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The Duchess

 
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The Duchess

  • Director: Saul Dibb
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Period Film, Romantic Drama
  • Themes: Crowned Heads, Love Triangles, Infidelity
  • Main Cast: Keira Knightley, Ralph Fiennes, Charlotte Rampling, Dominic Cooper, Hayley Atwell
  • Release Year: 2008
  • Country: US/UK
  • Run Time: 109 minutes
  • MPAA Rating: PG13

Plot

Director Saul Dibb takes the helm for this period drama adapted from Amanda Foreman's best-selling novel Georgiana, Duchess of Devonshire, documenting the romantic entanglements of Georgiana Cavendish (Keira Knightley), a beautiful and clever woman who becomes a celebrity of British high society when she marries the Duke of Devonshire (Ralph Fiennes) and becomes consort to one of the most powerful men in England. Beloved for her trend-setting fashion designs as well as her political activism, Georgiana's fire and wit make her a beloved figure everywhere but her own home, where her cold and distant husband's control over her is stifling, soon sending her into the arms of a another man -- an act that soon forces her to learn about the brutal difference in the rights afforded to 18th century men and women. ~ Jason Buchanan, All Movie Guide

Review

The delicious pageantry of the big-hair-and-big-dresses historical drama is a glorious and melodramatic tradition, perfected through years of refinement in the areas of wig-making and bold, sidelong glances. Unfortunately, The Duchess opts out of this tradition, and shoots for an absolutely sober level of realism -- which doesn't make it a bad movie, but doesn't do it many favors either.

The title role is played by Keira Knightley, the go-to girl for the romantic leading lady in period movies (Pirates of the Caribbean, Pride & Prejudice, Atonement, Silk, The Edge of Love). Knightley's screen presence evokes passion, romance, and cheek-bony ethereal beauty, and you can see why she ends up playing the lead in so many of these films, but there's a distinction to the kind of period piece that seems to be her forte. After all, it's one thing to play the naïve and soon-to-be heartbroken damsel in a sweeping tale of corsets and desire, and it's another to play Catherine the Great or Elizabeth I.

Knightley's talents certainly lie in the former category, but while she may be no Cate Blanchett, her casting as the trail-blazingly iconic Georgiana Cavendish, Duchess of Devonshire isn't really a bad fit at all. The young actress doesn't bring much gravitas to the role, but you can't say the girl isn't earnest. If there's anything Knightley can do, especially with her copious experience at projecting operatic levels of rapture and tragedy, it's enact emotion. She makes every moment of Georgiana's hope and sadness (not to mention her many moments of total hysteria) play as totally genuine, and for the purposes of this film, that's all she needs to do. Georgiana is an intelligent woman -- and no doubt so is Knightley -- but even the smartest lady in 1774 England couldn't grow into a functioning, emotionally mature adult under the duress of high society's insulated and bizarre rituals and restrictions. That would seem to be the whole point of the story: the tragedy of Georgiana's squandered potential at the hands of a culture, legal system, and husband that treat her alternately like child and a potentially defective Male Heir Maker. The system reduces Georgiana to frustrated screaming again and again.

Ralph Fiennes plays opposite to this, as her husband, the Duke of Devonshire, and the brilliance he brings to this role appears to exceed what was provided for him in the script. Written mainly as a prop in the story's textbook template of the arranged marriage to a powerful guy who sounds great on paper until it turns out he's kind of jerk, Fiennes brings almost absurdly real levels of nuance to the part. Playing neither the Sympathetic Boring Husband nor the Total Raging Bastard (despite scenes where the dialogue adheres strictly to one of these archetypes), Fiennes somehow turns the duke into a fully realized character, a man full of virtues and flaws, who does both touching and unforgivable things, whose behaviors are attributable to both his environment and his quality of character. Sometimes you want Georgiana to stab him in the night with a letter opener and blame it on the houseboy, but most of the time he elicits anger and irritation on a par with a neighbor who buys a German shepherd, leaves it home alone all day, and then bitches and moans about it tearing the house up. You'd like to smack him in the head for never learning that a smart breed of dog will go freaking crazy with nothing to do, and you might not let your kids play in his yard, but you probably won't decide he's evil. He's a negligent cretin, not a black hat villain, and that isn't an easy thing to play.

The only problem is that with everybody being so earnest, things can get really, really flat. The film covers all the classic (which is to say, typical) bases for a movie about a great historical woman (the auspicious arranged marriage that seems awesome until she has to sleep with him, the torrid secret affair with a much hotter guy, the obligate moment when she tells some incredulous advisor that she'd like to nurse her own baby), but these scenes are so tried that, played straight, they somehow seem calculated and oblivious at the same time. Or, alternately, when things in the story gets flat-out ridiculous, it ends up feeling weird and dissonant. It's fair to say these scenes are supposed to evoke whatever Georgiana is feeling, but this can become a real issue when it just doesn't work. And especially when such crazy events are happening as characters are meeting in fields to exchange babies and people's wigs are catching on fire, the movie needs a dash of old-fashioned costume drama stylization. The sauciness usually helps to round out those kinds of wild moments -- the pageantry provides padding, an implicit understanding that such strange moments demand equivocal theatricality -- but sadly, this appears to be an effect that director Saul Dibb was decidedly uninterested in, and that Miss Knightley, bless her heart, does not yet seem to have in her repertoire. ~ Cammila Albertson, All Movie Guide

Cast

Simon McBurney - Charles Fox; Aidan McArdle - Richard Sheridan; John Shrapnel - Gen. Grey; Alistair Petrie - Heaton

Credit

Karen Wakefield - Art Director, Lucy Bevan - Casting, Alexandra Arlango - Co-producer, Colleen Woodcock - Co-producer, Michael O'Connor - Costume Designer, Saul Dibb - Director, Iain B. MacDonald - Second Unit Director, Masahiro Hirakubo - Editor, David M. Thompson - Executive Producer, Cameron Mccracken - Executive Producer, François Ivernel - Executive Producer, Christine Langan - Executive Producer, Amanda Foreman - Executive Producer, Carolyn Marks-Blackwood - Executive Producer, Jan Archibald - Hair Styles, Andrew Warren - Line Producer, Rachel Portman - Composer (Music Score), Daniel Phillips - Makeup, Michael Carlin - Production Designer, Gyula Pados - Cinematographer, Michael Kuhn - Producer, Gabrielle Tana - Producer, Simon Fraser - Sound/Sound Designer, Lee Sheward - Stunts Coordinator, Mark Holt - Special Effects Supervisor, Anders Thomas Jensen - Screenwriter, Jeffrey Hatcher - Screenwriter, Saul Dibb - Screenwriter, Charlie Noble - Visual Effects Supervisor, Paul Hamblin - Re-Recording Mixer, Josh Robertson - Second Assistant Director, Catherine Hodgson - Supervising Sound Editor, Rebecca Alleway - Set Decorator, Amanda Foreman - Book Author

Similar Movies

Marie Antoinette; The Other Boleyn Girl; The Lion in Winter; Elizabeth
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The Duchess

Theatrical release poster
Directed by Saul Dibb
Produced by Gabrielle Tana
Michael Kuhn
Written by Book:
Amanda Foreman
Screenplay:
Jeffrey Hatcher
Anders Thomas Jensen
Saul Dibb
Starring Keira Knightley
Ralph Fiennes
Hayley Atwell
Charlotte Rampling
Dominic Cooper
Music by Rachel Portman
Cinematography Gyula Pados
Editing by Masahiro Hirakubo
Distributed by Paramount Vantage
BBC Films
Pathé
Qwerty Films
Release date(s) United Kingdom:
September 5, 2008
United States:
September 19, 2008
Running time 110 min.
Country United Kingdom
Language English
Budget £13,5 million
$25,2 million
€17,1 million[1]
Gross revenue $43,306,325

The Duchess is a 2008 British drama film based on Amanda Foreman's best-selling biography of the 18th-century English aristocrat Georgiana Cavendish, Duchess of Devonshire. It was released in September 2008 in the UK. Originally to be directed by Susanne Bier,[2] The Duchess was directed by Saul Dibb.

Contents

Plot summary

Set at the end of the eighteenth century, The Duchess is based on the life of Georgiana Cavendish, Duchess of Devonshire. While her beauty and charisma made her name, her extravagant tastes and appetite for gambling and love made her infamous. Married young to the older, distant Duke of Devonshire, who was blatantly unfaithful, Georgiana became a fashion icon, a doting mother, a shrewd political operator, intimate of ministers and princes, and darling of the common people. But at the core of the story is a desperate search for love. The film delves into Georgiana’s passionate and doomed affair with Earl Grey, the future Prime Minister, and the complex love triangle with her husband and her best friend, Lady Bess Foster.

The film depicts Georgiana's tragic life story, with particular emphasis on her relationship with Charles Grey. At the start of the movie, the Duchess and her friends are betting on which of their young male friends will win a race. The young mens' names are put into a hat, and Georgiana picks Charles' name. When he wins the race, Georgiana is delighted, and he asks for his reward. She in turn asks him what he thinks it should be, when they are interrupted by a maid, telling Georgiana that she is summoned by her mother.

Lady Spencer announces that Georgiana is to be married to the Duke of Devonshire, who we later see is extremely unfaithful and a harsh, exacting hypocrite. Nevertheless, Georgiana strives to meet his standards and please him, but when, after six years, she does not produce a single male heir, only two daughters, his bitterness and resentment grows, even when she raises Charlotte, an illegitimate daughter of his, as if she were her own. It is around that time that Georgiana meets Lady Elizabeth; after seeing her husband talking to Lady Elizabeth at a party and suspecting that something is going on between them. However, Elizabeth reveals that there is nothing between her and the Duke, and, surprisingly, the two women soon became extremely close friends. Elizabeth tells Georgiana that she has nowhere to stay and so the latter offers her a room at their house. Elizabeth, or 'Bess' soon becomes a permanent fixture in the Devonshire household.

One night, when the Duke, Georgiana and Bess are attending a play, Georgiana spies her old friend, Charles Grey and asks him how he found the play. When he does not show much enthusiasm, and she reminds him that it is supposed to be a comedy, and that she hopes that he has not lost his sense of humour after going into politics, he looks deep into Georgiana's eyes and says that it looked more like a tragedy to him. This is of particular significance to Georgiana, as the play is about a beautiful young girl who marries a much older, disgruntled man who only seeks a male heir, which echoes perfectly Georgiana's predicament. Indeed, the playwright remarks to her that he had been thinking of titling the play 'The Bad Marriage', and it becomes obvious that the play was inspired by Georgiana and the Duke's marriage. Accordingly, Georgiana looks into Charles' eyes and we see the same passion and emotion we saw at the beginning of the film, when they were both young and free. Later that evening, Georgiana is in Bess's room. Bess tells Georgiana that Charles Grey was in love with her, but Georgiana doesn't believe her.

Georgiana and Charles continue to talk whenever they meet. At one of these meetings, he tells her that the campaign for his political party is not going well at all, to which she replies that she has many faults, not least of them being her ability to draw attention, and then tells him that she will use that to their advantage.

And so, with Georgiana's help, Charles makes a speech to a huge crowd, who then cheer for him wholeheartedly, while Georgiana looks on in a wonder bordering on adoration. After he has made his speech, the two go inside to talk and he asks her what she thought of his speech. She says that it was a 'marvel', and the conversation soon switches to their feelings for each other. When asked if he thinks about her when they are not together, he replies that he does, all the time, and that he always has. At that exact moment, someone informs Georgiana that her carriage is ready, interrupting the intimate moment.

Georgiana returns home light-hearted, but her happy mood is soon quashed by the revelation that the Duke has been having an affair with Bess. Although he has had many affairs before, of which Georgiana has been, to an extent, indifferent, she is enraged that he should have an affair with her best friend, the 'sole comfort in their marriage', and a heated argument ensues. Georgiana insists that Elizabeth leave the house at once, but the Duke flatly refuses.

Soon, growing restless that she is forced to live with her husband's mistress and former best friend, Georgiana proposes a deal with her husband. Georgiana will give her blessings for Bess to continue carrying on with the Duke, if the Duke will accept Georgiana's romantic feelings for Grey. Enraged, the Duke chases and corners Georgiana in her bedroom, where he proceeds to rape her. The entire household is forced to bear Georgiana's screams, and when it is finally over, the Duke demands a son from his wife.

Trapped in her own life, the Duchess forgets her usual manners, and one evening, at a party, becomes so intoxicated that she accidentally sets her wig on fire, embarrassing her husband before other members of the court. Soon after, The Duke discovers Georgiana is pregnant, and not long after, she gives birth to a healthy son, William Cavendish, 6th Duke of Devonshire.

In the midst of all this pain and betrayal, it is Charles Grey to whom Georgiana turns. They both go to Bath and start living together, with Bess encouraging Georgiana to enjoy her lover. But soon the Duke discovers the romance and comes to take back his wife, threatening her with the loss of her children forever, and with destroying Grey's career. Georgiana, though it breaks her heart, stays with her children and sets Grey free.

It is then found out that she is carrying the child of Grey, and the Duke goes ahead and forbids her to keep the child, who is to be given to Grey's family. She has a daughter who she promptly names Eliza. Georgiana secretly sees Eliza throughout her life, and Eliza only finds out of her real parentage after Georgiana's death at age 48, caused by an absess of the liver.

Production

The Duchess is financed by BBC Films and Pathé.[3] The Duchess was filmed at Twickenham Film Studios and on-location at Chatsworth, Bath, Holkham Hall, Clandon Park, Kedleston Hall, Somerset House and The University of Greenwich.

Regarding lead actress Keira Knightley, director Saul Dibb said The Duchess was "a chance to take a character from late childhood — she's married at 17—into full adulthood, 10 years later."[4] It was also a chance to work with Ralph Fiennes, whom she regarded as one of her most accomplished co-stars to date; Dibb said, "When I said, 'We've got Ralph interested in playing the Duke,' we both took a gulp and went, 'F---.' [sic] ... But I didn't for one second feel that she wasn't up to the task."[4]

Cast

And

  • Calvin Dean (II) as Devonshire House Servant; Emily Jewell as Nanny; Hannah Stokely as Maid; Richard Syms as Dr Neville; Richard McCabe as Sir James Hare; Andy Armour as Burleigh the Butler; Emily Cohen as Harryo; Poppy Wigglesworth as Charlotte (aged 10); Mercy Fiennes Tiffin as Little Georgiana; Sebastian Applewhite as Augustus; Eva Hrela as Charlotte (aged 3); Bruce Mackinnon as Sir Peter Teazle actor; Alistair Petrie as Heaton; Georgia King as Lady Teazle actress; Kate Burdette as Lady Harriet; Paul Daley as George Augustus Henry Cavendish, created 1st Earl of Burlington of the 2nd order or creation (a.k.a. Duke's brother); Hannah Stretton as Lady Mary; Hollie Standish-Leigh as Lady Patricia; and Anon. plays Georgiana's daughter by Lord Grey, Eliza Courtney.

Release

Marketing

Studio executives wanted to use digitally altered images of Keira Knightley in promotional materials. The alterations were specifically aimed at enlarging her breasts. However, Knightley objected to the alterations and they were not used.[5]

Theatrical release

The BBFC has classified the film as a 12A, citing the scene of implied marital rape, which is "delivered through Georgiana's screams of protest, heard from outside the bedroom door." The BBFC's PG rating allows implied sex as long as it is discreet and infrequent; the board decided that the scene in The Duchess is more than "discreet" or "implied".[6] The film had its world premiere on September 3, 2008, in Leicester Square and was released nationwide in the United Kingdom on September 5.[7] [8]

Critical reception

The film received mixed, though mostly positive, reviews gaining 61% on Rotten Tomatoes based on 142 reviews, with the consensus that "Keira Knightley squeezes into a corset again, and pulls off another worthy performance in this sumptuous and emotional period drama, that serves parallels to the Duchess's descendent Princess Diana."[9] Peter Bradshaw of The Guardian wrote that "Dibb's movie looks good" [however] "exasperatingly bland and slow-moving at all times" handing out a 2 of 5 star rating. However, Paul Hurley gave the film 8/10 and called The Duchess "an excellent new film" and states that "The Duchess stands a good chance of taking home some very big prizes at the end of the year".[10]

Most reviewers have highly praised Knightley and Fiennes' performances. Timeout London wrote: "[Saul Dibb] is also helped enormously by a mature, restrained portrayal from Knightley, a masterclass in passive aggression from Fiennes and a performance of tender seduction from Atwell."[11] The Epoch Times writes, "Ralph Fiennes brings a human quality to [the Duke] by avoiding any intent, exaggeration or ill will" and "Keira Knightley’s performance gains new depth — she not only perfectly portrays a witty and feminine Georgiana early in the film, but also a caring mother, and an abandoned woman later on. Also remarkable in this role is Knightley’s ability to portray the strengths, weaknesses, and the internal hurdles of Georgiana, as well as her internal contemplation."[12] Film Ireland writes "It is a slow movie but it is well acted with Knightley and Fiennes suited to their roles, especially Fiennes who gives a formidable and powerful performance."[13]

Cameron Baily, the co-chair of The Toronto International Festival comments; “The Duchess Of Devonshire, with Keira Knightley, which is a beautiful film and she gives a really mature performance. You’re seeing her really turn into something beyond the kind of pretty face that we’ve seen her do already so well. But she’s actually a very serious actress and she’s turning into a great, great performer.”[14]

The film's costume designer Michael O'Connor was nominated for, and won the Academy Award for Best Costume Design, the BAFTA Award for Best Costume Design and the Satellite Award for Best Costume Design.

Awards

Awards ceremony Award Category Subject Result
Academy Awards[15] Best Costume Design Michael O'Connor Won
Best Art Direction - Nominated
BAFTA Awards[16] Best Costume Design Michael O'Connor Won
BIFA[17] Best Actress Keira Knightley Nominated
Best Supporting Actor Ralph Fiennes Nominated
Best Supporting Actress Hayley Atwell Nominated
Best Technical Achievement Michael O'Connor (Costume) Nominated
Golden Globes Awards[18][19] Best Supporting Actor Ralph Fiennes Nominated
People's Choice Awards[20] Favourite Actress Keira Knightley Nominated
Favourite Independent Movie The Duchess Nominated
Satellite Awards[21] Best Art Direction and Production Design Karen Wakefield, Michael Carlin Nominated
Best Cinematography Gyula Pados Nominated
Best Costume Design Michael O'Connor Won
London Circle Critics' Film Awards British Actor of the Year Ralph Fiennes Nominated
British Actress in a Supporting Role Hayley Atwell Nominated

References

  1. ^ On-set report: The Duchess The Telegraph. Retrieved August 16, 2008.
  2. ^ (18 September 2006) Susanne Bier finds The Duchess:Open Hearts helmer glamming up for period love story, Total Film
  3. ^ DAWTREY, Adam (29 July 2007) Keira Knightley set for 'Duchess':Actress to play the controversial blueblood, Variety
  4. ^ a b "2008 Fall Movie Guide: Preview: The Duchess". Entertainment Weekly, Issue #1007/1008. Time Inc.. August 22–29, 2008. pp. pg. 50. http://www.ew.com/ew/article/0,,20219070_20219072_20218882,00.html. Retrieved 2008-10-02. 
  5. ^ Red Eye w/ Greg Gutfeld. Fox News. Broadcast date: July 30, 2008.
  6. ^ "The Duchess rated 12A by the BBFC" British Board of Film Classification. Retrieved on 13 August 2008.
  7. ^ Pamela McClintock (2008-03-31). "2008 awards season shaping up". Variety. http://www.variety.com/article/VR1117983222.html. Retrieved 2008-04-01. 
  8. ^ "Knightley stars at Duchess launch". BBCNews. 2008-09-03. http://news.bbc.co.uk/2/hi/entertainment/7596614.stm. Retrieved 2008-09-04. 
  9. ^ The Duchess (2008)
  10. ^ http://www.tiscali.co.uk/entertainment/film/reviews/the-duchess.html
  11. ^ From Time Out London
  12. ^ Keira Knightley Shines in Premiere of Duchess http://en.epochtimes.com/n2/arts-entertainment/keira-knightly-the-duchess-premieretoronto-3924.html
  13. ^ http://www.filmireland.net/reviews/duchess_the.htm
  14. ^ CityNews: Brad Pitt And Keira Knightley Among Big Names Confirmed For T.O. Film Fest
  15. ^ AA (2009-01-22). "Oscars 2009 Nominations =Academy Awards". http://perezhilton.com/2009-01-22-and-the-nominees-are-14#more-41802. Retrieved 2008-01-22. 
  16. ^ "Film Winners in 2009". bafta.org. BAFTA. http://www.bafta.org/awards/film/film-nominations-in-2009,657,BA.html. Retrieved 8 February, 2009. 
  17. ^ BIFA (2008-12-13). "BIFA 2008 Nominations =BIFA". http://www.bifa.org.uk/nominations/2008. Retrieved 2008-12-13. 
  18. ^ Silverman, Stephen (2008-12-11). "Angelina Jolie, Brad Pitt Score Golden Globe Nods". People. http://www.people.com/people/article/0,,20245120_2,00.html. Retrieved 2008-12-11. 
  19. ^ "Nominations & Winners". Golden Globes. http://www.goldenglobes.org/nominations/index.html. Retrieved 2008-12-12. 
  20. ^ PCA (2008-12-13). "PCA Nominations =People's Choice Awards". http://www.pcavote.com/pca/. Retrieved 2008-12-13. 
  21. ^ none (2008-12-13). "[http://www.pressacademy.com/satawards/awards2008.shtml 2008 13th Annual SATELLITE Awards Nominees=Satellite Awards]". http://www.pressacademy.com/satawards/awards2008.shtml. Retrieved 2008-12-13. 

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