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tad

 
(tăd) pronunciation
n. Informal
  1. A small boy.
  2. A small amount or degree; a bit.
idiom:

a tad

  1. To a small degree; somewhat: acting a tad silly; a tad uncomfortable.

[Perhaps short for TADPOLE.]


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  • Genres: Rock

Biography

Tad were one of the heaviest Seattle grunge bands, fashioning a loud, slow, lumbering grind that -- unlike many of their peers -- was inspired far more by '70s metal than punk. Less melodic and accessible than grunge's biggest names, Tad's music simply steamrolled over everything in its way, which likely contributed to their being the last homegrown band on Sub Pop's grunge-era roster to snag a major-label deal. Although the whole band dressed like Northwestern lumberjacks, their redneck image chiefly came courtesy of 300-pound frontman Tad Doyle; their publicity usually emphasized Doyle's previous job as a butcher, and his lyrics often sent up local white-trash culture. Tad's sound changed little even as grunge's heyday passed, and after several years without a record deal, they disbanded. Tad was formed in Seattle in 1988 by lead vocalist/guitarist Tad Doyle (born Thomas A. Doyle in Boise, ID) and bassist Kurt Danielson, who had previously played together in a group called Bundle of Hiss. They added guitarist Gary Thorstensen and onetime Skin Yard drummer Steve Wied to complete the lineup, and soon landed a deal with Sub Pop. Their debut album, the assaultive God's Balls, was released in 1989 and produced by Jack Endino. Songs like "Satan's Chainsaw," "Pork Chop," and "Nipple Belt" established the band's collective persona, and they supported the record as Nirvana's opening act on the Bleach tour. Their follow-up, 1990's Salt Lick, was recorded with noisemeister Steve Albini in the producer's chair. Switching producers once again, Tad turned in their most melodic Sub Pop album under the guidance of Butch Vig (of Nevermind fame) with 1991's 8-Way Santa, which spawned the tongue-in-cheek single "Jack Pepsi." The original cover photo -- a man fondling a woman's breast -- had been found at a garage sale, and was subsequently removed when the woman in question discovered the record and sued. Meanwhile, Tad was enjoying a growing cult following, underlined by Doyle's brief cameo in Cameron Crowe's Seattle-based romantic comedy Singles. The band was offered a major-label contract by Warner Brothers subsidiary Giant, but drummer Wied exited the group before they began work on their next album. He was replaced by Josh Sinder, formerly of hardcore punkers the Accused, for Tad's major-label debut, Inhaler. Produced by Dinosaur Jr.'s J Mascis and issued in 1993, Inhaler failed to make the band into breakout stars, despite an opening slot on tour with Soundgarden. Compounding their disappointing sales was Giant's displeasure at a controversial promo poster for the album, which featured a picture of Bill Clinton smoking a joint with the caption "This is heavy sh*t." Giant unceremoniously dropped Tad from its roster, and guitarist Thorstensen left in 1994, reducing the band to a trio. They subsequently recorded Live Alien Broadcasts, a live-in-the-studio look back over their career that was released by Futurist Records in 1995. They also secured a second major-label shot with Elektra subsidiary EastWest, which released Infrared Riding Hood later in 1995. The album went nowhere, and Tad were dropped once again. They kept gigging for a few years afterward; Sinder left in 1997, later joining Willard, and was replaced by ex-Foil member Mike Mongrain. However, after a final single release on Amphetamine Reptile, Tad gave up the ghost in 1998. Kurt Danielson joined up with the Screaming Trees/Mudhoney side project Valis, while Tad Doyle formed a new group, Hog Molly, that released an album called Kung-Fu Cocktail Grip in 2001. ~ Steve Huey, Rovi
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Tad (band)

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Tad
Origin Seattle, Washington, United States
Genres Grunge, alternative metal
Years active 1988–1999
Labels Sub Pop, Amphetamine Reptile Records, Futurist Records, Giant/Warner Bros. Records, EastWest/Elektra Records

Tad was an American grunge band from Seattle, Washington led by Tad Doyle. Among the first of the many bands which came out of Seattle in the grunge era, Tad was notable for the fact that its music had a noticeable 1970s metal influence, rather than the punk which influenced most other grunge bands. Although their commercial success was limited, their music is still highly regarded amongst grunge fans.

Contents

History

Led by Tad Doyle (b. Thomas Doyle) on vocals and guitar, Tad was formed in early 1988 by Doyle and bassist Kurt Danielson, who met while at a Christian Banquet. They previously played together when Danielson's band Bundle of Hiss played with Doyle's previous band (in which he played drums) H-Hour. Doyle had also earlier played in a Gang of Four cover band called Red Set. They recruited drummer Steve Wied (formerly of Skin Yard and Death and Taxes) and guitarist Gary Thorstensen (ex-Treeclimbers) to complete the original lineup.

Tad was among the first bands to be signed to Sub Pop Records and was possibly the first pioneer of what was to be later called grunge rock. In 1987, Doyle had released the "Daisy/Ritual Device" single on Sub Pop, produced by seminal Seattle producer Jack Endino, for which Doyle wrote and performed all music. Tad's debut album God's Balls appeared in early 1989 and was also produced by Endino. In March 1990 the band released the Salt Lick EP, recorded by Steve Albini. The single "Wood Goblins" was released in the same year, but was apparently banned by MTV. After a European tour with Nirvana, Tad returned to Seattle and recorded their second album 8-Way Santa (1991), named after a type of blotter acid. Produced by famed 90's grunge and alternative producer Butch Vig (better known for Nirvana's Nevermind, Smashing Pumpkins's Siamese Dream and as drummer for the band Garbage, the album was far more pop-oriented than its predecessors, featuring such songs as "Jinx," "Stumblin' Man" and "Jack Pepsi." "Jack Pepsi" was released as a single, but Pepsi filed a lawsuit against the band due to the cover art on the single, which was the Pepsi logo with "Tad" in place of "PEPSI." However, The so-called "Pepsi logo" was missing the left and right colorations in the actual Pepsi logo, one being of a light blue color; said light blue color never appeared on the Tad artwork, making this at best an attempt at "folk art", not even coming close to "copyright infringement". Another lawsuit was filed due to the cover of 8-Way Santa (which was a found picture of a man fondling a woman's breast). The couple in the photograph, one of whom had since become a born-again Christian and remarried, took exception and sued. Sub Pop changed the album cover to a group shot.

After a very brief acting stint in Singles, Tad was offered its first major-label opportunity by Giant Records. However, Steve Wied had left, joining Willard, and later Foil. Rey Washam (formerly of Scratch Acid) briefly filled on drums in 1991 but was later replaced by Josh Sinder, previously of the Accused. Sinder debuted with Tad on their last Sub-Pop release, the "Salem/Leper" single (which featured "Mud-Man," Josh's apparently mumps-afflicted brother, on the cover). Their major label debut Inhaler, appeared later in the year to positive reviews. The record failed to break the band however, even though they were chosen to open for Soundgarden on their 1994 Superunknown tour. Giant Records quickly got cold feet and dropped the band when a poster promoting Inhaler surfaced featuring Bill Clinton smoking a joint with the caption reading "It's heavy shit".

In 1994, the band released Live Alien Broadcasts on Futurist Records, which was a best-of live studio recording. Thorstensen left but they secured a second major-label deal with EastWest/Elektra Records in 1995 releasing their fifth album Infrared Riding Hood. Tad were dropped again in 1996 when the album received disappointing sales. They continued to gig for the remainder of the year before Sinder left to form the Hot Rod Lunatics. He was replaced on drums by Mike Mongrain of Foil. Tad's final single "Oppenheimer's Pretty Nightmare/Accident on the Way to Church" appeared in 1998 on Up Records. A year later the band dissolved.

Following Tad's breakup, Doyle formed Hog Molly in 2001 with Willard bassist Ty Garcia, and 50 paces guitarist Martin Chandler, releasing the album Kung-Fu Cocktail Grip late the same year. He later formed the band Hoof. Tad's current (2008) band Brothers of the Sonic Cloth has been playing in Seattle night clubs. Kurt Danielson went on to join Valis, a project which included members of Screaming Trees and Mudhoney. Then he formed The Quaranteens, a post-punk/new-wave band with Craig Paul, before moving to France. He is back in Seattle since 2008, and has started to write a novel. Danielson has also played in other local Seattle-based bands including the Misericords and Vaporland. Josh Sinder has gone on to play drums in The Insurgence and also plays with Marky Felchtone from Zeke in new band Hellbound For Glory.

A documentary of the band titled Busted Circuits and Ringing Ears was released in February 2008. In July 2009 taddoyle.com announced plans by Brothers of the Sonic Cloth to release a split 10" vinyl record with Seattle-area sludge metal band, Mico de Noche. The Brothers of the Sonic Cloth/Mico de Noche split 10" vinyl record was released in October 2009 as an edition of 500 copies and featured two songs by Mico de Noche and one song by Brothers of the Sonic Cloth, "Fires Burn Dim in the Shadows of the Mountain". The record received several positive reviews[1][2][3][4] and appeared on multiple "Best of 2009" lists.[5]

Band members

  • Tad Doyle – vocals, guitar (1988–99)
  • Joel Elman – guitar (1988)
  • Joe Garner – guitar (1988)
  • Gary Thorstensen – guitar (1988–94)
  • Kurt Danielson – bass (1988–99)
  • Steve Wied – drums (1988–91)
  • Rey Washam – drums (1991)
  • Josh Sinder – drums (1992–96)
  • Mike Mongrain – drums (1996–99)


Discography

Albums

Extended plays and singles

Compilations and soundtracks

See also

References

References

  1. ^ "Brothers of the Sonic Cloth and Mico de Noche on a Timeshare". The Obelisk. http://theobelisk.net/obelisk/2009/10/21/micobotscsplit/. Retrieved 15 July 2010. 
  2. ^ "BROTHERS OF THE SONIC CLOTH / MICO DE NOCHE". deaf sparrow. http://www.deafsparrow.com/brothersofthesonicloth-micodenoche-2010-review.htm. Retrieved 15 July 2010. 
  3. ^ Pegoraro, John (15). "Mico De Noche/Brothers of the Sonic Cloth - Split". Stonerrock.com. http://www.riffrock.com/forums2/allposts.asp?Forum=ap809241559&ID=47744&StartAt=0. Retrieved 15 July 2010. 
  4. ^ Cara (25). "Split: Brothers of the Sonic Cloth/Mico de Noche". http://ritualroom.blogspot.com/2010/01/split-brothers-of-sonic-clothmico-de.html. Retrieved 15 July 2010. 
  5. ^ Levin, Hannah (30). "Our Favorite Local Releases of 2009". Seattle Weekly. http://www.seattleweekly.com/2009-12-30/music/our-favorite-local-releases-of-2009/. Retrieved 15 July 2010. 

External links

  • [1] Tad's official website
  • [2] Tad's new band Brothers of the Sonic Cloth page
  • [3] Tad's official Myspace page
  • Sup Pop Page Discography, Bio

Translations:

Tad

Top

Dansk (Danish)
adv. - lille fyr
n. - en smule

Nederlands (Dutch)
jochie, klein beetje

Français (French)
adv. - un peu
n. - petite quantité, bambin

Deutsch (German)
n. - kleines Kind, kleiner Junge, (ugs.) Kleinbetrag, ein bIsschen
adv. - ein wenig

Ελληνική (Greek)
n. - λιγουλάκι

Italiano (Italian)
bambinetto

Português (Portuguese)
n. - criança (f)

Русский (Russian)
Несколько, немного, капелька (лучше/хуже т.д.)

Español (Spanish)
adv. - hasta cierto punto
n. - niño pequeño

Svenska (Swedish)
n. - småkille, knatte, en bit, en smula, något

中文(简体)(Chinese (Simplified))
少量地, 小孩子, 少量, 微量

中文(繁體)(Chinese (Traditional))
adv. - 少量地
n. - 小孩子, 少量, 微量

한국어 (Korean)
adv. - 조금
n. - 어린 아이, 소년

日本語 (Japanese)
n. - 男の子, 少年, 少し

العربيه (Arabic)
‏(الاسم) صبي - غلام‏

עברית (Hebrew)
adv. - ‮ילד, כמות זעירה, מעט‬
n. - ‮מעט‬


 
 
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