Results for The Clientele
On this page:
 
Artist:

The Clientele

Formed:
1997 in London

  • Genre: Rock
  • Active: '90s, 2000s
  • Major Members: James Hornsey, Innes Phillips, Alasdair Maclean, Mark Keen

Biography

Retrofitted pop band the Clientele had obvious roots in the hazy, autumnal glare of Galaxie 500 and Felt. Just as those bands took their Velvet Underground and Television records to heart without being derivative, the Clientele were able to chalk up an extensive discography riddled with lush melodies of their own without sounding like a tribute band. Think of your favorite '60s pop band and odds are they're in the Clientele's blood. The London-based band formed in mid-1997, consisting of Alasdair MacLean (guitar and vocals), Innes Phillips (guitar and vocals), James Hornsey (bass), and Howard (drums). Mark Keen replaced the academically occupied Howard toward the end of 1999; Phillips left early on to form the Relict, a loosely membered unit that has occasionally casted those in the Clientele. Since debuting on the Fierce Panda label's Cry Me a Liver compilation, they released a slew of singles, compilation contributions, and EPs in short order. Most significantly, March Records released A Fading Summer in 2000, an EP that harvested some of the band's hard-to-find singles sides and a couple new recordings. Later that year, the full-length Suburban Light (another compilation of previously recorded material) was issued by Pointy. The band hooked up with Merge in early 2001, who issued Suburban Light in the U.S. months later. The Lost Weekend EP came out on Acuarela in 2002, which was followed a year later by their first full-length and Merge debut, The Violet Hour. 2005 saw the release of Strange Geometry. In 2006, the band added keyboardist/violinist/percussionist Mel Draisey to its ranks. God Save the Clientele, which featured production by Mark Nevers of the band's U.S. labelmates Lambchop, arrived in spring 2007. ~ Andy Kellman, All Music Guide

Representative Albums:

Strange Geometry, Suburban Light, God Save the Clientele

Similar Artists:

The Owls, Camera Obscura, Young and Sexy, The Saturday People, The Aislers Set, Belle & Sebastian, Cardinal, Butterfly Child, Eric Matthews, Outrageous Cherry, Alfie, Moose

Influences:

Joy Division, Felt, The Zombies, Wire, Love, The Go-Betweens, Galaxie 500, Nick Drake
 
 
Wikipedia: The Clientele
The Clientele
Origin London, England, United Kingdom
Genre(s) Indie Pop
Years active 1991–present
Label(s) Merge Records
Pointy Records
Website www.theclientele.co.uk
Members
Alasdair MacLean
Mark Keen
James Hornsey
Mel Draisey
Former members
Innes Phillips

The Clientele are a London-based British band with Alasdair MacLean on vocals and guitar, Mark Keen on drums, James Hornsey on bass and Mel Draisey on violin, keyboards, backing vocals and percussion.

The band have experienced greater success in the US, where they are signed to Merge Records, home of bands such as Lambchop and Spoon, than in their native Britain. They have conducted several extensive US tours.

History

MacLean and Hornsey both grew up in Hampshire, England, and began collaborating musically while still in school, after MacLean saw that Hornsey had written the name of the band Felt on his pencil case. The band formed in 1991, with the current lineup along with Innes Phillips, who shared singing and songwriting duties with MacLean; their original name was "The Butterfly Collectors". The band recorded an album's worth of material but failed to get any label interest. Innes left the band (and would go on to found The Relict); the rest of the group re-formed in 1997, after which they moved to London and released a number of singles that were eventually collected on Suburban Light (2000). That compilation won the band glowing reviews; SF Weekly said the band "offers a brand of appealingly melancholy pop that might just surpass that of its forebears." [1] The Violet Hour (2003) was their first album proper, which again saw great acclaim, but, as yet, little commercial success.

August 2005 saw the release of their second full album, Strange Geometry, the first the band recorded with a producer, Brian O’Shaughnessy, who had previously produced Primal Scream. It was notable for a much cleaner production sound than the reverb-heavy sound that had previously been their defining characteristic; it was also the first time the band had used a strings section on one of their records. The task of writing these arrangements was given to Louis Philippe. Only one single, "Since K Got Over Me", was released from the album, which failed to reach the Top 75 in the UK. Another song from the album, "(I Can't Seem) To Make You Mine", was featured on the soundtrack of the film The Lake House.

Strange Geometry was quickly followed by a collection of recordings from 1991 to 1996, featuring Innes Phillips, called It's Art, Dad. After a US tour in August 2006, The Clientele became a four-piece again, adding Mel Draisey (on violin, keys and percussion), who became their first female member. They then recorded the album God Save The Clientele with producer Mark Nevers, known for his work with Merge labelmates Lambchop; the album again featured several Louis Philippe-composed string arrangements. God Save The Clientele was released in May 2007 in the USA.

Style

Their music has often been noted for its reverb-rich production [2] and MacLean's distinctive breathy vocals (an effect achieved partly by MacLean singing with a microphone plugged into a guitar amplifier) and unique guitar style. Their lyrics take a strong inspiration from surrealist literature and art from the early 20th century; "We Could Walk Together" quotes a line ("like a silver ring thrown into the flood of my heart") from a 1928 poem by French surrealist Joë Bousquet; the song "What Goes Up" quotes the poem "Stupidity Street" by Ralph Hodgson in its entirety.

Influences

Discography

Albums

EPs

Singles

  • "What Goes Up" b/w "Five Day Morning" (June 1998)
  • All The Dust And Glass: "Reflections After Jane" b/w "An Hour Before The Light" (March 1999)
  • "Lacewings" b/w "Saturday" (September 1999)
  • "I Had To Say This" b/w "Monday's Rain" (December 1999)
  • "(I Want You) More Than Ever" b/w "6 A.M. Morningside" (February 2000)
  • "Haunted Melody" b/w "Fear Of Falling" (October 2002)
  • "House On Fire" (June 2003)
  • "Lacewings" (Live) b/w "Policeman Getting Lost" (Live) (July 2004)
  • "Since K Got Over Me" (August 2005)

Split singles

  • "Held In Glass" by The Relict b/w "(I Can't Seem To) Make You Mine" by The Clientele (February 2001)
  • "Grace" by The Saturday People b/w "Porcelain" by The Clientele (July 2001)
  • "Six Foot Drop" by Clock Strikes 13 b/w "We Could Walk Together" by The Clientele (January 2002)

External links


 
 

Join the WikiAnswers Q&A community. Post a question or answer questions about "The Clientele" at WikiAnswers.

 

Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "The Clientele" Read more

Search for answers directly from your browser with the FREE Answers.com Toolbar!  
Click here to download now. 

Get Answers your way! Check out all our free tools and products.

On this page:   E-mail   print Print  Link  

 

Keep Reading

Mentioned In: