Representative Albums: "There Is a Time (1963-70)," "Wheatstraw Suite," "Pickin' and Fiddlin'/Wheatstraw Suite/Copperfields"
Representative Songs: "Dooley," "Old Man at the Mill," "Banjo in the Hollow"
Biography
One of the leading lights of progressive bluegrass in the '60s, the Dillards played a major part in modernizing and popularizing the sound of bluegrass, and were also an underappreciated influence on country-rock. The group was founded by brothers Doug (banjo) and Rodney Dillard (guitar), who grew up in Salem, MO, playing music together. During the late '50s, they appeared often on local radio and performed with several different area bands, including the Hawthorn Brothers, the Lewis Brothers, and the Dixie Ramblers; they also recorded a couple of singles for the St. Louis-based K-Ark label as the Dillard Brothers in 1958. In 1960, they decided to form their own group, recruiting DJ pal Mitch Jayne on bass, as well as mandolin player Dean Webb. Christening themselves the Dillards, the quartet decided to move to Los Angeles in 1962, and were quickly signed to Elektra after being discovered at a gig with the Greenbriar Boys. Not long after, the group landed a recurring role on The Andy Griffith Show, appearing in several episodes over the next few years as a musically inclined hillbilly family called the Darlings.
Meanwhile, the Dillards released their debut album, Back Porch Bluegrass, in 1963, and also teamed up with Glen Campbell and Tut Taylor for the side project the Folkswingers, who went on to release two albums. The Dillards' second album, 1964's concert set Live! Almost!, captured their controversial move into amplified electric instruments, which was considered heresy by many bluegrass purists; they also began to tour with rock groups, most notably the Byrds. In response to purist criticism, the group followed Live! Almost! in 1965 with the more traditional Pickin' & Fiddlin', which featured co-billing for fiddler Byron Berline. Dissatisfied with the way Elektra was marketing them, the Dillards switched labels to Capitol, but found a similar lack of kindred spirits in the producers they worked with there, and wound up returning to Elektra without releasing an album. Meanwhile, Doug and Rodney were increasingly at odds over the group's creative direction, with Rodney pursuing a more radical break with tradition than Doug. Doug moonlighted in the backing band for ex-Byrd Gene Clark's groundbreaking collaboration with the Gosdin Brothers, and after he and Rodney recorded some material for the Bonnie & Clyde film soundtrack in 1967, he decided to leave the Dillards and strike out on his own.
Doug soon teamed up with Gene Clark as Dillard & Clark and recorded some highly regarded material before starting a solo career that remained productive through the '70s. Rodney, meanwhile, replaced his brother with banjoist Herb Pedersen, and the Dillards recorded what many critics regard as their masterwork, Wheatstraw Suite. Released in 1968, the album displayed Rodney's progressive eclecticism in full cry, featuring fuller instrumentation and covers of the Beatles' "I've Just Seen a Face" and Tim Hardin's "Reason to Believe." Though it wasn't a hit, critics and musicians praised its unpredictable mix of bluegrass, country, folk, rock, and pop. 1970's Copperfields took a similarly adventurous approach, and drummer Paul York became an official member of the group. Unfortunately, Elektra was still somewhat mystified by their music, and they parted ways again. Pedersen departed in 1972 to join Byron Berline's band, Country Gazette, and was replaced by Billy Ray Latham; by this time, the Dillards had signed with the smaller Anthem label, where they landed their only charting pop hit, "It's About Time," in 1971. An opening slot on tour with Elton John in 1972 helped Roots & Branches become their biggest-selling album to date, but the group subsequently switched over to the Poppy label for their follow-up, 1973's country-rock effort Tribute to the American Duck.
Mitch Jayne left the group in 1974, partly due to hearing loss, and was replaced by new bassist Jeff Gilkinson. It took several years to reconvene for their next album, 1977's The Dillards vs. the Incredible L.A. Time Machine, which was released on Flying Fish. Latham subsequently departed and was replaced by Doug Bounsall, and Herb Pederson also returned for the group's next two albums, 1978's Mountain Rock (after which Paul York retired) and 1979's Decade Waltz. Also in 1979, the group reunited with Doug Dillard and other past members (and relatives) for the Salem, MO, concert celebration Homecoming and Family Reunion. Following that performance, most of the Dillards left the group. Rodney Dillard and Dean Webb briefly organized a new lineup that featured Joe Villegas, Eddie Ponder, and Peter Grant, but it proved short-lived; Rodney subsequently formed the Rodney Dillard Band and settled in Branson, MO.
In 1988, the original Dillards lineup reunited for a series of performances, and interest in the group was rekindled thanks to the publicity surrounding The Andy Griffith Show's 30th anniversary. With new member Steve Cooley later taking Doug Dillard's place, the group cut two new albums for Vanguard, 1990's Let It Fly and 1992's Take Me Along for the Ride. The group reunited several times throughout the '90s for concert performances, and both Doug and Rodney continued to pursue their own ventures. ~ Steve Huey, All Music Guide
Though The Dillards were a tremendous influence on the main core of musicians who started Southern California's country rock movement in the late 1960s (which further extended from that genre into today's country music), their biggest claim to fame is playing the fictional bluegrass band "The Darlings" on the The Andy Griffith Show. This was a recurring role and the Dillards were led by veteran character actor Denver Pyle as their father and jug player, Briscoe Darling. Maggie Peterson played Charlene Darling, their sister and the focus for the attentions of character Ernest T. Bass, played by Howard Morris. The appearances of the Dillards as the Darlings ran between 1963 and 1966. In 1986, the Dillards reprised the role in the reunion show Return to Mayberry.
The Dillards' roots sank deep into the mainstream of popular music --- after leaving The Dillards in 1968, Doug Dillard teamed up with Gene Clark who had just left The Byrds to form Dillard & Clark.[2] This pioneering duo also featured as session players a veritable who's-who of Southern California country rock legends, such as Bernie Leadon, an original member of The Flying Burrito Brothers & later the archetypal country rock group The Eagles; Chris Hillman, who also had left The Byrds and also played in FBB with Leadon; Sneaky Pete Kleinow, another FBB member; and Michael Clarke, former drummer for The Byrds.[2] This group was one of the blueprints for the country-rock movement.[3]
Doug, Rodney and Byron Berline can be seen in the movie The Rose starring Bette Midler. They played musicians in Harry Dean Stanton's band and their faces can be seen on the screen for around ten minutes.
Doug Dillard appears as "Farmer Clem" in Robert Altman's movie Popeye, which starred Robin Williams and features a musical score by Harry Nilsson. A soundtrack album was released on Boardwalk records (SWAL 36880), the basic tracks were recorded on location in Malta by "The Falcons" (Ray Cooper, Doug Dillard, Harry Nilsson, Van Dyke Parks, Klaus Voormann, and The Mysterious Karsten). Nilsson wrote all of the songs except for "I'm Popeye the Sailor Man".
Rodney sings the Dillards song "There Is A Time" (written by Rodney and Mitch Jayne) on the Nitty Gritty Dirt Band album Will The Circle Be Unbroken - Part 3.
Doug joined producers Randall Franks and Alan Autry, who also appeared in "Popeye," for the In the Heat of the Night (TV Series) cast CD “Christmas Time’s A Comin’” performing "Christmas Time's A Comin'" with the cast on the CD released on Sonlite and MGM/UA for one of the most popular Christmas releases of 1991 and 1992 with Southern retailers
