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The Brothers Bloom

 
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The Brothers Bloom

  • Director: Rian Johnson
  • AMG Rating: starstarstarstar
  • Genre: Comedy
  • Movie Type: Crime Comedy, Sophisticated Comedy
  • Themes: Existential Crisis, Unlikely Criminals, Sibling Relationships
  • Main Cast: Rachel Weisz, Adrien Brody, Mark Ruffalo, Rinko Kikuchi, Maximilian Schell
  • Release Year: 2008
  • Country: US
  • Run Time: 109 minutes
  • MPAA Rating: PG13

Plot

When the younger of two notorious sibling con artists announces a plan to go legit, his brother implores him to carry out one last swindle in the eagerly anticipated sophomore feature from Brick writer/director Rian Johnson. Tired of a life on the run, a confidence man who has dedicated his life to the art of the grift decides to call it quits. Despite his plans to leave his criminal past behind, however, the reluctant scammer finds that his brother has masterminded one last scheme to claim the wealth of an eccentric millionaire (Rachel Weisz). With the opportunity to make enough money so that he would be able to live comfortably even if his legitimate endeavors fail, the heretofore unrepentant con man finds it increasingly difficult to refuse his sibling's potentially profitable endeavor. ~ Jason Buchanan, All Movie Guide

Review

A whimsical throwback to old-fashioned con movies like Trouble in Paradise and Charade, The Brothers Bloom is pretty freaking delightful. It's the sophomore effort of writer/director Rian Johnson, whose debut film, Brick, melded neo-noir dialogue and high school drama into one uniform, hyper-stylized alloy. The Brothers Bloom mixes modes in this way as well, but it draws on a broader catalogue of inspiration, and definitely goes for something way more boisterous and playful.

It starts with the fabled backstory of the two main characters, con artist brothers Stephen (a heavy, grizzled-looking Mark Ruffalo) and Bloom (a gaunt, vulnerable-looking Adrien Brody), whose childhood was spent shuffling about from one foster family to another, showing up in each new town wearing weird matching black jackets and bowler hats, ready to perform some con on the neighborhood that would make them a quick buck before some grown-up caught on and they were kicked out again. Present day finds the two working at the top of their game, bilking their marks out of millions with the help of their third wheel, the badass Japanese minx Bang Bang (comic genius Rinko Kikuchi, who previously earned notice for her dramatic work in Babel), an expert in firepower, demolition, and being the hilariously silent Harpo Marx of the cadre.

However, Bloom, the younger of the two, is suffering from what's apparently been an ongoing existential crisis about his occupation as a confidence man. His brother has always masterminded their grand long-form cons (or, as they call them, plays), writing parts for Bloom that put his enormous puppy-dog eyes and sensitive, soft-spoken demeanor to work, making women fall in love with him, and usually hand over their cash/jewels/priceless artifacts soon after. But Bloom is unsatisfied; he wants what he calls an "unwritten life." He retires to a quaint but lavish seaside villa in the cliffs of Montenegro (one of a few super-European locations that the film uses to play up the ornate, timeless charm), but within a few months, Stephen finds him and proposes one last play before Bloom hangs up his spurs for good.

Heiress and shut-in Penelope Stamp (an almost impossibly cute Rachel Weisz) has a lot of money and apparently, a lot of hobbies (it would be a crime to spoil it, but the montage of all the pastimes she's mastered over the course of her isolated life is just priceless). So the brothers engineer a plan that can offer her some fun and excitement while it offers them the chance to pad their bank accounts with a few million of her many, many millions of dollars. Of course, Bloom ends up falling in love with her for real, and we know that part of the plan could be Stephen's way of giving Bloom the life he wants, so like in any good con movie, the trick is sometimes on the audience. As we try to figure out what's real and what's just part of a play, we also have to wonder whether we're in on it -- which is part of the fun.

The extreme quirkiness, both in the characters and the art direction, is so meticulously peculiar, you may have flashes of Wes Anderson. But Johnson has a much less specific palette when it comes to this stuff, and for the most part, things aren't terminally idiosyncratic, they're just quaint. Johnson still shows an affinity for contrasting the modern with the old-timey; the characters are always seen in rumpled three-piece suits, darling dresses, and many, many derby hats, but now and then the scenery will change from a stately shuffleboard deck to a graffiti-covered alley, and you'll remember that this does, in fact, take place in the present day.

Likewise, the many hilarious comedic moments can make you feel perfectly lost in time, overlapping thoroughly modern sarcasm with clear nods to the Marx Brothers and Laurel and Hardy. (The latter is especially apparent when the camera finds just the angle to juxtapose Ruffalo's big, fat face with Brody's extremely serious cheekbones. The hats don't hurt.) It creates a wonderful combination of wry and ridiculous, of salty deadpan with slapstick chaos. There seems to be much more subtext lurking under the surface in The Brothers Bloom, but for the most part, it's extra credit. If you don't want to go digging into hidden meanings, you don't have to. That's the beautiful thing about a good con -- when it works, you're perfectly happy to just go along for the ride. ~ Cammila Albertson, All Movie Guide

Cast

Robbie Coltrane - Melville; Ricky Jay - Narrator

Credit

Jasna Dragovic - Art Director, Paul Kirby - Supervising Art Director, Mary Vernieu - Casting, Shannon Makhanian - Casting, Thomas Karnowski - Co-producer, Beatrix Aruna Pasztor - Costume Designer, Rian Johnson - Director, Gabriel Wrye - Editor, Wendy Japhet - Executive Producer, Douglas E. Hansen - Executive Producer, Nathan Johnson - Composer (Music Score), Brian Reitzell - Musical Direction/Supervision, Jim Clay - Production Designer, Steve Yedlin - Cinematographer, Ram Bergman - Producer, James D. Stern - Producer, Pawel Wdowczak - Sound/Sound Designer, Rian Johnson - Screenwriter, Jaron Presant - Second Unit Director Of Photography, Ron Simonson - Visual Effects Supervisor, Jerry Gilbert - Re-Recording Mixer, Sean Guest - Second Assistant Director, Jonathan Miller - Supervising Sound Editor, Sophie Newman - Set Decorator

Similar Movies

The Sting; Dirty Rotten Scoundrels
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The Brothers Bloom

Promotional poster
Directed by Rian Johnson
Produced by Wendy Japhet
Ram Bergman
James D. Stern
Written by Rian Johnson
Narrated by Ricky Jay
Starring Rachel Weisz
Adrien Brody
Mark Ruffalo
Rinko Kikuchi
Maximillian Schell
Robbie Coltrane
Music by Nathan Johnson
Cinematography Steve Yedlin
Distributed by Summit Entertainment
Release date(s) Toronto Film Festival
September 9, 2008
United States limited
May 15, 2009
Running time 113 minutes
Country United States
Language English
Budget $20 million
Gross revenue $3,379,513[1]

The Brothers Bloom is a 2009 American postmodern caper film written and directed by Rian Johnson. The film stars Mark Ruffalo, Adrien Brody, Rachel Weisz, Ricky Jay, Rinko Kikuchi, and Robbie Coltrane. Originally released in only four theaters on May 15, 2009, the film moved into wide release two weeks later on May 29.[2]

Contents

Plot

The film opens during the childhood of the orphaned protagonists, Stephen (Mark Ruffalo) and Bloom (Adrien Brody). Stephen, the older of the two, instigates various acts of dishonesty and mayhem, while younger brother Bloom is content to play along the shenanigans. The brother's unrepentant mischief making causes their constant eviction from one foster home to the next. This prologue is narrated by magician Ricky Jay, foreshadowing the film's later focus on card tricks and sleight of hand.

Eventually, the brothers are transferred to a close-knit small town filled with friendly children their age. Bloom begins to long for the comfort of a normal and honest social life, and develops a crush on one of the girls there. Stephen, realizing he can use his brother's interest in the children, manipulates his brother into befriending their schoolmates in order to execute their first big con.

Stephen has Bloom convince his new friends that a mysterious old man told him of a cave that contains a magical creature. The man, Bloom claims, will reveal the location of the cave for $30. The children believe the story, collect $30 among the group, and venture out to the cave. Stephen hides inside the cave just out of their sight, waving a lantern to hint at the magic fairy just out of sight. The excited children run toward the light. Bloom, caught up in the moment, runs too, but, catching sight of his brother, remembers the hollow con and becomes disheartened. The other children, however, are gleeful as they gallop through the muddy cave. Later, however, the fuming parents of the hoodwinked children confront the brother's foster parents. The boys return the $30, but end up profiting through the con's true target: they take a cut of the profits made by the town's lone dry cleaner, who benefited by cleaning the muddy clothes of the bamboozled children. The brothers are soon evicted to another foster home.

The film picks up 25 years later with a party celebrating the successful end of the brother's latest con. While Stephen celebrates, Bloom wanders into a quiet room contemplating his dishonest life, one that seems to lack substance. He realizes that his brother controls his "story," albeit with the best intentions. Bloom decides to make good on his recurring threat to leave the con business, and he moves to Montenegro. Three months later Stephen finds him and asks Bloom to help execute one final con. The two will masquerade as two antique dealers and, along with their associate Bang Bang (Rinko Kikuchi), a japanese explosives expert; will con Penelope Stamp (Rachel Weisz), a rich, socially-isolated New Jersey heiress. Bloom reluctantly agrees to the scheme, and the three travel to New Jersey to meet Penelope. The plan is for Bloom to meet Penelope through a staged car accident, where she will hit him while he rides a bike. The plan fails however, when Penelope accidentally drives off a cliff after hitting the bike, injuring herself instead of Bloom.

After Penelope is discharged from the hospital Bloom drives her home and the two talk. Penelope reveals that she was confined alone inside her home until she was 19 due to an incorrect allergy diagnosis, and later when she acted as a caregiver for her dying mother. She also "collects" hobbies, and has developed many unusual talents. Bloom hints that he and his brother are leaving the country by ship the next day. At the harbor the next morning, Penelope arrives to accompany Bloom, her first real friend, Stephen and Bang Bang on their excursion to Greece. Aboard the ship that night a Belgian man, Maximillen "The Curator" Melville (Robbie Coltrane), hired by Stephen, tells Penelope that the Brothers Bloom are not antique dealers, but antique smugglers. An enchanted Penelope decides to become a smuggler as well.

The Prague Castle is accidentally destroyed because of swapped explosives

The four arrive in Greece, where Melville, as instructed by Stephen, offers Penelope a fake smuggling job of retrieving an ancient book from a hidden chamber in a museum in Prague, for an Argentine collector. Penelope convinces the Brothers to travel to Prague with her, unaware that this is all planned and staged. On the train to Prague, Penelope expresses affection for Bloom.

They arrive in Prague the next day, and meet again with Maximillen, who tells them the location of the book in the museum. However, Maximillen cons Penelope out of a million dollars and escapes, resulting in Bloom and Stephen thinking the job was well done. However, Penelope decides to actually steal the book. The plan is for Bang Bang to place some explosives in the Prague Castle which are small enough to only set off the fire alarm and make everybody evacuate the building. However, Penelope accidentally packs in too much explosive and blows up an entire tower, resulting in the military being called in; but Penelope, unaware of the military presence, enters the museum nonetheless. She retrieves the book but messily tries to escape through a ventilation shaft, which gives out under her weight and drops her into a room filled with armed soldiers. However, much to the surprise of the Bloom brothers and Bang Bang, Penelope somehow convinces the chief of police to let her go.

While awaiting to head for the end zone of the con, they stay in a hotel. While in the hotel, Bloom is visited by the former mentor of the Brothers, and their current enemy, Diamond Dog (Maximilian Schell), who warns him that since Stepehn won't be around to help him with the cons forever, Bloom should join him. Bloom turns down the offer just as Stephen arrives; and an angered Stephen stabs Diamond Dog in the hand with a bottle, telling him to "stay away".

The party travels to Mexico, where the con is planned to end. Guilt ridden Bloom tells Penelope that they are con men. This was anticipated by Stephen, who is waiting for Bloom and Penelope in the room where the money is located. Fight develops between Stephen and Bloom and accidentally a gun is knocked down and discharged and Stephen appears to be shot and dying in Bloom's arms. Penelope checks out the wound and realizes that its fake blood and she is being conned again, she leaves broken hearted. Bloom, angry at Stephen, punches him out and leaves to Montenegro. Three month later, he is visited by Penelope, who blows up her house and leaves everything to be with Bloom and to become a con artist as well. Not able to deny his love for her, he meets with Stephen to set up one final con to end it all, for Penelope's sake.

The brothers set off to St. Petersburg for their final con which involves selling the book to the Russian mob which includes all of them getting ambushed and killed while Bloom, getting shot to help Penelope escapes. To pull this, Stephen is forced to hire Diamond Dog to assist them, since he is the leader of the only Russian mobsters willing to deal with con men.

The plan goes awry however, when they are ambushed by Diamond Dog's Russian gang while headed for the initial exchange. In the aftermath of the ambush, Stephen is kidnapped and held for 1.75 million dollars. Bloom suspects this is just another con by Stephen and is unsure on what to do; but Penelope, just in case, wires the money by her bank account to the mobsters. Before the exchange, Bang Bang decides to leave the group and makes her exit by car bomb; leaving Penelope and Bloom uncertain on whether she was really killed or if she just faked her death.

Bloom goes to the exchange, with Penelope waiting for him outside in a getaway car. The exchange takes place inside a run down theater where Bloom finds Stephen tied up and beaten severely. After releasing Stephen, Bloom is attacked by one of Diamond Dog's hitmen, and a shoot out ensues. Stephen is injured during the gun fight and the hitman escapes. Before Bloom can chase the assassin, Stephen succumbs to his injury, goes into seizure and collapses on the floor. A horrified Bloom asks Stephen whether this was a trick or not, making Stephen get up and reveal it was a trick; Stephen then tells Bloom to pick a card out of a deck, Stephen reveals the Queen of Hearts and Bloom responds with "That's the best card trick I've ever seen." Stephen tells Bloom to go, telling him to go away with Penelope and that they'll "meet again sometime".

Later, Bloom wakes up in the car and slowly discovers that Stephen's blood stain on his shirt has turned from red to brown (earlier in the film, it is noted that the one flaw of fake blood is its inability to change color). The scene changes back to Stephen, who is dragging the chair to the center of the stage. Still bleeding from the gunshot, he slowly sits down and it is shown he has the Queen of Hearts up his sleeve (revealing he knew what card Bloom would be thinking about) and dies. Bloom, realizing what actually happened, breaks down on the side of the road while Penelope is trying to comfort him. She tells him what Stephen once told her, "That there are no such thing as unwritten life. Just a badly written one." She tells him that they're going to live like they're telling the best story in the whole world. As they're leaving, Bloom reminisces about another thing Stephen had once told him, "The perfect con is one, where everyone involved gets just the thing they wanted." For Penelope and Bloom, what they wanted was life with each other, while for Stephen it was happiness for his brother. The two drive off into the distance as the film ends.

Cast

  • Rachel Weisz as Penelope Stamp: Weisz was being offered mostly drama roles but was interested in doing a comedy. She was drawn to the script because it is well written but still unusual. After Weisz decided on it she told her agent, "this is the one, this is the one." While working on the film she developed a rapport with her costar Adrien Brody.[3]
  • Adrien Brody as Bloom: When Brody first got the script he was working on The Darjeeling Limited and "was impressed by its originality and subtlety." While working on the film Brody considered a "bromance" to have formed between himself and Ruffalo which led to more genuine rapport between them.[4]
  • Mark Ruffalo as Stephen: When Johnson first sat down with Ruffalo it was for the part of Bloom but his actual personality was so similar to Stephen, Johnson chose to switch.[5]
  • Rinko Kikuchi as Bang Bang: Johnson didn't write the part for Kikuchi but was nervous when casting her; he was not sure she would want another mute part after being mute in her last American film, Babel.[6]
  • Robbie Coltrane as Maximillen "The Curator" Melvile: A hire of the brothers who poses as the curator of a museum in Prague who steals objects from the museum and sells them on the black market. Stephen hires him to help trick Penelope into thinking he and Bloom are antique smugglers; halfway through the movie he pretends to have betrayed the Brothers Bloom and absconded with Penelope's million dollars.
  • Maximilian Schell as Diamond Dog: A Russian mob boss and former mentor of the Brothers Bloom, currently their biggest enemy. Stephen reluctantly hires him to help him and Bloom fake their deaths to scare Penelope out of the con business; but Diamond Dog double crosses them and kills Stephen.
  • Ricky Jay as Narrator
  • Zachary Gordon as Young Bloom
  • Max Records as Young Stephen
  • Nora Zehetner as Rose

Joseph Gordon-Levitt has a one shot cameo, in the film, as another patron at the bar early on in the film.

Production

The original script was titled "Penelope" after Weisz's character.

Shooting began in Ulcinj, Montenegro on March 19, 2007. The film had a budget of $20 million.

Script and development

"Paper Moon is probably the closest to a direct influence. I love The Sting and House of Games, but Paper Moon was really the first thing I watched that took more of a fairy-tale approach and was more relationship based. Other than that, God, take your pick."

—Rian Johnson, director/writer[7]

Johnson first had the idea for The Brothers Bloom a few years before Brick. Originally the film was going to be more serious and had a mentor relationship instead of brothers. He started writing the script after taking Brick to Sundance over the next sixth months.[8] The script was challenging for Johnson to write because he wanted to create a character-based con man film with an "emotional payoff" while including all the story telling aspects of the genre. Johnson felt by sticking to a standard form of a con man film (two guys with one girl and one of them falls in love with the girl) he could deviate from the classical ending with a big twist.[5] When writing the script Johnson watched The Man Who Would Be King but his main influence came from Paper Moon. While filming the movie he watched The Conformist and for visual style.[7]

Filming locations

Penelope's castle is the Peles Castle in Sinaia, Romania. Other locations include the Constanta Casino, and various locations in Greece.

Penelope's skills

During the two week rehearsal period Weisz had to learn to look like she could do all the skills that her character Penelope knew. This included banjo, violin, guitar, piano, juggling, break dancing, skateboarding, and card tricks.[9] Brody helped Weisz learn to skateboard; she said, "Brody is a good skateboarder, so we were in the parking lot outside the place we were filming."[10] Brody also helped her to learn to rap; when she first tried "he was so ashamed."[11] The card trick was the most difficult for Weisz and took her a month of practicing every day to learn.[12] The shot itself took 11 or so takes, but the one continuous shot in the film is not enhanced in any way.[13]

Score

The Brothers Bloom
Film score by Nathan Johnson
Released May 19, 2009 (2009-05-19)
Length 48:12
Label Cut Narrative Records

Director Rian Johnson's cousin, musician Nathan Johnson, composed the score for the film as he did on Johnson's directorial debut, Brick. Three songs in the film are not available on the soundtrack:"Tonight I'll Be Staying Here With You" by Bob Dylan, "Miles From Nowhere" by Cat Stevens, and "Sleeping" by The Band, which was performed karaoke-style by Rinko Kikuchi. Rian Johnson listened to The Band while writing the script, and their music was a major influence on the score. In a digitally-released soundtrack companion booklet, Nathan Johnson said that since the film was about storytelling, it made sense to use lyric-based songs as an inspiration. He also credited Italian composer Nino Rota as an influence.

Track listing
# Title Length
1. "Brothers In A One Hat Town (Overture)"   5:03
2. "Cackle Bladder"   2:09
3. "Charleston's Denoument"   1:14
4. "This Is Camels"   1:43
5. "Montenegro"   1:00
6. "Meeting Penelope"   1:18
7. "An Enlightened Euphoria"   3:06
8. "Double Dutch Queens"   1:08
9. "The Curator"   1:19
10. "The Grecian Docks"   2:12
11. "Penelope's Theme"   2:42
12. "The Diamond Dog"   3:04
13. "The Castle Heist"   2:53
14. "Mexico"   2:13
15. "Off-script"   2:46
16. "An Empty Stage"   2:53
17. "Cackle Bladder (Revisited)"   1:17
18. "The Perfect Con"   6:43
19. "The Fabulist"   3:29

Release

The Brothers Bloom had its world premiere at the Toronto International Film Festival on September 9, 2008.[14] The film was then screened as the opening night feature at the Boston Independent Film Festival on April 22, 2009. At the Newport Beach Film Fest Johnson won a festival honors award in the category of Outstanding Achievement in Directing.[15] The first seven minutes of the film were posted to the online streaming video site, Hulu, on April 23, 2009.[16]

It was originally scheduled for theatrical release in January 2009, but that date was ultimately pushed back to May. Summit claimed this was from the large amount of attention it had been gathering and other similar films that were being released in January.[17] The Brothers Bloom opened in limited release in four theaters on May 15, 2009[2] and expanded into wide release on May 29, 2009. To encourage people to see the film again Johnson released a commentary on May 21, 2009 for free download. Listeners can sync it with the film using their portable media player to get a free in-theater commentary track.[18]

It is said on the film's official website that the DVD and Blu-ray comes out September 29 only for rent. This film will be available to buy in summer 2010. The film is available for sale on DVD and Blu-Ray in Canada. The director, Rian Johnson, announced that there is a possible January DVD release for sale[where?].

Reception

The Brothers Bloom received mixed reviews from critics. Rotten Tomatoes gave the film a 64% rating based on an aggregate of top critics, saying that while the film has "strong performances" it "does not fulfill its ambitions."

Box office

The Brothers Bloom opened in four theaters in the U.S. in its first week, earning $90,400.[1] During the memorial day weekend from May 23, 2009 to May 25, 2009, the first weekend after its initial limited release, The Brothers Bloom grossed $495,527, from 52 theaters, ranking it #15. During its wide release weekend starting May 29, 2009, in 148 theaters the film grossed $627,971, ranking it #11.[19] As of June 2009, the film has grossed $2,068,295 domestically and had its widest release of 173 theaters.[1]

Literary allusions

On the commentary track Johnson released for viewers to listen to in the theaters, Johnson discusses the film's allusions to James Joyce's Ulysses,[20] a novel that itself alludes to many other literary works, the most clearly being Homer's Odyssey.[21] The names of the brothers Stephen and Bloom refer to the primary characters of Stephen Dedalus and Leopold Bloom. The Bloom of Joyce's epic serves as a modern analog for Odysseus, but his wife Molly violates the expectations of the traditionally perfectly loyal character of Penelope, as throughout Joyce's book her liaison with Blazes Boylan is obsessed over by Bloom, and the act of infidelity is generally agreed by critics to have been consummated while Bloom actively absented himself from the house. In an inconsistent treatment of the characters of Bloom, Stephen, and Penelope, Weisz's character Penelope remains loyal to Brody's Bloom throughout the film's various turns. While the film doesn't directly translate one to one with the novel, many of the same concepts are examined. For instance, the subjectivity of truth. For the people being conned, they truly are experiencing emotional connection, while for Stephen and Bloom it is all an act. Also the idea of parallax that plays a large role in Joyce's novel can be seen in terms of Penelope's photography as always representing reality but also always distorted. Another major theme from Joyce is the idea of languages ability to represent reality. There is a line in Ulysses where a character means to write world but accidentally writes word. In the film Penelope continually describes experience in reference to the "plot of her life", this is contrasted by the fact that Bloom and Stephen are living their lives only as a series of different characters that Stephen creates. However, Penelope's sexual excitement on the train is reminiscent of the final chapter of Ulysses, an episode often referred to as "Penelope" (the chapters in the book themselves are untitled, but in the schemata Joyce distributed to trusted associates, the parallel of each chapter with chapters of the Odyssey is made explicit), which concludes with Molly Bloom's soliloquy. Also in the film, the Greek figure of Daedalus is alluded to primarily in the speeches by the one-eyed Diamond Dog, the stained glass window in The Curator's residence, and in the persistent tinkering actions of Stephen; in one scene, in a hospital, Stephen is dressed as a doctor, and his nametag says "Dr. Daedalus." Diamond Dog, who is arguably Bloom's greatest antagonist, may also be a loose representation of Cyclops. The Cyclops, in both the Oyssesy and Ulysses, is posed as Ulysses/Boom's enemy.

In the film itself, Penelope comments on the allusion to Herman Melville's final novel, The Confidence-Man, when she encounters the Belgian named Melvile on the boat Fidele, the name of the book in the novel. The implication is that Stephen has deliberately placed this reference.

The brothers refer to their unethical former mentor Diamond Dog as their "Fagin," an allusion to the pickpocket who takes orphans under his wing in Charles Dickens' novel Oliver Twist.

References

  1. ^ a b c "The Brothers Bloom (2009)". Box Office Mojo. http://boxofficemojo.com/movies/?id=brothersbloom.htm. Retrieved 2009-06-04. 
  2. ^ a b "The Brothers Bloom (2009) - Daily Box Office Results". Box Office Mojo. http://www.boxofficemojo.com/movies/?page=daily&id=brothersbloom.htm. Retrieved 2009-05-25. 
  3. ^ Allen, Nick (May 3, 2009). "Rachel Weisz - The Brother’s Bloom". The Scorecard Review. http://thescorecardreview.com/interviews/2009/05/03/rachel-weisz-the-brothers-bloom/1873. Retrieved 2009-05-05. 
  4. ^ "Adrien Brody bonds with 'Brothers Bloom' co-star Mark Ruffalo". The Canadian Press. May 21, 2009. http://www.whistlerquestion.com/article/GB/20090520/CP05/305209920/1030/whistler/adrien-brody-bonds-with-brothers-bloom-co-star-mark-ruffalo&template=cpart. Retrieved 2009-05-27. 
  5. ^ a b Tate, Josh (May 22, 2009). "LAist Interview: Rian Johnson, director, The Brothers Bloom". LAist. http://laist.com/2009/05/22/laist_interview_rian_johnson_direct.php. Retrieved 2009-05-27. 
  6. ^ Nayman, Adam (May 20, 2009). "Rian Johnson Interview". Eye Weekly. http://www.eyeweekly.com/film/interview/article/61104. Retrieved 2009-05-27. 
  7. ^ a b Monfette, Christopher. "Rian Johnson Interview". IGN. http://movies.ign.com/articles/982/982039p1.html. Retrieved 2009-05-18. 
  8. ^ Billington, Alex (May 13, 2009). "Interview: The Brothers Bloom Director Rian Johnson". firstshowing.net. http://www.firstshowing.net/2009/05/13/interview-the-brothers-bloom-director-rian-johnson/. Retrieved 2009-05-18. 
  9. ^ Symkus, Ed (May 17, 2009). "Rachel Weisz shows off silly side in 'The Brothers Bloom'". Norwich Bulletin. http://www.norwichbulletin.com/entertainment/x1518884455/Rachel-Weisz-shows-off-silly-side-in-The-Brothers-Bloom. Retrieved 2009-05-18. 
  10. ^ Douglas, Edward (May 14, 2009). "Rachel Weisz Takes on The Brothers Bloom". comingsoon.net. http://www.comingsoon.net/news/movienews.php?id=55126. Retrieved 2009-05-18. 
  11. ^ Hill, Logan (August 24, 2009). "Funny Girl?". New York Magazine. http://nymag.com/guides/fallpreview/2008/movies/49548/. Retrieved 2009-05-18. 
  12. ^ "Rachel picks up hobbies for Bloom". The Press Association. May 13, 2009. http://entertainment.uk.msn.com/celebrity/news/Article.aspx?cp-documentid=16794664. Retrieved 2009-05-18. 
  13. ^ "[Rian Johnson on The Brothers Bloom]". [Plastic]. May 06, 2009.
  14. ^ "TIFF Review: The Brothers Bloom". http://forizzer69.wordpress.com/tiff-review-the-brothers-bloom/. Retrieved 2009-05-07. 
  15. ^ "The 2009 Newport Beach Film Festival Awards". Newport Beach Film Fest. http://www.newportbeachfilmfest.com/awards09.html. Retrieved 2009-05-05. 
  16. ^ "Watch the First 7 Minutes of The Brother's Bloom!". Movie Web. http://www.movieweb.com/news/NEroSyuttJClvt. Retrieved 2009-04-26. 
  17. ^ Billington, Alex (December 11, 2008). "Rian Johnson's The Brothers Bloom Delayed Until Summer". FirstShowing.net. http://www.firstshowing.net/2008/12/11/rian-johnsons-the-brothers-bloom-delayed-until-summer/. Retrieved 2009-04-22. 
  18. ^ Rich, Katey (May 21, 2009). "Listen To Rian Johnson's Brothers Bloom Commentary In The Theater". Cinema Blend. http://www.cinemablend.com/new/Listen-To-Rian-Johnson-s-Brothers-Bloom-Commentary-In-The-Theater-13245.html. Retrieved 2009-06-04. 
  19. ^ "The Brothers Bloom (2009) - Weekend Box Office Results". Box Office Mojo. http://boxofficemojo.com/movies/?page=weekend&id=brothersbloom.htm. Retrieved 2009-06-10. 
  20. ^ "The Brothers Bloom -Dir. Rian Johnson". Tiny Mix Tapes. http://www.tinymixtapes.com/The-Brothers-Bloom. Retrieved 2009-10-05. 
  21. ^ "Joyce's Ulysses". thinkquest. http://library.thinkquest.org/19300/data/CompMyth/ulysses.htm. Retrieved 2009-10-05. 

External links


 
 
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