Previously titled The Pinch when it was issued on LP in 1977, this material was actually recorded in 1973 and 1974. These are some of King's most soul-oriented sessions, with contributions from the Memphis Horns and a couple of the MG's. Blues-oriented fans may find this one of his lesser efforts, putting less emphasis on King's guitar work than usual, and more on the vocals and arrangements. This approach has its merits, though, as it's one of the more relaxed items in the King catalog, with none of the occasional excess that creeped into his blues guitar solos. ~ Richie Unterberger, All Music Guide
The Memphis Horns (Horn), The Memphis Horns (?), Vernon Burch (Guitar), Vernon Burch (?), Earl Thomas (Bass), Earl Thomas (?), William Brown (Vocals (Background)), William Brown (?), Henry Bush (Vocals (Background)), Henry Bush (Producer), Henry Bush (?), Phil DeLancie (Remastering), Phil DeLancie (Digital Remastering), Donald "Duck" Dunn (Bass), Donald "Duck" Dunn (?), Willie Hall (Drums), Willie Hall (?), Hot Buttered Soul Unlimited (Vocals (Background)), Albert King (Guitar), Albert King (Vocals), Albert King (Main Performer), Bobby Manuel (Guitar), Bobby Manuel (?), Lester Snell (Keyboards), Lester Snell (?), Marvell Thomas (Keyboards), Marvell Thomas (?), Michael Toles (Guitar), Michael Toles (?), Al Jackson, Jr. (Drums), Al Jackson, Jr. (?), Winston Stewart (Keyboards), Winston Stewart (?), Jim Marshall (Photography), Phil Carroll (Art Direction), Gilles Margerin (Design), Allen Jones (Producer)
