Themes: Future Dystopias, Deal With the Devil, Rags To Riches
Main Cast: Catherine Stewart, George Gilmour, Joss Ackland, Vladek Sheybal, Grace Kennedy
Release Year: 1980
Country: DE/US/WG
Run Time: 90 minutes
Plot
Unleashed just as the disco phenomenon had peaked and was slipping out of public favor, this one-of-a-kind pop musical is set in 1994, when a Mephistophelean entrepreneur named Mr. Boogalow (Vladek Sheybal) controls the international recording industry through the Worldvision Song Contest. Boogalow's wildly theatrical protégés, a decedent dance-pop group called Bim, seem a sure bet to walk off with the grand prize and worldwide fame, but at the last minute Alphie (George Gilmour) and Bibi (Catherine Mary Stewart), a folk duo from Canada, nearly steal their thunder with their song "Love, the Universal Melody." While Boogalow rigs a victory for Bim, he sees moneymaking potential in Alphie and Bibi and offers to sign them to a contract. Alphie, suspicious of Boogalow, declines, but Bibi leaps at the chance, and is soon remodeled into a stylish pop star while heart-broken Alphie throws in his lot with a gang of hippies living in the park. Bibi comes to regard fame and wealth as hollow and empty, but discovers walking away from Boogalow is easier said than done. Featuring an inarguably remarkable finale, The Apple was shot primarily in Germany, despite being set in the United States; while George Clinton is credited with writing lyrics for several of the original tunes, be advised it's not the same George Clinton who led Parliament and Funkadelic in the 1970s and '80s. ~ Mark Deming, All Movie Guide
Review
This 1980 attempt to cut in on the "midnight movie" market created by The Rocky Horror Picture Show has become a camp classic for all the wrong reasons. The Apple is fascinating because it takes a conceptual wrong turn at every angle: the 'futuristic' production design looks garish and cheap instead of sleek, the tone constantly veers back and forth between comedy and melodrama and the script is a mind-boggling muddle of religious overtones, heavy-handed "showbiz" satire and silly attempts at an anti-totalitarian message. The Apple's serious intentions are further crippled by weak performances: George Gilmour makes a stone-faced, emotionally inert hero and Catherine Mary Stewart is too bland a romantic lead to inspire any interest in the film's romantic subplot. The only actor who escapes unscathed is Vladek Sheybal, who applies a light comedic touch to the villainous Mr. Boogalow that escapes the rest of the cast. Despite these seemingly insurmountable flaws, The Apple remains surprisingly watchable if one has a taste for schlock: director Menahem Golan keeps up a speedy pace that delivers the film's bizarre melange of mismatched elements at a breezy clip and the outrageous musical score delivers an unintentionally funny but always catchy musical number every few minutes. The finished product seldom makes sense but delivers so much sheer oddness at such a high speed that it is virtually impossible to be bored by this film. As a result, The Apple will probably baffle most viewers but trash devotees will find it to be a 'schlock musical' classic worthy of Can't Stop The Music or Grease 2. ~ Donald Guarisco, All Movie Guide
Alan Love - Dandi; Ray Shell - Shake; Derek Deadman - Bulldog; Miriam Margolyes - Landlady; Leslie Meadows - Ashley; George S. Clinton - Joe; Coby Recht - Jean Louis; Iris Recht - Domini; Michael Logan - James
Credit
Nigel Lythgoe - Choreography, Ingrid Zore - Costume Designer, Menahem Golan - Director, Alain Jakubowicz - Editor, Coby Recht - Composer (Music Score), Iris Recht - Composer (Music Score), George S. Clinton - Songwriter, Iris Recht - Songwriter, Hans Jurgen Kiebach - Production Designer, David Gurfinkel - Cinematographer, Yoram Globus - Producer, Menahem Golan - Producer, Coby Recht - Screen Story, Iris Recht - Screen Story, Menahem Golan - Screenwriter, Coby Recht - Screenwriter, Iris Recht - Screenwriter
The film was a low budget attempt by the young Cannon studio to capitalize on the success of music-oriented films like Saturday Night Fever and Grease. Set in America but filmed in Germany, it was released in West Germany as Star Rock in 1978. The film was critically panned and a box office bomb when given an extremely limited U.S. release in the fall of 1980 under its current title. It may have underperformed in theaters because of the waning popularity of disco music and its rather campy plotline. However, in later years the film has gone on to enjoy a small cult following.
Alphie (George Gilmour) and Bibi (Catherine Mary Stewart), two youths from Moose Jaw, Saskatchewan in Canada, travel to America to take part in the 1994 Worldvision Song Festival. Despite being the most talented performers, they are beaten by BIM (Boogalow International Music) and its leader, Mr. Boogalow (Vladek Sheybal), who use underhand tactics to secure a victory. The duo are approached by Mr. Boogalow to sign to his music label, but soon discover the darker side of the music industry. Bibi is caught up in the wild lifestyle BIM offers, while Alphie risks his life to free her from the company's evil clutches. There is a surprise twist ending (a deus ex machina).
