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The Aristocrats

 
Wikipedia: The Aristocrats (joke)

[original research?]

The Aristocrats (also known as The Debonaires or The Sophisticates in some tellings) is an exceptionally transgressive dirty joke that has been told by numerous stand-up comedians since the vaudeville era. Throughout its long history, it has evolved from a clichéd staple of vaudevillian humor into a postmodern anti-joke.

Steven Wright has likened it to a secret handshake among comedians, and it is seen as something of a game in which those who tell it try to top each other in terms of shock value. It is thought of as a badge of honor among expert comedians and is notoriously hard to perform successfully.

It is rarely told the same way twice, often improvised, and was the subject of a 2005 documentary film of the same name.

Contents

Joke format

This joke almost always has these elements—alternative versions may change this form, but such versions tend to assume that the audience is already familiar with the joke:

  1. The setup: The joke always begins with a family act going in to see a talent agent.
    • Those who meet the agent can include the whole family, or just one family member (usually the father).
    • The agent asks (sometimes after saying that he is not interested, and a plea from the father) what they do.
    • If the whole family is present, the act may be performed for the agent, rather than described.
    • There is also the possibility of a neutral observer telling the tale of seeing the performance to the talent agent.
  2. The act: It is described in as much detail as the teller prefers.
  3. The punch line: The shocked (or intrigued) agent asks what the act is called, and the proud answer (sometimes delivered with a flourish) is: "The Aristocrats!"
    • The punchline may be modified in some variants, but generally such variants are told only in a context in which the original joke is known.
    • Because the sense of what an aristocrat is has faded in many countries, the final line may simply be seen as the end of a rather bawdy joke rather than a punchline. In some regions the name of the act is "The Sophisticates" or "The Debonaires".
    • The humor of the punch line is in the contrast between the abject horror of the scene described with the unexpectedly noble title "The Aristocrats".
    • Some versions of the punchline contain the set-up line "What the heck do you call an act like that?" followed by the punchline "I call it 'The Aristocrats'." The added set-up value of this version of the joke, in which the pitchman misunderstands the meaning of the phrase "What the heck do you call [that]?" as a request for information, when it is in fact meant to be an expression of incredulity or bewilderment, is lost in other tellings of the joke, with the simpler but less sensible question asked by the agent: "What do you call your act?"

History in print

  • In 2005, Jackie Martling's web site cited The Aristocrats as appearing on page 987 of Gershon Legman's Rationale of the Dirty Joke, Vol. 2, published in 1975.[1] Legman retells the joke, complete with its traditional vaudevillian flourishes, although he does not attribute the joke to vaudeville roots. Instead, Legman learned the joke from a young man who grew up in a broken home.[citation needed]

2005 film

A film called The Aristocrats premiered at the 2005 Sundance Film Festival. Co-produced by Penn Jillette and Paul Provenza, directed by Provenza and edited by Emery Emery, the film is based on hours of digital video taken over several years, featuring comedians talking about and telling their versions of the joke. The Aristocrats was Johnny Carson's favorite joke. Because of this, and because Carson died days after the film was screened at Sundance, Penn Jillette decided to dedicate this film to his memory. 'The Aristocrats' features performances and commentary from some of Hollywood's biggest power players in comedy, TV and film.[3]

Rumors cited in this film suggest that Chevy Chase used to hold parties at which the goal was to tell the joke for half an hour (without repeating any of the acts contained in its performance).[4]

See also

Notes

External links


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