The Baroque Beatles Book

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AMG AllMusic Guide: Pop Albums:

The Baroque Beatles Book

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  • Artist: Joshua Rifkin
  • Rating: StarStar
  • Release Date: 1966
  • Total Time: 35:31
  • Genre: Rock

Review

This record is one of the better executed attempts by "the squares" to understand the Beatles, and one of the best examples of "classical versions of popular music" -- a genre that has no real reason to exist, but so be it. Joshua Rifkin, who would later repopularize Scott Joplin as a composer, "rediscovered and edited" these pieces, which set Lennon-McCartney melodies -- nothing past 1965 -- in the style of Handel, Bach, and Telemann. The liner notes and titles are groanworthy -- "Epstein Variations, MBE 69a" and "Cantata for the Third Saturday After Shea Stadium, MBE 58,000" -- but because Rifkin is no hack, the music is accomplished. These are rhapsodies on themes, not simple symphonic transcriptions. The somber La Paix to which "Things We Said Today" is set reveals a melodic line not too far from an English melody such as "Greensleeves." Thankfully short, the record makes its statement -- a comical counterpart to the music theorists who wanted, at the outset of Beatlemania, to compare Lennon-McCartney to Bach and Mozart. ~ Ted Mills, Rovi

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Wikipedia on Answers.com:

The Baroque Beatles Book

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The Baroque Beatles Book
Studio album by Joshua Rifkin
Released 1965
Length 35:31
Label Elektra/Nonesuch
Producer Mark Abramson
Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars[1]

The Baroque Beatles Book is a record album created by the American keyboardist and conductor Joshua Rifkin. Released by Elektra/Nonesuch in 1965, it takes musical themes of The Beatles and reworks them into Baroque style. The artwork on the cover is by illustrator Roger Hane.

Contents

Overview

Created at the height of Beatlemania in the 1960s, the works on the album share many characteristics with the music of Peter Schickele and his alter ego P.D.Q. Bach. These characteristics include parodies of stereotypical classical music conventions, anachronistic touches, and musical in-jokes that are apparent primarily to other musicians. Rifkin also shares with Schickele a penchant for unusual names and catalog numbers for the pieces.

Despite the primarily humorous nature of the compositions, Rifkin also indicates in the liner notes (written as a parody of an 18th Century composer attempting to curry favor and employment with a monarch) that one of his motivations was to demonstrate how the melodies of John Lennon and Paul McCartney can be favorably compared with those of the great Baroque masters.

The pieces on the album all call to mind similar works by Baroque composers. For example, the opening track The Royale Beatleworks Musique is, despite its name, an almost movement-for-movement parody not of Handel's Royal Fireworks Music, but of the Suite for Orchestra No. 4 in D by Johann Sebastian Bach, right down to the format and instrumentation.

The orchestra on the album is humorously credited as the "Baroque Ensemble of the Merseyside Kammermusickgesellschaft," though it was likely, in reality, an ad hoc group of session musicians.

Track listing

Side one

The Royale Beatleworks Musique, MBE 1963

Epstein Variations, MBE 69A

Side Two

"Last Night I Said," Cantata for the Third Sunday after the Shea Stadium, MBE 58,000

  • Chorus: "Last Night I Said" (Please Please Me) -- 5:22
  • Recitative: "In they came jorking" & Aria: "When I Was Younger" (Help!) -- 5:31
  • Chorale: "You know, if you break my heart" (I'll Be Back) -- 1:40

Trio Sonata, Das Kaferlein, MBE 004 1/4

Availability

The album, Elektra EKS-7306, was released on LP and cassette is long out of print. The album was released on CD August 26, 2006, and was released on iTunes on July 14, 2009.

See also

References

External links


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