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The Aristocrats

 
Movies:

The Aristocrats

  • Director: Paul Provenza
  • AMG Rating: starstarstarstar
  • Genre: Culture & Society
  • Movie Type: Standup Comedy
  • Release Year: 2005
  • Country: US
  • Run Time: 90 minutes
  • MPAA Rating: NR

Plot

"A family walks into a talent agent's office..." So begins "The Aristocrats," a joke kept mostly secret by stand-up comedians for decades. An intentionally "bad" joke, the laughs in The Aristocrats aren't in the punch-line (one of the only elements that's the same every time), but in the set-up, made unique by each comedian who tells it in an attempt to fashion the world's dirtiest joke. The cat was finally let out of the bag by Penn Jillette and Paul Provenza, the seasoned funnymen who gathered together a hundred people to tell a hundred different renditions of the bit. Among those presenting their personal take on The Aristocrats in this film of the same name are Jason Alexander, Robin Williams, Gilbert Gottfried, Jon Stewart, Emo Philips, and Chris Rock. The Aristocrats premiered at the 2005 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Review

The Aristocrats is an odd little documentary. The film has the ultimate one-joke premise, and the joke isn't even very funny (as many of the comics in the film note), but it offers an opportunity for several talented, inspired comics to riff, and make it their own, while commenting on the nature of standup comedy, and the intricacies of what makes something funny. The joke itself offers the basest, most falsely transgressive type of humor. While startling, the jokes about incest and spousal abuse don't seem very far-removed from the misogynistic nursery rhymes of Andrew Dice Clay. While it's certain to anger some of the right people, it's hardly a mighty salvo for freedom in the culture wars. Many of the comics seem content to merely shock. The ones that come off the best are those that break down the joke effectively (Jake Johannsen discussing the eponymous act's legal ramifications, and the illogic of the talent agent's interest in what they call themselves) or have a certain credibility derived from the genuinely transgressive nature of their previous work (Gilbert Gottfried, George Carlin). Billy the Mime works thanks to the incongruity of seeing a street performer in whiteface enact such atrocities. And the brilliant Sarah Silverman transcends the mean-spirited nature of the joke by improvising a personal history with the act, and caps it with a scandalous (and, okay, mean-spirited) revelation that is also the funniest movie line in recent memory. Director (and comic) Paul Provenza, who conceived the project with Penn Jillette and co-edited the film with Emery Emery, keeps things moving at a good clip, and structures the film in a slick, consistently engaging way. It offers a much richer, more enjoyable experience than listening to the same joke over and over for 90 minutes. ~ Josh Ralske, All Movie Guide

Cast

Jason Alexander; Hank Azaria; Shelley Berman; Lewis Black; George Carlin; Pat Cooper; Phyllis Diller; Joe Franklin; Whoopi Goldberg; Gilbert Gottfried; Allan Havey; Dom Irrera; Sue Kolinsky; Cathy Ladman; Bill Maher; Howie Mandel; Jackie Martling; Chuck McCann; Larry Miller; Kevin Nealon; Taylor Negron; Rick Overton; Gary Owens; The Passing Zone; Emo Philips; Peter Pitofsky; Kevin Pollak; Paul Reiser; Don Rickles; Chris Rock; Rita Rudner; Bob Saget; The Smothers Brothers; Carrie Snow; Larry Storch; Rip Taylor; Teller; Bruce Vilanch; Fred Willard; Steven Wright; David Brenner; Billy Connolly; Mario Cantone; Tim Conway; Franco di Giacomo; Carrie Fisher; Eric Idle; Penn Jillette; Richard Lewis; Michael McKean; Martin Mull; Harry Shearer; David Steinberg; Dave Thomas; Robin Williams; Paul Krassner; Mark Cohen; Susie Essman; Richard Jeni; Peter Tilden; Andy Dick; Jake Johannsen; Jay Kogen; Eddie Izzard; Dana Gould; Jonathan Ross; Gregg Rogell; Jon Stewart; Carrot Top; Eddie Gorodetsky; Drew Carey; Bobby Slayton; Sarah Silverman; Judy Gold; Andy Richter; Johnny Thompson; T. Sean Shannon; Wendy Leibman; Jeffrey Ross; Merrill Markoe; Todd Glass; Lisa Lampanelli; Doug Stanhope; Alan Kirschenbaum; Chris Albrecht; Billy the Mime; Wayne Cotter; The Amazing Jonathan; Jay Marshall; Eric Mead; The Onion Editorial Staff; Otto & George

Credit

Glenn S. Alai - Associate Producer, Ken Krasher Lewis - Co-producer, Paul Provenza - Director, Paul Provenza - Editor, Emery Emery - Editor, Paul Provenza - Executive Producer, Penn Jillette - Executive Producer, Gary Stockdale - Composer (Music Score), Mike Jones - Camera Operator, Paul Provenza - Cinematographer, Penn Jillette - Cinematographer, Emery Emery - Cinematographer, Michael Lynn - Cinematographer, Tristan Prescott - Cinematographer, Dean Cameron - Cinematographer, Corneleus - Cinematographer, Michael Goudeau - Cinematographer, Rich Nathanson - Cinematographer, Colin Summers - Cinematographer, Ezekiel Zabrowski - Cinematographer, Emily Zolten Jillette - Cinematographer, Peter Adam Golden - Producer, Penn Jillette - Sound/Sound Designer, Erica Wilson - Sound Editor, Farley Ziegler - Supervising Producer

Similar Movies

F*ck; Gilbert Gottfried: Dirty Jokes; Let Me In - I Hear Laughter: A Tribute to the Friars Club; Wisecracks
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Wikipedia: The Aristocrats (film)
Top
The Aristocrats
Directed by Paul Provenza
Produced by Paul Provenza and Penn Jillette
Starring Various
Music by Gary Stockdale
Editing by Emery Emery and Paul Provenza
Distributed by THINKFilm
Release date(s) August 12, 2005
Running time 89 Minutes
Country  United States

The Aristocrats is a 2005 documentary film about the famous dirty joke of the same name. It was conceived and produced by comedians Penn Jillette and Paul Provenza, edited by Emery Emery, and released to theaters by THINKFilm. The film is dedicated to Johnny Carson, as "The Aristocrats" was said to be his favorite joke[1].

Contents

The joke

"The Aristocrats" is a longstanding transgressive joke amongst comedians, in which the setup and punchline are almost always the same (or similar). It is the joke's midsection – which may be as long as the teller prefers and is often completely improvised – that makes or breaks a particular rendition.

The joke involves a person pitching an act to a talent agent. Typically the first line is, "A man walks into a talent agent's office." The man then describes the act. From this point, up to (but not including) the punchline, the teller of the joke is expected to ad-lib the most shocking act they can possibly imagine. This often involves elements of incest, group sex, graphic violence, defecation, coprophilia, necrophilia, bestiality, child sexual abuse and various other taboo behaviors.

The joke ends with the agent, shocked and often impressed, asking "And what do you call the act?" The punchline of the joke is then given: "The Aristocrats".

The joke, as first delivered in the film, contains the set-up line "What the heck do you call an act like that?" followed by the punchline "I call it 'The Aristocrats'." The added set-up value of this version of the joke, wherein the pitchman misunderstands the meaning of the phrase "What the heck do you call [that]?" as a request for information, when it is in fact meant to be an expression of incredulity or bewilderment, is lost in subsequent tellings of the joke, with the simpler and less sensible question asked by the agent, "What do you call your act?"

The film itself consists of interviews with various comedians and actors, usually in candid settings. The interviewees engage both in telling their own versions of the joke, and in reminiscing about their experiences with it, the joke's place in comedy history, and even dissecting the logic behind the joke's appeal.

While most of the filmed versions of the joke follow the standard format of a raunchy description followed by the punchline of "the Aristocrats", some versions do vary the joke. Two tellings of it, including that of comedienne Wendy Liebman invert the joke by describing an elegant and beautiful performance act which has been given a lewd and transgressive name. Actor Taylor Negron tells his joke as a mixture of salacious sex acts and calmly delivered observations on life.

Featured comedians

The following comedians are featured in the film, telling the joke themselves and/or providing substantial commentary on its history:

Many other comedians were filmed but not included due to time constraints. According to a letter to critic Roger Ebert from Penn Jillette, Buddy Hackett and Rodney Dangerfield were both intended to be included, but died before they could be filmed. Jillette also indicated that, this being Johnny Carson's favorite joke, Carson was also invited to appear, but declined.[2]

Joe Franklin controversy

In the film, Sarah Silverman tells a version of the joke as if it were autobiographical and she had been one of the "Aristocrats" performers as a child. Silverman builds the story to include her family being booked on the The Joe Franklin Show, and ends with her punch line: a deadpan allegation that Franklin had raped her during a phony rehearsal for the show. The New Yorker reported that Sarah Silverman's telling of the joke led veteran talk show host Joe Franklin, who is also featured in the film, to consider filing a defamation lawsuit against the comedian.[3]

On the DVD commentary track, Paul Provenza indicated that he had explained to Franklin that it was only meant to be a joke, and defended Silverman by calling her straight-faced performance Academy Award caliber. Additionally, Silverman told Jillette that it would have been a great publicity stunt if he had pressed charges.[citation needed]

AMC Banning

The theater chain AMC refused to show the movie on any of its 3,500+ screens. The theater company tried to avoid an overt ban, by claiming the film had a very limited appeal, causing comedian and co-producer Penn Jillette to comment to MSNBC, "It's the kind of thing that makes you go 'Come on, play fair.' It's not like we're trying to slide this by anybody by calling it Love Bug 2: Herbie Takes It Up the Ass."[4]

Friars Club roast footage

The film includes footage of Gilbert Gottfried's telling of the joke at a Comedy Central/Friars' Club roast of Hugh Hefner which had been almost entirely censored when aired on television. Taped not long after the September 11 terrorist attacks, the incident occurred at a time when, according to one of the commentators in the Aristocrats film, entertainers were uncertain how much comedy was allowed in the aftermath of the attacks. Gottfried followed Rob Schneider, who had received mixed results with his stand-up comedy performance in Hefner's honor. Gottfried began his performance with a joke in which he claimed to have to catch a late flight out of town but was worried because his flight "had a connection at the Empire State Building." The joke, an obvious reference to 9/11, was poorly received by the audience, who showered Gottfried with boos and cries of "too soon." In response, Gottfried told an obscenity-filled rendition of the Aristocrats joke. According to the film, the telling was as much a cathartic experience for the audience as it was a shocking one, regardless of whether viewers were familiar with the joke or not. During his performance, Gottfried told the audience "They might have to clean this up for TV."

References

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