Swimming with Sharks

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Swimming With Sharks

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Plot

Originally screened at Telluride as The Buddy Factor, Swimming With Sharks is an uneven but engrossing picture, and a possible warning to anyone with plans to break into the motion-picture business. When Guy (Frank Whaley), a recent film-school graduate with big ideas, takes a job as assistant to major studio executive Buddy Ackerman (Kevin Spacey), he believes his ship has finally come in; little does he know it's a slave ship, for his boss is indeed worse than a slave driver. Buddy delights in abusing his boy-toy (exemplified by the scene in which he forbids Guy to go to the bathroom as he pours water back and forth from a glass to a pitcher). Meanwhile, Guy struggles to push his idea for a script and feels he's finally made it when Buddy congratulates him on a job well done. However, much to his chagrin, his conniving boss actually takes sole credit for the project, pushing the young assistant to wit's end -- he breaks into Buddy's Beverly Hills showplace and takes him hostage, then proceeds to torture him in a number of demeaning and horrifying ways. The whole film stands as a sort of parable about the value system in Hollywood and the cost of reaching the top; it doesn't play like real life, but it's not supposed to. The real reason to watch the film, however, is Spacey's performance. He manages at once to be terrifying, hateful, and hilarious, and he makes Buddy Ackerman a character the audience won't soon forget. ~ Jeremy Beday, Rovi

Review

Writer/director George Huang's vitriolic 1994 debut is perhaps most notable for the blistering, caustic turn by Kevin Spacey as remorseless studio executive Buddy Ackerman. Spacey's Buddy is a different kind of Hollywood monster: physically compact and unusually soft-spoken, he's like a seething volcano that erupts only sporadically, when people least expect it. Spacey has the good sense to underplay the role, rendering Buddy's actions and demands all the more horrific. The conclusion -- in which Buddy's meek underling Guy (Frank Whaley) exacts revenge -- is a bit of a letdown, since Guy can't dream up anything more sinister than blatant physical abuse. For Spacey, the role would be one of a handful of standout performances in independent features, including his Oscar-winning role in The Usual Suspects the next year. ~ Michael Hastings, Rovi

Cast

Roy Dotrice - Cyrus Miles; T.E. Russell - Foster Kane; Patrick Fisher - Moe

Credit

Karen Haase - Art Director, Kevin Reidy - Associate Producer, Andrea Stone Guttfreund - Casting, Laurel Smith - Casting, Kevin Spacey - Co-producer, Buzz Hays - Co-producer, Kirsten Everberg - Costume Designer, Michael Proust - First Assistant Director, George Huang - Director, Ed Marx - Editor, Jay Cohen - Executive Producer, Stephen Israel - Executive Producer, Tom Hiel - Composer (Music Score), Giovanni Di Simone - Musical Direction/Supervision, Cecil Gentry - Production Designer, Veronika Merlin - Production Designer, Steven Finestone - Cinematographer, Stephen Alexander - Producer, Joanne Moore - Producer, Louis Nader - Producer, Dennis Dion - Special Effects, George Huang - Screenwriter

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Wikipedia on Answers.com:

Swimming with Sharks

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Swimming With Sharks
A man towering over another shouting, the words Swimming with Sharks filling the background
Swimming With Sharks theatrical poster
Directed by George Huang
Written by George Huang
Starring Kevin Spacey
Frank Whaley
Michelle Forbes
Benicio del Toro
T.E. Russell
Cinematography Steven Firestone
Distributed by Trimark Pictures
Release date(s) 1994
Running time 93 minutes
Country United States
Language English

Swimming With Sharks (also known as The Boss and Buddy Factor) is a 1994 American comedy drama film, directed and written by George Huang.

Contents

Plot

Buddy Ackerman, an influential movie mogul, hires Guy, a naïve young writer, as his assistant. Guy, who has just graduated from film school, believes that his new job is a golden opportunity. Despite warnings from Rex, the outgoing assistant who has become hardened under Buddy's reign, Guy remains optimistic.

Unfortunately, Buddy turns out to be the boss from hell; he treats Guy like a slave, subjects him to sadistic (and public) verbal abuse, and has him bending over backwards to do meaningless errands that go beyond just his work life. Guy is humiliated and forced to bear the brunt of his insults. Guy's only solace is his girlfriend, Dawn, a producer at Buddy's firm. When Buddy apparently fires Guy in a phone call, Guy snaps and kidnaps Buddy in order to exact some revenge, which results in tying up Buddy and subjecting him to severe beatings, torture and mind games. It is later revealed that due to a botched call waiting function on Buddy's home phone, Guy hears Buddy and Dawn arranging a rendezvous at Buddy's house.

Once in Guy's power, Buddy reveals for the first time a human, vulnerable side, telling a tragic story about his wife's death and revealing that he too was once a bullied assistant to powerful, tyrannical men and spent a decade putting up with such abuse to get to where he is today. He also reveals his reasons for treating Guy so badly; it turns out that right from the start of the story-before he'd even met Buddy-Guy had secretly felt that he shouldn't have to work for anything because he was too good for that and that he, in Buddy's words, "thought he deserved (to have everything he wanted) just because he wanted it." Buddy had picked up on this the day they met, however, and realized that this attitude would lead to Guy trying to take advantage of him; abusing Guy was Buddy's way of making sure he knew he could never do this, showing him that he can't just have anything he wants simply because he wants it-he has to earn it, first-and making sure that Guy did deserve to have the good life when he earned it by working hard. Guy also learns a few secrets about Dawn, and must confront what he really wants from life and to what lengths he'll go to get it. Dawn arrives at the scene to find Guy aiming a gun at Buddy's face, and Buddy tells Guy that he has to pull the trigger in order to get ahead in the business.

The climax of the film reveals that Guy killed Dawn (who is blamed for kidnapping and torturing Buddy), and was subsequently promoted. In the final scene, Guy, who seems to have come out from under Buddy's reign a much hardened human being, tells a former colleague to find out what he really wants and then do anything to get it; during this speech, Buddy stands by, smiling as he calls Guy into his office for a meeting.

Cast

Production

Huang decided to write the script after having a conversation with Robert Rodriguez. Rodriguez was in Los Angeles after his film El Mariachi brought him to the attention of Sony Pictures, where he befriended Huang. Huang told Rodriguez of his frustrations with filmmaking when the director encouraged him to quit his post at Sony and pursue writing full time so Huang could produce a script to direct himself.

Huang's resultant script, "Reel Life", was picked up by Cineville executive Frank Evers, who brought in financing from independent investors, and significant production support from Sony Pictures Entertainment. The film was subsequently sold to Trimark Pictures (later assumed by Lionsgate in 2000). Cineville produced the film with Steve Alexander overseeing production.

Many rumors circulate about whom Buddy is based on. One is that the character was inspired by real life movie mogul Scott Rudin, while another is that he is based on producer Joel Silver and Guy is based on Silver's assistant in the early 90's, Alan Schechter. George Huang used to work as an assistant for Barry Josephson, who was the Senior Vice President of Development at Sony Pictures.

The director Buddy hires in the film, Foster Kane, is named after Orson Welles' character in the 1941 film Citizen Kane, Charles Foster Kane

Reception

The film was met with very positive reviews. At Rotten Tomatoes, Swimming with Sharks holds a score of 79% of positive reviews by critics, based on 34 reviews.[1]

American Film Institute recognition:

Stage adaptation

A stage adaptation penned by Michael Lesslie had its world premiere at London's Vaudeville Theatre in October, 2007. The play starred Christian Slater as Buddy, Matt Smith as Guy, Arthur Darvill as Rex and Helen Baxendale as Dawn. Smith and Darvill would reunite from 2010 to 2011 as the Doctor and recurring (later regular) character Rory Williams, respectively, in the BBC science fiction television series Doctor Who. Academy Award nominated actor Demian Bichir under his brother's direction (Bruno Bichir) opened a Spanish version of the play in Mexico City on January 2012.

References

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