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The Awful Truth

 
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The Awful Truth

  • Director: Leo McCarey
  • AMG Rating: starstarstarstar
  • Genre: Comedy
  • Movie Type: Romantic Comedy, Sophisticated Comedy
  • Themes: Foibles of Marriage, Breakups and Divorces
  • Main Cast: Cary Grant, Irene Dunne, Ralph Bellamy, Robert (Tex) Allen, Cecil Cunningham, Mary Forbes, Alex D'Arcy
  • Release Year: 1937
  • Country: US
  • Run Time: 90 minutes
  • MPAA Rating: NR

Plot

Leo McCarey directed this classic screwball comedy in which Cary Grant and Irene Dunne play Jerry and Lucy Warriner, a couple whose marriage is starting to fall apart. Jerry informs Lucy that he's taking a vacation alone in Florida; instead, he holes up with his buddies and plays poker for a week (while sitting under a sun lamp so he'll have an appropriate tan). Lucy concludes that Jerry was never in Florida just as Jerry discovers that Lucy was spending her time with Armand Duvalle (Alex D'Arcy), a handsome voice teacher. Both Jerry and Lucy believe the other was unfaithful, so they agree to a trial divorce, with a bitter battle fought over custody of Mr. Smith, the dog (Lucy gets the dog, but Jerry has visitation rights). Determined to make Jerry jealous, Lucy continues keeping company with Armand while also dating Daniel Leeson (Ralph Bellamy), a wealthy oil man from Oklahoma. Convinced that turnabout is fair play, Jerry starts going out with Dixie Belle Lee (Joyce Compton), a brassy nightclub singer, as well as socialite Barbara Vance (Molly Lamont). However, Lucy has belatedly decided that she wants Jerry back, and she hatches a plan to win him back by making a spectacle of herself at a party. The Awful Truth was based on a play which had been filmed twice before, but McCarey gave his superb comic cast free reign to improvise and add new business, and the results were splendid; you haven't lived until you've heard Irene Dunne attempt to sing "Home on the Range." ~ Mark Deming, All Movie Guide

Review

One of the greatest screwball comedies of the thirties, The Awful Truth is arguably the archetypal example of this influential genre. The plot -- in which a gorgeous, sophisticated couple (played by Cary Grant and Irene Dunne) divorce, dabble with various Mr. and Miss Wrongs, and get back together again -- is the screwball formula distilled to its essence. Also exemplary are the film's opulent sets and costumes, and Grant's and Dunne's fabulously witty dialogue. Like the featured couple in most screwball comedies, Jerry and Lucy Warriner are made for each other, a fact reinforced mostly by their sublime bickering (and the supporting characters' futile attempts to keep up with them). Based on a stage play by Arthur Richman that had been filmed twice before, Vina Delmar's script ably supplies the two stars with choice barbs, and Leo McCarey's confident direction keeps the action moving from set piece to hilarious set piece. Grant and Dunne are, unsurprisingly, brilliant as the warring Warriners, though special mention must also be made of some of the actors playing their hapless suitors: Ralph Bellamy as the hayseed Dan Leeson (Bellamy would later play nearly the same role in Howard Hawks' His Girl Friday); Alexander d'Arcy as the hilariously insipid Armand Duvalle; and Joyce Compton as the incomparable Dixie Belle Lee. Nominated for six Oscars in 1938, the film walked away with only one, for McCarey. ~ Mark Pittillo, All Movie Guide

Cast

Molly Lamont - Barbara Vance; Esther Dale - Mrs. Leeson; Joyce Compton - Dixie Belle Lee; Claud Allister - Lord Fabian; Zita Moulton - Lady Fabian; Al Bridge - Motor Cop; Wyn Cahoon - Mrs. Barnsley; Leonard Carey - Butler; Marguerite Churchill - Barbara Vance; Edgar Dearing - Motor Cop; Vernon Dent - Police Sergeant; Bess Flowers - Viola Heath; Byron Foulger - Secretary; Mitchell Harris - Jerry's Attorney; Miki Morita - Japanese Servant; Ed Mortimer - Lucy's Attorney; George C. Pearce - Caretaker; Edward Peil Sr. - Bailiff; Paul Stanton - Judge; John Tyrrell - Hank; Bobby Watson - Hotel Clerk; Robert Warwick - Mr. Vance; Frank Wilson - M.C.; Scott Colton - Mr. Barnsley

Credit

Lionel Banks - Art Director, Stephen Goosson - Art Director, Everett J. Riskin - Associate Producer, Robert Kalloch - Costume Designer, Leo McCarey - Director, Al Clark - Editor, Ben Oakland - Composer (Music Score), Morris W. Stoloff - Musical Direction/Supervision, Milton Drake - Songwriter, Ben Oakland - Songwriter, Joseph Walker - Cinematographer, Leo McCarey - Producer, Babs Johnstone - Set Designer, Vina Delmar - Screenwriter, Arthur Richman - Play Author

Similar Movies

Bringing Up Baby; Dinner at Eight; His Girl Friday; Holiday; Indiscreet; Kiss Me Kate; The Man Who Came to Dinner; The Marriage Circle; Mr. & Mrs. Smith; My Man Godfrey; Ninotchka; The Palm Beach Story; The Philadelphia Story; Private Lives; That Uncertain Feeling; Once in a Blue Moon; The Age for Love; Holiday; Kiss Me Again
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The Awful Truth

theatrical poster
Directed by Leo McCarey
Produced by Leo McCarey
Written by Arthur Richman (play)
Viña Delmar
Sidney Buchman (uncr.)
Starring Irene Dunne
Cary Grant
Music by Ben Oakland (music)
Milton Drake (lyrics)
Cinematography Joseph Walker
Editing by Al Clark
Studio Columbia Pictures
Distributed by Columbia Pictures
Release date(s) October 21, 1937
Running time 90 minutes
Country United States
Language English

The Awful Truth is a 1937 screwball comedy film starring Irene Dunne and Cary Grant. The plot concerns the machinations of a soon-to-be-divorced couple, played by Dunne and Grant, who go to great lengths to try to ruin each other's romantic escapades. The film was directed by Leo McCarey, who won the Academy Award for Best Director, and was written by Viña Delmar, with uncredited assistance from Sidney Buchman, from the 1922 play by Arthur Richman.[1]

The Awful Truth marked the first appearance of the uniquely effective light comedy persona used by Cary Grant in almost all his subsequent films, catapulting his career. Writer/director Peter Bogdanovich has noted that after this movie, when it came to light comedy, "there was Cary Grant and everyone else was an also-ran." McCarey is largely credited with concocting this persona, and the two men even shared an eerie physical resemblance.

Grant fought hard to get out of the film during its shooting, since McCarey seemed to be improvising as he went along, and initially even wanted to switch roles with co-star Ralph Bellamy. Although this led to hard feelings, it didn't prevent another McCarey-Grant collaboration, An Affair to Remember (1957), from being made later.

The film is one of a series of what the philosopher Stanley Cavell calls "comedies of remarriage", where couples who have once been married, or are on the verge of divorce, etc., rediscover that they are in love with each other, and recommit to the idea of marriage. Other examples include The Philadelphia Story and His Girl Friday, both released in 1940 and both starring Grant, and the Noel Coward play and film Private Lives. The original template for this kind of comedy is Shakespeare's Much Ado About Nothing. Many screwball comedies are based on the audience enjoyment of the humorous dynamic of people who are clearly too smart for their own desires.

In 1996 The Awful Truth was selected for preservation in the United States National Film Registry, having been deemed "culturally, historically, or aesthetically significant".


Contents

Plot

Jerry Warriner (Cary Grant) returns home from a trip to find his wife, Lucy (Irene Dunne), is not home. When she returns in the company of her handsome music teacher, Armand Duvalle (Alexander D'Arcy), he learns that she spent the night in the country with him, after his car supposedly broke down. Then, she discovers that Jerry hadn't gone to Florida as he had claimed. Mutual suspicions result in divorce.

Lucy moves into an apartment with Aunt Patsy (Cecil Cunningham) and becomes engaged to her neighbor, Dan Leeson (Ralph Bellamy) from Oklahoma. However, Leeson's mother (Esther Dale) does not approve of her. Eventually, Lucy realizes that she still loves Jerry and decides to break the engagement. However, before she can inform Dan, Armand shows up at her apartment to discuss Jerry's earlier disastrous interruption of Lucy's singing recital. When Jerry knocks on the door, Armand decides it would be prudent to hide in the bedroom. Jerry wants to reconcile, much to Lucy's delight, but then Dan and his mother make an appearance. Wanting to avoid complications, Jerry slips into Lucy's bedroom, too. A fight erupts when he finds Armand already there. When Jerry chases him out of the apartment, right in front of the Leesons, Dan and his mother stalk out.

Afterward, Jerry becomes seen around town with heiress Barbara Vance (Molly Lamont). To break up this relationship, Lucy crashes a party at the Vance mansion, pretending to be Jerry's sister. She acts like a showgirl (recreating a risqué musical number she had seen performed by one of Jerry's girlfriends) and lets on that their "father" had been a gardener at Princeton University, not a student athlete. Realizing that his chances with Barbara have been effectively sabotaged, Jerry drives Lucy away in her car.

Motorcycle policemen stop them, and Lucy, plotting to spend more time with Jerry, sabotages the car. The couple get a lift to her aunt's cabin from the policemen. Once there, Jerry admits having made a fool of himself and they reconcile.

Cast

Production

The Awful Truth was in production from June 21 through August 17, 1937.[2]

Awards and honors

Director Leo McCarey received an Academy Award for Best Director for The Awful Truth. In addition, the film received a nomination for Best Picture, Irene Dunne was nominated for Best Actress, Ralph Bellamy for Best Supporting Actor and Viña Delmar for Best Adapted Screenplay.

Film Daily named The Awful Truth as one of the 10 Best Films of 1937.[3]

In 1996 The Awful Truth was selected by the Library of Congress for preservation in the United States National Film Registry, having been deemed "culturally, historically, or aesthetically significant". In 2000, the American Film Institute recognized the film as #68 on its list of 100 Years... 100 Laughs, and in 2002 as #77 on the 100 Years... 100 Passions list.

Other versions

There were two previous film versions of Arthur Richman's play on which this film was based, a 1925 silent version with Warner Baxter in Grant's role, and a little-known early talkie made in 1929 with Henry Daniell and Ina Claire. The play was remade unsuccessfully in color, as the 1953 musical Let's Do It Again starring Jane Wyman and Ray Milland.[3]

Notes

External links



 
 
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