Share on Facebook Share on Twitter Email
Answers.com

The Brown Dots

 
Artist: The Brown Dots
The Brown Dots

Similar Artists:

The Four Blazes, Spirits of Rhythm, The Delta Rhythm Boys, Deep River Boys, Three Barons, Four Blues, Five Jinks, Three Sharps And A Flat, The Three Keys, The Charioteers

Influenced By:

Formal Connection With:

Four Tunes, Deek Watson
  • Genres: Vocal Music
  • Representative Albums: "For Sentimental Reasons

Biography

The Brown Dots were the creation of Ivory "Deek" Watson, a founding member of the Ink Spots, who formed the group in 1944 after a falling out with the Ink Spots caused him to leave that group. The Brown Dots' sound was similar to the Ink Spots, although they tended to favor more of the swing numbers, as opposed to the sweet ballads that had become the Ink Spots' trademark.

Watson had started his musical career as a member of the Percolating Puppies and later the Four Riff Brothers, which would by 1934 evolve into the Ink Spots. With the addition of Bill Kenny to the Ink Spots, over time their previous swing-jive style migrated to an almost exclusive output of ballads featuring Kenny's high-tenor lead. The shift of the spotlight to Kenny and other issues within the group, including concern over Watson's performance mannerisms, caused Deek Watson to break away. Initially he tried to form a competing Ink Spots group, but when the courts quelled that attempt, he settled for a new group with a similar-sounding name; thus the Brown Dots were born. Besides Watson, the original Brown Dots group included Joe King, Pat Best, and Jimmy Gordon. By late 1944/early 1945, this aggregation recorded four sides for the Manor label. Among these was their best-known tune, "For Sentimental Reasons." The song was an original tune, credited to Watson and Best, and featured Joe King on lead. Pat Best indicates that although Watson shares writing credits with him, the song was entirely Best's creation.

Jimmy Nabbie soon replaced Joe King and this revised Brown Dots group recorded seven more singles for Manor. These sides were released in 1945-1946. Among these was another version of "For Sentimental Reasons" with Nabbie handling the lead-vocal chores. During this period, two other ballads stand out, the Nabbie lead "Surrender" and "Rumors Are Flying" with Pat Best on lead vocals. 1946 proved to be a busy year for Deek Watson and the Brown Dots, as they also made appearances in two feature films. They can be seen performing in Boy, What a Girl as well as Sepia Cinderella.

Once again, Watson was at the center of group-personality conflicts, which led to the other three Brown Dots jumping ship. With the addition of Danny Owens, the defecting threesome started another ensemble. As the Sentimentalists, they also recorded for Manor. Because of a name conflict with a pre-existing Tommy Dorsey vocal ensemble, they opted to change their name. With their new identity as the Four Tunes, they became one of the premier vocal groups of the late '40s and early '50s.

Following this breach, Watson assembled another Brown Dots group that released three more singles for Manor in 1949 as well as backing Manor artist Gwen Bell on two sides. There seems to be no information available as to the personnel of this version of the Brown Dots. Most memorable of these releases is the ballad "At Our Fireplace." Watson also had a single release as Deek Watson & the Four Dots on the Castle label. The ballad side, "Strange as It Seems," is the winner of this pairing. Dating on this release is a bit sketchy. Most consider this side to have been issued in the 1948-1949 time frame. The existence of a Castle 45 of the disc could suggest a later issue date or may just be a later pressing.

Watson later regained the right to use the Ink Spots' name, and with varying personnel continued to perform through the late '60s. Deek Watson passed away in 1969. A Flyright import CD is available that contains most of the Brown Dots' recorded material. The last three tracks of the CD are by the Sentimentalists/Four Tunes, although not identified as such on the CD. The Brown Dots are significant in their own right, but also for their place as a musical bridge between the Ink Spots and the Four Tunes. ~ Jim Dunn, All Music Guide
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: The Brown Dots
Top

The Brown Dots were initially formed in late 1944, when second tenor Ivory "Deek" Watson (b. 18 July 1909, Mounds, Illinois - d. 4 November 1969, Washington, DC) left the Ink Spots. He immediately put together a competing Ink Spots group consisting of lead tenor Joe King, bass Jimmy Gordon, and an unknown baritone. By late January 1945, a lawsuit brought by the Ink Spots caused Deek Watson to claim that he would form a new group based on a "completely new idea". This new idea was simply to change their name to the Brown Dots and to sound as much like the Ink Spots as possible (although the Brown Dots employed more extensive harmonies). At this time, the unknown baritone left, to be replaced by baritone/guitarist William "Pat" Best.

Overview

By March 1945, they were recording for Newark (New Jersey)-based Manor records. At their first session, they recorded four songs, including "Sentimental Reasons" (written by Pat Best and led by Joe King). This song would become more popular through the years as "For Sentimental Reasons" or "(I Love You) For Sentimental Reasons".

There were hit versions of the song in 1946 for Nat King Cole and Charlie Spivak. 1947 saw charters by Eddy Howard, Dinah Shore, Ella Fitzgerald, and Art Kassel. Over the years, it's also been done by (among others) Smiley Lewis (1954), the Rivileers (1954), Sam Cooke (1958), Jesse Belvin (1959), the Voices Five (1959), Donnie Elbert (1960), the Cleftones (1961), the Spaniels (1961), Marvin Gaye & Mary Wells (1964), Rufus Thomas (1971), James Brown (1976) and Rod Stewart (2004).

By late summer or early fall, Joe King left, to be replaced by Jimmie Nabbie, who had originally wanted to be an operatic tenor.

Deek Watson always seemed to be in the middle of personality clashes. He had left the Ink Spots because of multiple clashes with Bill Kenny and Joe King had left the Brown Dots when he and Watson started fighting. By late 1946, Watson and the rest of the Brown Dots weren't getting along.

Rather than break up the group, Nabbie, Best, and Gordon recruited tenor Danny Owens. Originally calling themselves the Sentimentalists, they began recording for Manor behind Deek's back (just to see if they could make it on their own). When Deek finally found out, he left them and formed another Brown Dots group, about which next to nothing is known. (Some later Brown Dots records have a vocal group and some don't.)

The Sentimentalists started recording in earnest, including some backups to Savannah Churchill. However, bandleader Tommy Dorsey contacted them and asked them (politely) to cease using the "Sentimentalists" name (since he'd recently had a vocal group by that name, although they'd since changed their name to the Clark Sisters). However, since Dorsey was nice about it, they complied, changing their name to the 4 Tunes. Under this name, they would become the leading black Pop vocal group of the 1950s.

See also The Four Tunes.

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Brown Dots" Read more