When the Auteurs released their debut album in 1993, the British press linked them with the massively popular Suede as part of a "glam revival." While the band can blast out guitar-drenched rockers like Suede, the Auteurs come to life when they draw from the quiet side of such distinctively English guitar pop bands like the Kinks, the Smiths, and George Harrison. Luke Haines, the group's guitarist, vocalist, and songwriter, writes highly melodic pop songs that combine the airy melodies of Harrison with the cutting social observations of Davies; they're sharp, intelligent songs, full of humor and gorgeous melancholy, even when they're loud rockers. With their two albums, New Wave and Now I'm a Cowboy, they've earned a devoted cult in the U.K. without gathering much support in the United States. By the time the group released the Steve Albini-produced After Murder Park in early 1996, they had even lost most of their cult audience in the U.K.; accordingly, the album was a stiff, even on the indie charts. Before its release, Haines had dropped hints in interviews that the record may be the Auteurs' last. Six months later he released an album with his side project, Baader Meinhof; a new Auteurs record, How I Learned to Love the Bootboys, appeared in 1999. Haines focused his energy on Black Box Recorder for a few years, released a pair of solo albums in 2001, and re-recorded several Auteurs songs with an orchestra for 2003's Das Capital. ~ Stephen Thomas Erlewine, All Music Guide
However this association never sat well with Haines who frequently made derogatory remarks about his peers. After New Wave, the band remained on the fringes of the music scene. Their next album Now I'm a Cowboy (1994), built on the themes of New Wave and contained Haines' best known song, "Lenny Valentino". Demonstrating, again, their difference from their musical peers, the band's next release was The Auteurs vs Muziq, Auteurs songs remixed by producer Muziq (aka Michael Paradinas). In interviews at the time Haines claimed he found contemporary techno and house music more interesting than most Britpop bands.[citation needed]
In 1996 The Auteurs released After Murder Park, produced by Steve Albini, and it included "Land Lovers", "Unsolved Child Murder", and "Buddha". The album was recorded at Abbey Road Studios following a year during which Haines had spent most of his time in a wheelchair after jumping off a wall to avoid the strains of touring. Haines then went on to release an album, based on aspects of the Baader Meinhof terrorist organisation, entitled Baader Meinhof. The last Auteurs record, How I Learned to Love the Bootboys, was released in 1999.
Haines also worked as one third of the art-pop band Black Box Recorder, and in 2001 released the soundtrack album to the film, Christie Malry's Own Double-Entry, rapidly followed by his first solo album proper, The Oliver Twist Manifesto. 2003 saw him release Das Capital, a collection of re-recorded Auteurs era songs, with a couple of new tracks, apparently intended as closure for that band.
Banbury went on to record an album with Paul Morley under the name Infantjoy, and entitled Where the Night Goes. It features a vocal performance by Sarah Nixey of Black Box Recorder singing a version of Japan's "Ghosts". An Infantjoy album, With, was released in 2006 with collaborators including Tunng, Isan and Populous.
Several bands influenced by the Auteurs have taken their names from the band's songs. The Polish band Lenny Valentino took its name from The Auteurs' song on their album Now I'm a Cowboy and the Minneapolis based band, Valet, took its name from the song "Valet Parking" from New Wave.
In January 2009, Haines released a book entitled Bad Vibes, which serves dually as an autobiographical account of his years with The Auteurs, and as a record of the Britpop movement of the 1990s. Throughout the book, he never refers to Banbury by name, referring to him simply as "the cellist", although he is named in full in the acknowledgements.