After releasing two highly original albums -- their self-titled debut and The Polite Force -- the Egg cracked in 1971, and the trio went their separate ways. In 1974, however, Dave Stewart, Mont Campbell and Clive Brooks reunited and returned to the studio. There they were joined by members of Henry Cow and old friend Steve Hillage, resulting in the The Civil Surface album. Although Egg had presented some of the material within on their final tour, still that long ago taster barely primed fans for what was to come. For as experimental as the trio had been in days of yore, with Civil Surface the band moved almost completely into improvisational, avant-garde territory. Still, echoes of the past could be heard on "Enneagram," with its intricate rhythms and tempo changes and coursing passages counterpointed by slower effervescent segments. "Wring Out the Ground (Loosely Now)," too, nimbly slips from jazzy improvisation into prog rock, enveloping numerous tempo changes along the way, while a variety of spacy effects and vocals also building on the past. "Germ Patrol" cuts the cords almost entirely. It begins with a clicking metronome, skittering noises, and a trumpet reveille, as the germs fall into line then march off into jazz, circle Yes territory, and assault the bastions of avant-garde. "Nearch" is even more experimental, a piece built around abrupt pauses that grow ever longer as the number progresses, with woodwinds and organ ominously building up between the empty spaces. The woodwinds are further highlighted on both the bright and airy "Wind Quartet 1" and the introspective "Wind Quartet 2," while a heavenly choir floats through "Prelude." Far less accessible than their previous sets, Egg breaks the binds of structure, and spins off into odd yet fascinating new realms. ~ Jo-Ann Greene, All Music Guide
Jerry Baines (?), Chris Palmer (Bassoon), Egg (Lyricist), Dave Stewart (Keyboards), Mont Campbell (Bass), Stephen Solloway (Flute), Ann Rosenthal (Vocals), Amanda Parsons (Vocals), Dave Stewart (Bass), Dave Ruffell (Engineer), Vicky Powell (Release Coordinator), Maurice Cambridge (Clarinet), Lindsay Cooper (Oboe), Mark Powell (Reissue Coordination), Egg (Producer), Dave Stewart (Organ), Lindsay Cooper (Bassoon), Jeremy Baines (Flute), Dave Stewart (Piano), Tim Hodgkinson (Clarinet), Clive Brooks (Drums), Mont Campbell (French Horn), Trevor Key (Cover Photo), Trevor Key (Photography), John Purdy (Engineer), Dave Stewart (Piano), Amanda Parsons (Back Cover Photo), Steve Hillage (Guitar), Dave Stewart (Organ), Paschal Byrne (Remastering), Barbara Gaskin (Vocals), Stephen Sollonay (Flute), Maurice Cambridge (?), Mont Campbell (Vocals), Christopher Palmer (Bassoon), Lindsay Cooper (Wind), Mark Powell (Liner Notes), Mont Campbell (Piano)
The Civil Surface is Egg’s third and final album. It was released in 1974. The band had broken up in 1972, not before performing some new material during their last concerts. The new songs were very well received by the audience, so the trio decided to re-unite to record these songs. The album features guest musicians such as Steve Hillage and Lindsay Cooper.
Critics have often complained that the album is poorly mixed, with the drums being far too loud. A recent reissue by Eclectic Recordings includes liner notes by Dave Stewart, in which he suggests that these problems were partly due to Clive Brooks insisting that his drumworked needed to be mixed louder.
