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The Diving Bell and the Butterfly

 
Movies:

The Diving Bell and the Butterfly

  • Director: Julian Schnabel
  • AMG Rating: starstarstarstar
  • Genre: Drama
  • Movie Type: Medical Drama
  • Themes: Redemption, Living With Disability, Doctors and Patients
  • Main Cast: Mathieu Amalric, Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny, Patrick Chesnais
  • Release Year: 2007
  • Country: FR/US
  • Run Time: 114 minutes
  • MPAA Rating: PG13

Plot

The astonishing true-life story of Jean-Dominic Bauby -- a man who held the world in his palm, lost everything to sudden paralysis at 43 years old, and somehow found the strength to rebound -- first touched the world in Bauby's best-selling autobiography The Diving Bell and the Butterfly (aka La Scaphandre et la Papillon), then in Jean-Jacques Beineix's half-hour 1997 documentary of Bauby at work, released under the same title, and, ten years after that, in this Cannes-selected docudrama, helmed by Julian Schnabel (Basquiat) and adapted from the memoir by Ronald Harwood (Cromwell). The Schnabel/Harwood picture follows Bauby's story to the letter -- his instantaneous descent from a wealthy and congenial playboy and the editor of French Elle, to a bed-bound, hospitalized stroke victim with an inactive brain stem that made it impossible for him to speak or move a muscle of his body. This prison, as it were, became a kind of "diving bell" for Bauby -- one with no means of escape. With the editor's mind unaffected, his only solace lay in the "butterfly" of his seemingly depthless fantasies and memories. Because of Bauby's physical restriction, he only possessed one channel for communication with the outside world: ocular activity. By moving his eyes and blinking, he not only began to interact again with the world around him, but -- astonishingly -- authored the said memoir via a code used to signify specific letters of the alphabet. In Schnabel's picture, Mathieu Amalric tackles the difficult role of Bauby; the film co-stars Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny, and Patrick Chesnais. ~ Nathan Southern, All Movie Guide

Review

Julian Schnabel danced up to the edge of greatness in Basquiat and Before Night Falls. With The Diving Bell and the Butterfly, he plunges in headfirst. To call this a sophisticated achievement is a massive understatement, failing to appreciate how much nuance, warmth, and uniqueness of perspective is poured into Schnabel's third film. The fact that it's shot in French, a foreign tongue for the director, only adds to the feat. "Language," in the abstract sense, interests a visual artist like Schnabel greatly, and language is at the forefront of the true story of Jean-Dominique ("Jean-Do") Bauby, a paralyzed stroke victim who dictates his memoirs through eyelid blinks. Every affliction imaginable has been dramatized on film, but maybe we've never imagined something quite like locked-in syndrome. Bauby's fully functioning mind has only a single eyeball as an outlet for expression, and must spell out words by selecting them one letter at a time, blinking when the appropriate letter is recited to him. This could be the sole concentration of a really interesting film. But screenwriter Ronald Harwood has adapted Bauby's memoirs as a full-blooded character study, with a crucial assist from lead actor Mathieu Amalric, who excels at both ends of Bauby's spectrum: the carefree magazine editor, seen in flashbacks waltzing through glamorous photo shoots, and the gnarled human shell whose single eye darts about wildly, in an apparent state of permanent panic. Schnabel employs a variety of camera angles and techniques to mimic Jean-Do's perspective, as well as a recurring visual metaphor for his condition: a deep-sea diver plunged down to the depths, totally incommunicado. So effectively does Schnabel put us in his shoes, Jean-Do becomes our John Doe -- an ordinary man grappling (or sometimes failing to grapple) with extraordinary circumstances. The Diving Bell and the Butterfly explodes our preconceived notions about disease movies, emerging as one of the most striking films ever made about communication. The moving supporting performances -- including the quartet of women at his side, and Max von Sydow as his elderly father -- complete this rich and emotionally fulfilling package. ~ Derek Armstrong, All Movie Guide

Cast

Niels Arestrup - Roussin; Olatz Lopez Garmendia - Marie Lopez; Jean-Pierre Cassel - Father Lucien; Marina Hands - Joséphine; Gerard Watkins - Doctor Cocheton; Theo Sampaio - Théophile; Fiorella Campanella - Céleste; Talina Boyaci - Hortense; Isaach de Bankolé - Laurent; Emma de Caunes - Empresse Eugénie; Jean-Philippe Ecoffey - Noirtier de Villefort; Nicholas Le Riche - Nijinski; Anne Alvaro - Betty; Francoise Lebrun - Madame Bauby; Zinedine Soualem - Joubert; Georges Roche - Fourneau; Agathe de la Fontaine - Inès; Yves-Marie Coppin - Fisherman; François Delaive - Nurse; Franck Victor - Paul; Laure de Clermont-Tonnerre - Diane; Daniel Lapostolle - Auxiliary Nurse 1; Philippe Roux - Auxiliary Nurse; Francis Filloux - Night Nurse; Elvis Polanski - Jean-Do as a Child; Max von Sydow - Young Papinou; Sara Seguela - Paraplegic at Lourdes; Vasile Negru - Violinist; Marie Meyer - Model; Ilze Bajare - Model; Anna Chyzh - Model; Antoine Breant - Jean-Baptiste Mondino's Assistant; Azzedine Alaia - Azzedine Alaia; Michael Wincott - Michael Wincott; Jean-Baptiste Mondino - Jean-Baptiste Mondino; Lenny Kravitz - Lenny Kravitz; Farida Khelfa - Farida Khelfa

Credit

Michel Eric - Art Director, Leonard Glowinski - Associate Producer, Gerard Moulevrier - Casting, Olivier Beriot - Costume Designer, Stephane Gluck - First Assistant Director, Julian Schnabel - Director, Juliette Welfling - Editor, Pierre Grunstein - Executive Producer, Jim Lemley - Executive Producer, Pierre Frunstein - Executive Producer, Thierry Di-Cecca - Hair Styles, Laure Moulin - Hair Styles, Julien Durguel - Location Manager, Stéphanie Noël - Location Manager, Jean-Noël Vincensini - Location Manager, Francois-Xavier Decraene - Line Producer, Paul Cantelon - Composer (Music Score), Julian Schnabel - Musical Direction/Supervision, Florence Batteault - Makeup, Sandrine Cirilli - Makeup, Elisabeth Delesalle - Makeup, Chloé Van Lierde - Makeup, Olivier Alonso - Makeup Special Effects, Geoffrey Felley - Makeup Special Effects, Gilbert "Berto" Lecluyse - Camera Operator, Laurent Ott - Production Designer, Michel Eric - Production Designer, Janusz Kaminski - Cinematographer, Francois-Xavier Decraene - Production Manager, Kathleen Kennedy - Producer, Jon Kilik - Producer, Laurent Ott - Set Designer, Dominique Gaborieau - Sound/Sound Designer, Jean-Paul Mugel - Sound/Sound Designer, Francis Wargnier - Sound/Sound Designer, Pascal Guégan - Stunts Coordinator, Stéphen Guillemet - Unit Production Manager, Ronald Harwood - Screenwriter, Yann Blondel - Visual Effects Supervisor, Malika Mazaurie - Visual Effects Supervisor, Mikaël Monod - Gaffer, Virginia Anderson - Post Production Supervisor, Christian Gazio - Properties Master, Sylvette Baudrot - Script Supervisor, Mathilde Cavillan - Second Assistant Director, Joerg Widmer - Steadicam Operator, Roland Savoye - Underwater Photography, Christian Gruau - Key Hairstylist, Myriam Hottois - Key Make-up, Jenny Eclair - Visual Effects, Alain Pitrel - Set Decorator, Jean-Dominique Bauby - Book Author

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Wikipedia: The Diving Bell and the Butterfly (film)
Top
The Diving Bell and the Butterfly
Directed by Julian Schnabel
Produced by Kathleen Kennedy
Jon Kilik
Written by Memoir:
Jean-Dominique Bauby
Screenplay:
Ronald Harwood
Starring Mathieu Amalric
Emmanuelle Seigner
Marie-Josée Croze
Anne Consigny
Max Von Sydow
Music by Paul Cantelon
Cinematography Janusz Kaminski
Editing by Juliette Welfling
Studio Canal+
Kennedy/Marshall Company
France 3 Cinéma
Distributed by Pathé (France)
Miramax Films (US)
Release date(s) France:
May 23, 2007
United States:
November 30, 2007
Running time 112 min.
Country France
United States
Language French
Gross revenue $19,703,577

The Diving Bell and the Butterfly (French: Le scaphandre et le papillon) is a 2007 French/American biopic/drama film based on the memoir of the same name by Jean-Dominique Bauby. The film depicts Bauby's life after suffering a massive stroke at the age of 42, which left him with a condition known as locked-in syndrome. The condition paralyzed him, with the exception of his left eyelid, so that he could only communicate by blinking. The film was directed by Julian Schnabel, written by Ronald Harwood, and stars Mathieu Amalric as Bauby. It won awards at the Cannes Film Festival, the Golden Globes and the BAFTA Awards, as well as four Academy Award nominations.

Contents

Plot

The film is told almost entirely from the restricted point of view of Bauby, as he wakes from his three-week coma in a hospital in Berck, France. A neurologist explains that he has locked-in syndrome, an extremely rare condition in which the patient is almost completely physically paralyzed, but remains mentally normal. At first, the viewer primarily hears Bauby's thoughts, which are inaccessible to the other characters, and is seen through his one functioning eye.

A speech therapist and physical therapist try to help Bauby become as functional as possible. Bauby cannot speak, but he develops a system of communication with his speech therapist by blinking his left eye as she reads a list of letters to spell out his messages, letter by letter.

Gradually, the film's restricted point of view broadens out, and the viewer begins to see Bauby from 'outside', in addition to experiencing incidents from his past, as well as his fantasies, in which he imagines beaches, mountains, The Empress Eugénie, and a large feast. It is revealed that Bauby had been editor of the popular French fashion magazine Elle, and that he had a deal to write a book. He decides that he will still write a book, using his slow and exhausting communication technique. A woman from a publishing house with which Bauby has a book contract is hired to take dictation.

The story of Bauby's writing is juxtaposed with his recollections and regrets until his stroke. We see the mother of his three children, his children, his mistress, his friends, and his father. He encounters people from his past whose lives bear similarities to his own situation: a friend who was kidnapped in Beruit and held in solitary confinement for years, and his own father, who is confined to his own apartment because he is too frail to use the stairs.

Bauby eventually completes his memoir and hears the critics' responses. However, he dies of pneumonia shortly after its publication.

Cast

Production

Although made in France with a French-speaking cast, the film was originally to be produced by the American company Universal Pictures, and the screenplay was originally in English, with Johnny Depp slated to star as Bauby. According to the screenwriter, Ronald Harwood, the choice of Julian Schnabel as director was recommended by Depp. However, Universal Pictures subsequently withdrew, and Pathé took up the project two years later. Depp dropped the project due to scheduling conflicts with Pirates of the Caribbean: At World's End.[1] Schnabel remained as director. The film was eventually produced by Pathé and France 3 Cinéma, in association with Banque Populaire Images 7 and the American Kennedy/Marshall Company, and in participation with Canal+ and Ciné Cinémas.

Schnabel said his influence for the film was drawn from personal experience. "My father got sick and he was dying. He was terrified of death and had never been sick in his life. So he was in this bed at my house, he was staying with me, and this script arrived for The Diving Bell and the Butterfly. As my father was dying, I read Ron Harwood’s script.

It gave me a bunch of parameters that would make a film have a totally different structure. As a painter, as someone who doesn’t want to make a painting that looks like the last one I made, I thought it was a really good palette. So personally and artistically these things all came together."[2]

According to the New York Sun, Schnabel insisted that the movie should be in French, resisting pressure by the production company to make it in English, believing that the rich language of the book would work better in the original French, and even went so far as to learn French to make the film.[3] Harwood tells a slightly different story: Pathé wanted "to make the movie in both English and French, which is why bilingual actors were cast"; he continues that "Everyone secretly knew that two versions would be impossibly expensive", and that "Schnabel decided it should be made in French".[4]

Controversy

In February 2008, some of Bauby's friends stated that movie was an inaccurate portrayal of his life. Specifically, they stated that his ex-girlfriend and mother of his two children, Sylvie de la Rochefoucauld, used her influence and a threatened lawsuit to modify the movie to suit her own ends and depict herself in an untrue way.

The most important problem with the movie, according to his friends, was the depiction of de la Rochefoucauld who, in the movie, visits day after day, despite the fact he doesn't love her. The girlfriend he is in love with never shows up at the hospital at all. His friends stated that in real life, his girlfriend visited at the hospital almost daily. In contrast, de la Rochefoucauld is only mentioned once in his book, when she brings his two children (Théo and Céleste) to the hospital to celebrate Father's Day and they experience a wonderful day on the beach. Bauby's friends claim his girlfriend was the one who came day after day and carried out his wishes and that Bauby died in her arms. In contrast, de la Rochefoucauld was in the U.S. with her boyfriend when Bauby died.[5]

Véronique Blandin, a friend of Bauby, stated that "The mother of the children was there every time — not the truth. [His girlfriend] didn't want to be in the movie. The mother of the children is there. OK. But it is really nasty in the way she [Florence] is presented as not brave, and she refused to come [to the hospital]. It's so incredible to put this in front of the whole world. You just want to make your life. Ten years later you are attacked like that... I don't agree with the personal story, it's not the truth."

Bauby's friends were reportedly furious when an article in the London Daily Mail quoted de la Rochefoucauld as saying: "I was at his [Bauby's] bedside day after day. I never abandoned him. I was never aware of Jean-Do's girlfriend visiting him in the hospital." De la Rochefoucauld later denied that she said this. Bernard Chapuis, a writer and Bauby's best friend, criticized de la Rochefoucauld, stating that. "Jean-Do had left her, and he was ill. When she says Florence never went, it's stupid. To have the revenge like that, well..."

De la Rochefoucauld later stated that Bauby's friends "were pissed off that I didn't ask their permission. They're reproaching me for having done that movie. It is very hard for me because I was sure I was doing the right thing. They [the filmmakers] did the adaptation they wanted to do. They made the movie they wanted to make."[6]

Critical reception

The film received very favorable reviews from critics. As of July 26, 2008, the review aggregator Rotten Tomatoes reported that 94% of critics gave the film positive reviews, based on 142 reviews.[7] Metacritic reported the film had an average score of 92 out of 100, based on 36 reviews.[8]

Top ten lists

The film appeared on many critics' top ten lists of the best films of 2007.[9]

Awards and nominations

The film premiered in competition at the 2007 Cannes Film Festival on May 22, where Schnabel won the Award for Best Director. It was nominated for four Academy Awards, and won a BAFTA award. Schnabel also won Best Director at the 65th Golden Globe Awards, where the film won Best Foreign Language Film. Because the film was produced by an American company, it was ineligible for the Academy Award for Best Foreign Language Film.

Wins

  • The EDA Awards
    • Best Editing
    • Best Foreign Film
    • Outstanding Achievement By A Woman In 2007

Nominations

References

  1. ^ The film Julian Schnabel 'had to' make Los Angeles Times 'Calendarlive', accessed May 23, 2007
  2. ^ "Interview by Drew Tewksbury" Metromix.com. November 28, 2007.
  3. ^ "Schnabel's Portrait of an Artist in Still Life", Review of: The Diving Bell and the Butterfly, by Darrell Hartman, New York Sun, September 28, 2007. Retrieved May 9, 2008.
  4. ^ 'How I Set the Butterfly Free' Times Online January 24, 2008 (Accessed on March 10, 2008)
  5. ^ http://www.salon.com/ent/feature/2008/02/23/diving_bell/index.html The truth about "The Diving Bell and the Butterfly"
  6. ^ The truth about "The Diving Bell and the Butterfly" by Beth Arnold, Salon.com, February 23, 2008.
  7. ^ "The Diving Bell and the Butterfly - Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/diving_bell_and_the_butterfly/. Retrieved 2008-07-26. 
  8. ^ "Diving Bell and the Butterfly, The (2007): Reviews". Metacritic. http://www.metacritic.com/film/titles/divingbellandthebutterfly. Retrieved 2008-01-05. 
  9. ^ "Metacritic: 2007 Film Critic Top Ten Lists". Metacritic. http://www.metacritic.com/film/awards/2007/toptens.shtml. Retrieved 2008-02-25. 
  10. ^ "65th Golden Globe Awards Nominations & Winners". goldenglobes.org. http://www.goldenglobes.org/nominations/year/2007. Retrieved 2008-01-13. 
  11. ^ "Nominees - 80th Annual Academy Awards". Academy of Motion Picture Arts and Sciences. http://www.oscars.org/80academyawards/nominees/index.html. Retrieved 2008-01-22. 
  12. ^ "HOLLYWOOD FOREIGN PRESS ASSOCIATION 2008 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2007". goldenglobes.org. 2007-12-13. http://www.goldenglobes.org/news/id/81. Retrieved 2008-01-05. 

External links

Awards
Preceded by
Letters from Iwo Jima
 United States
Golden Globe Award for Best Foreign Language Film
2007
Succeeded by
Waltz with Bashir
 Israel

 
 

 

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