Again, many fans disagree, interpreting the line as either a reminder to critics that the South is not alone in having scandals or as a statement that corruption in politics is nothing exceptional.[citation needed] Another theory is that Van Zant was simply saying that the Watergate scandal was nothing that concerned him because he (and the South) had their own problems.[citation needed]

The consensus today regarding the song (and the band's) political leanings is that the group was actually more "liberal" in their social/political beliefs than they were given credit for during their heyday.[citation needed]

Muscle Shoals

One verse of the song includes the line "Now Muscle Shoals has got the Swampers/And they've been known to pick a song or two." This refers to the Alabama town Muscle Shoals, Alabama, a legendary location for recording popular music due to the "sound" crafted by local recording studios and back-up musicians. "The Swampers" referred to in the lyrics included (among others) Jimmy Johnson, David Hood, Barry Beckett, Roger Hawkins, Eddie Hinton, Pete Carr and Spooner Oldham who crafted the "Muscle Shoals Sound". Sometimes recording under the identity of the Muscle Shoals Rhythm Section, these musicians included Jimmy Johnson (guitar), Roger Hawkins (drums), David Hood (bass), and Barry Beckett (keyboards), and they were inducted into the Alabama Music Hall of Fame in 1995 for a "Lifework Award for Non-Performing Achievement." The nickname "The Swampers" was given to the Muscle Shoals Rhythm Section by singer/songwriter Leon Russell.

Part of the reference comes from the 1971-1972 demo reels that Lynyrd Skynyrd had recorded in Muscle Shoals with Johnson as a producer/recording engineer. Johnson helped refine many of the songs first heard publicly on the "Pronounced" album, and it was Van Zant's "tip of the hat" to Johnson for helping out the band in the early years and essentially giving the band its first break.

Lynyrd Skynyrd remains connected to Muscle Shoals having since recorded a number of works in the city and making it a regular stop on their concert tours.

Versions

  • Hank Williams, Jr. performs this song on his 1987 live album, Hank Live.
  • In addition to the original appearance on Second Helping, the song has appeared on numerous Lynyrd Skynyrd collections and live albums. The song also appeared on the famous late night talk show The Tonight Show. A few covers have appeared, notably a slowed-down rock version by Big Head Todd and the Monsters, as well as a more faithful version by the Charlie Daniels Band and an altered version by the country group Alabama (who changed the lyrics involving the Watergate scandal with a verse talking about Alabama football). The song even spawned a 2004 hip hop version by Alabama-based rap/hip-hop group Boyz After Money Always, which was performed at the Comedy Central Roast of Jeff Foxworthy. Former Saturday Night Live band leader G.E. Smith led the backing band for this performance.
  • Eminem performs a pseudo-rap version of this song in the film 8 Mile with one of his co-stars.
  • Perhaps the most unusual rendition of the song is by the surrealist Finnish rock group Leningrad Cowboys, featuring the Red Army Choir on the choruses.
  • Argentine rock singer Javier Calamaro realeased a song in Spanish called "Sweet Home Buenos Aires", with the music of this song. Later, argentine rock icon Charly García, released the song in his album "Demasiado ego" with Calamaro as a guest. He usually performs this song after playing "Encuentro con el diablo", from his former band Serú Girán, which has a strong likeness to the Lynyrd Skynyrd song.
  • Argentine band Patricio Rey y sus Redonditos de Ricota (a.k.a. Redonditos de Ricota or Los Redondos) play a song named Caña Seca y un Membrillo, which has a big likeness to Sweet Home Alabama.
  • Band Moonshine Bandits did a rap-rock remake of this song called "Sweet Home California".
  • Spanish band Siniestro Total did a semi-parodic cover of this song called "Miña terra galega", in a reference to their homeland Galicia.
  • Jewel made a cover version of the song for the movie Sweet Home Alabama.
  • Killdozer covers the song on the Touch and Go Records compilation "God's Favorite Dog"
  • Canadian jam band The Clumsy Lovers included a version on their CD Under the Covers.

In the Media and Popular Culture

Sweet Home Alabama has appeared in many commercials, movies, and subsequent recordings by other bands. It remains a popular request on classic rock radio stations and has been featured in many movies, including To Die For, The Texas Chainsaw Massacre (2003), Con Air, 8 Mile, Forrest Gump, Joe Dirt, The Girl Next Door, Sweet Home Alabama and Sahara. The song has become a favorite among University of Alabama students and alumni. Shaun Alexander, the Seattle Seahawks MVP running back and University of Alabama alumnus, has the song played after each home game touchdown. The song's reach also extends to "virtual" sporting events. It was featured on the PS2 and Xbox versions of NASCAR Thunder 2002 because the game creators, EA Sports, had just announced sponsorship of the fall race at Talladega Superspeedway, located in Alabama. Further, Sweet Home Alabama has been used in multiple advertising campaigns. An adaptation of the song is used in advertisements for KFC. In September 2007, Alabama Governor Bob Riley announced the phrase "Sweet Home Alabama" would be used to promote Alabama state tourism in a multi million dollar ad campaign. No indication has been given if the song itself will be included in the campaign[4].

Recognition and Awards

  • In May 2006, National Review ranked the song #4 on its list of "50 greatest conservative rock songs."
  • In July 2006, CMT ranked it #1 of the "20 Greatest Southern Rock songs."
  • In 2004, the song was ranked #398 on Rolling Stone's list of the 500 Greatest Songs of All Time.
  • In 2007, Nascar used portions of the song mixed with rap music for an ad.
  • In 2007, the song was used in the Top Gear Greatest Driving Songs album.

Members

See also

References

  1. ^ Songfacts.com[1]
  2. ^ a b c Dupree, T. (1974), Lynyrd Skynyrd in Sweet Home Atlanta [Electronic version]. Rolling Stone. Retrieved October 17, 2007.
  3. ^ Ballinger, L. (2002). Lynyrd Skynyrd - An Oral History. Los Angeles: XT377 Publishing.
  4. ^ Associated Press (2007). Lynyrd Skynyrd Song Turns Alabama Tourist Theme [Electronic version]. USA Today. Retrieved October 17, 2007.

External links


 
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