The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest (Has Surely Come)" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down." The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including "Whispering Pines" and "When You Awake" (both co-written by Richard Manuel), with rollicking uptempo numbers like "Rag Mama Rag" and "Up on Cripple Creek" (both sung by Levon Helm and released as singles, with "Up on Cripple Creek" making the Top 40). As had been true of the first album, it was the Band's sound that stood out the most, from Helm's (and occasionally Manuel's) propulsive drumming to Robertson's distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor. ~ William Ruhlmann, All Music Guide
High-energy vocalist Vanessa Davis has been a Chicago favorite since 1978, which is when the aspiring singer joined forces with a group formerly known as The Blues Twisters. After establishing themselves on the local circuit, they formed their own Spectra label in 1981 to release a sultry version of Johnny "Guitar" Watson's "One Kiss." By the time they cut Fast Forward, their 1984 debut album, the band was moving away from swinging jump-blues to concentrate on originals. Their 1990 release, One Heart, is even more of a departure, Davis singing movingly of her own life, with rock-oriented support from her veteran band (including Dick Vonachen on guitar and saxophonist Doug Cannon). ~ Bill Dahl, All Music Guide
The Band is the eponymous second album by The Band, released on September 22, 1969. It is often called The Brown Album, in the spirit of the Beatles' The Beatles.
The Band peaked at #9 on Billboard's Pop Albums chart. In 2000, it recharted on Billboard's Internet Albums chart, peaking at #10. The singles "Rag Mama Rag" and "Up on Cripple Creek" peaked on the Pop Singles chart at #57 and #25 respectively.
According to the liner notes to the 2000 reissue of "The Band" by Rob Bowman, the album, "The Band", has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana.[1]
On The Band, Robbie Robertson emerged as The Band's primary songwriter. While Robertson and Richard Manuel largely shared songwriting duties on the prior Music From Big Pink, Robertson wrote or co-wrote every song on The Band (with Manuel receiving co-writing credit on three tracks.) Robertson would write the majority of The Band's material after this album. Robertson's songwriting also gained new sophistication and complexity, drawing from historic themes for "The Night They Drove Old Dixie Down" , "King Harvest (Has Surely Come)" and Richard Manuel's "Jawbone" (which was composed in the unusual 6/4 time signature.)