The Symphony No. 49 in F minor (Hoboken 1/49) was written by Joseph Haydn. It is popularly known as La Passione (the Passion).
It was written in 1768 during Haydn's Sturm und Drang period.
The four movements follow the what was by then archaic Sonata da chiesa pattern: slow-quick-slow (minuet)-quick. It was the last time Haydn was to follow this scheme in a symphony.
The scoring of the symphony is typical of Haydn in this period: two oboes, bassoon, two horns, strings and continuo.
This work was given its nickname by its French publisher.
All the movements are in F minor, although the trio is in F major, providing a glimpse of brightness in the generally pessimistic scene. The two quick movements are notable for their forward drive and relentless energy.
| Symphonies by Joseph Haydn |
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1 · 2 · 3 · 4 · 5 · 6 (Le Matin) · 7 (Le Midi) · 8 (Le Soir) · 9 · 10 · 11 · 12 · 13 · 14 · 15 · 16 · 17 · 18 · 19 · 20 · 21 · 22 (Philosopher) · 23 · 24 · 25 · 26 (Lamentatione) · 27 · 28 · 29 · 30 (Alleluia) · 31 (Hornsignal) · 32 · 33 · 34 · 35 · 36 · 37 · 38 (Echo) · 39 · 40 · 41 · 42 · 43 (Mercury) · 44 (Trauer) · 45 (Farewell) · 46 · 47 (Palindrome) · 48 (Maria Theresia) · 49 (La Passione) · 50 · 51 · 52 · 53 (L'impériale) · 54 · 55 (The Schoolmaster) · 56 · 57 · 58 · 59 (Fire) · 60 (Il distratto) · 61 · 62 · 63 (La Roxelane) · 64 (Tempora Mutantur) · 65 · 66 · 67 · 68 · 69 (Laudon) · 70 · 71 · 72 · 73 (La Chasse) · 74 · 75 · 76 · 77 · 78 · 79 · 80 · 81 · 82 (The Bear) · 83 (The Hen) · 84 (In Nomine Domini) · 85 (La Reine) · 86 · 87 · 88 · 89 · 90 · 91 · 92 (Oxford) · 93 · 94 (Surprise) · 95 · 96 (Miracle) · 97 · 98 · 99 · 100 (Military) · 101 (Clock) · 102 · 103 (Drumroll) · 104 (London) |
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