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The Barber of Seville (Plot Summary)

 
Notes on Drama: The Barber of Seville (Plot Summary)

Contents:

Introduction
Author Biography
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Plot Summary

Act 1

Beaumarchais explains the plot of The Barber of Seville in his foreword: “An amorous old man intends to marry his ward on the following day; a young man who is more clever forestalls him, and on that very day, captures the girl in the guardian’s house, right under his nose, and makes her his wife.” The play opens on a street in Seville, where Count Almaviva waits under a window for Rosine to appear. After seeing and falling in love with Rosine in Madrid, he has tracked her down and now is determined to make contact with her. While he is waiting, Figaro, his former servant, appears. The Count explains his predicament, and Figaro promises to help him.

Soon, Rosine and her guardian, Bartholo, appear at the window. He is angry with her for reading a modern play that he finds foolish. Dropping a note into the street, she asks the Count to identify himself. Bartholo sees that she drops a piece of paper, but she claims it is only song lyrics. Bartholo, however, suspects trouble and resolves to marry Rosine as soon as possible. He sends his servant Bazile to a notary to make arrangements for the wedding to take place the following day.

Meanwhile, Figaro urges the Count to identify himself to Rosine in song. The Count claims to be an undistinguished young man named Lindor. After Rosine is forced to retire into the house, Figaro and the Count plot. Figaro comes up with the idea of getting the Count into the house disguised as a soldier who has billeting orders.

Act 2

To make his plot work, Figaro incapacitates the household staff with medications. Then he goes to Rosine’s room and tells her that Lindor does love her. Rosine, who has been writing Lindor a letter, gives it to Figaro to deliver. When Bartholo enters, he is immediately suspicious. His suspicions are further aroused when Bazile arrives with the news that the Count has been seen in Seville, looking for Rosine. Again, Bartholo resolves to marry Rosine the following day. Figaro, hiding in the closet, learns of this plan. Once Bartholo and Bazile leave, Figaro tells Rosine of Bartholo’s intention. He also tells her that he and Lindor will prevent the planned wedding.

Bartholo returns to Rosine and demands to know if Figaro brought her a reply to the note she dropped earlier. Just then, the Count appears, disguised as a drunken soldier. Although he manages to pass Rosine a letter, Bartholo sees him. After the Count has been ejected from the house, Bartholo demands to read the letter. While at first Rosine refuses, she manages to switch the letter with a letter she received from her cousin. After Bartholo leaves, Rosine reads the Count’s letter.

Act 3

The Count returns to Bartholo’s home, this time disguised as Alonzo, an assistant of Bazile. He says that Bazile is ill and that he will give Rosine her singing lesson. To gain Bartholo’s trust, Alonzo hands him Rosine’s letter, saying it was written to the Count. Bartholo determines to foil the Count’s plan. Alonzo gives Rosine her singing lesson and manages to tell her about the plan that he and Figaro have devised to get her out of Bartholo’s household that evening. Bazile shows up unexpectedly during the lesson, but Figaro and the Count prevent him from unmasking Alonzo. However, Bartholo realizes that something is amiss, and they all argue. Rosine announces that she will not marry Bartholo — instead, she will marry whoever rescues her from him. Bartholo chases the Count and Figaro from his house.

Act 4

After Bazile informs Bartholo that he does not know Alonzo and was not sick, Bartholo grows even more upset. He sends Bazile to bring the notary immediately. He then confronts Rosine with her letter, claiming that he got it from another woman who is involved with the Count. Rosine is confused because she does not know who the Count is, and Bartholo convinces her that Lindor is not in love with her but rather is wooing Rosine on behalf of the Count. Believing that she has been betrayed, Rosine agrees to marry Bartholo. She also tells him that the Count and Figaro are planning to return to the house that night.

Figaro and the Count arrive as planned. At first, Rosine rebuffs the Count, but when he explains his true identity, she realizes that she has not been betrayed. The three try to leave the house only to discover that they have been locked in. Then Bazile arrives with the notary. Bribed, he serves as a witness to the marriage of Rosine and the Count. Then Bartholo returns. He had gone to fetch a justice of the peace to arrest the Count. However, the couple is already married, and the magistrate refuses to make the arrest. The play ends with Figaro remarking that when love and youth conspire against an old man, anything he does to stop the romance will be a useless precaution.


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