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Talulah Gosh

 
Artist: Talulah Gosh
  • Genres: Rock
  • Representative Albums: "Backwash," "They've Scoffed the Lot," "Rock Legends Volume 69"
  • Representative Songs: "Talulah Gosh," "Spearmint Head," "Bringing Up Baby"

Biography

Avatars of the British twee pop movement, Talulah Gosh formed in late 1985 when economics student Amelia Fletcher and struggling artist Elizabeth Price met at an Oxford area club; both were wearing Pastels badges, and their common love for indie rock prompted them to immediately found their own group. Originally intending to form a post-punk variation on '60s-era girl groups, neither of the aspiring vocalists had the time or energy to find compatible female musicians, so they instead recruited Fletcher's 15-year-old brother Mathew on drums, her record-store clerk boyfriend Peter Momtchiloff on guitar, and Chris Scott on bass; Rob Pursey, who rounded out the initial Talulah Gosh roster, exited after only three shows.

The band bowed in March 1986, opening for the Razorcuts; their introductory song was "Pastels Badge," a celebration of their origins. Soon Talulah Gosh made their recording debut with "I Told You So," one side of a split flexi-disc with the Razorcuts issued on the tiny Sha-La-La label (whose owner, Matt Haynes, went on to co-found the highly influential Sarah Records imprint). A session for the BBC Radio One's Janice Long show followed before they signed to the Edinburgh label 53rd and 3rd, releasing their debut EP, Steaming Train, in 1987; the group's jangly, winsome songs and cotton-candy vocals won them a fervent cult following, and placed Talulah Gosh at the forefront of what the U.K. press dubbed the "shambling" scene.

Prior to the release of Steaming Train, Price left the band, having grown tired of their haphazard, out-of-tune live shows -- guitars broke, amplifiers shorted out, and cymbals crashed over, forcing the group to attempt to repair their instruments between songs. With Eithne Farry sharing vocal duties, Talulah Gosh returned to the studio in 1987 to record their second EP, Where's the Cougar, Matey?; a single, "Testcard Girl," followed, but after a final John Peel session, the group splintered in February 1988 to allow its members to continue their university careers. The Fletcher siblings and Momtchiloff later reunited in Heavenly, which also featured original Gosh bassist Rob Pursey. ~ Jason Ankeny, All Music Guide
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Wikipedia: Talulah Gosh
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Talulah Gosh

Talulah Gosh (clockwise from top left: Mathew Fletcher, Elizabeth Price, Amelia Fletcher, Chris Scott and Peter Momtchiloff).
Background information
Origin Oxford, England
Genre(s) Twee pop
Years active 19861988
Label(s) Sarah
K
Associated acts Heavenly, Tender Trap, Marine Research, Scarlet's Well, Would Be Goods, The Carousel, Razorcuts
Former members
Amelia Fletcher
Mathew Fletcher
Peter Momtchiloff
Rob Pursey
Elizabeth Price
Chris Scott
Eithne Farry

Talulah Gosh was a guitar-pop group from Oxford, England and one of the leading bands of the twee pop movement, taking their name from the headline of an NME interview with Clare Grogan.[1] They supposedly formed when Amelia Fletcher and Elizabeth Price, both wearing Pastels badges, met at a club in Oxford. Formed in 1986, their original line-up comprised Amelia Fletcher (vocals, guitar, principal songwriter), her younger brother Mathew Fletcher (drums), Peter Momtchiloff (lead guitar), Rob Pursey (bass) and Elizabeth Price (vocals). Pursey left early on, to be replaced by Chris Scott.

Contents

History

The group made their live debut on March 7, 1986, and later the same year released a flexidisc on Sha La La flexilabel and two singles simultaneously on the Edinburgh-based label 53rd & 3rd, "Beatnik Boy" and "Steaming Train". These singles, especially the former, were unashamedly cutesy, something also reflected in the names the group had adopted for themselves: leader Amelia was "Marigold", while Elizabeth became "Pebbles". Mathew Fletcher was rather less flatteringly nicknamed "Fat Mat". Their appearance led to them being labelled as an "anorak indie" band.

For their third single, the group returned to a song they had first recorded in session for Janice Long's show on Radio 1 in August 1986, "Talulah Gosh". Elizabeth Price left toward the end of the year to form The Carousel with Razorcuts frontman Gregory Webster, and so the single, released on May 30, 1987, was the first to feature replacement Eithne Farry (vocals, tambourine). The single was less shambolic than their earlier offerings, and a video [1] was made for it which was played on The Chart Show (then shown on Channel 4), giving the band some mainstream exposure. The single was produced (some critics suggested it was over-produced) by John Rivers, as was the follow-up "Bringing Up Baby", a sophisticated pop song that reduced the band's "shambling" element to the point where mainstream success seemed a possibility. Indeed, The Primitives would later take precisely this route to success — but Talulah Gosh never made the national charts. The ironically-titled debut album Rock Legends : Volume 69 was released in October 1987, collecting tracks from the earlier singles and radio sessions.

January 1988 saw not only the release of "Bringing Up Baby" but also the broadcast of a second Radio 1 session, this time for DJ John Peel. What was to be Talulah Gosh's last single, a Ramones-like punk thrash titled "Testcard Girl" (very loosely based on an old Heinz advertising jingle), was released in May. The group split later that year. A posthumous collection of BBC radio sessions was issued by Sarah Records in 1991, and a more comprehensive retrospective was released on K Records in 1996.

After the split, Peter joined The Razorcuts, while Amelia issued a one-off solo single, "Can you keep a secret?". Amelia and Mathew Fletcher and Peter Momtchiloff regrouped as Heavenly in late 1989 with Talulah Gosh co-founder Rob Pursey also returning to the fold. Following the breakup of the Razorcuts, Chris and Eithne formed Saturn V with Gregory Webster.

Discography

See also

External links

References

  1. ^ Larkin, Colin: The Guinness Who's Who of Indie and New Wave Music, 1992, Guinness Publishing, ISBN 1-85112-579-4

 
 
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