The Emperor's New Groove is a 2000 American animated film produced by Walt Disney Feature Animation and released by Walt Disney Pictures through Buena Vista Distribution on December 15, 2000. It is the 40th animated feature in the Walt Disney Animated Classics. The Emperor's New Groove is a comedy including adult and child humor. The title refers to the Danish fairy tale The Emperor's New Clothes by Hans Christian Andersen, though the two have little else in common. Produced by Randy Fullmer and directed by Mark Dindal over a six-year production timeline, The Emperor's New Groove was altered significantly from its original concept as a more traditional Disney musical entitled Kingdom of the Sun, to have been directed by Dindal and Roger Allers (co-director of The Lion King).
The film received an Academy Award nomination for Best Song for "My Funny Friend and Me" performed by Sting, but lost against "Things Have Changed" by Bob Dylan from Wonder Boys.
A direct-to-video sequel, Kronk's New Groove, was released in December 2005, followed by an animated television series, The Emperor's New School, in January 2006.
Plot
Kuzco (David Spade) is the self-centered teenaged emperor of a mountainous jungle nation. One day, he summons Pacha (John Goodman), the headman of a nearby village, to inform him that he is building his summer home, Kuzcotopia, on the site of Pacha's home. Pacha attempts to protest, and is dismissed. Kuzco's ancient, power-hungry advisor Yzma (Eartha Kitt) and her easily-distracted lackey Kronk (Patrick Warburton) then attempt to poison Kuzco so that she can take control of the empire. However, the attempt is flawed, as the supposed poison turns out to be a potion which turns Kuzco into a llama.
After knocking Kuzco unconscious, Yzma orders Kronk to dispose of him, but conscience-stricken Kronk loses the sack holding Kuzco. Kuzco ends up in Pacha's village, and after discovering that he has been changed, accuses Pacha of kidnapping him and demands that Pacha help him return to the palace. Pacha refuses unless Kuzco builds his summer home elsewhere, and Kuzco refuses and attempts to find his own way home. Kuzco ends up surrounded by a pack of jaguars, only to be saved by Pacha. Meanwhile, Yzma assumes command of the nation, but when Kronk reveals he never killed Kuzco, the two head out and begin to search the villages one by one for him.
Kuzco feigns agreement with Pacha's demand, and Pacha begins to lead him back to the palace. Pacha and Kuzco stop at a roadside diner, and Yzma and Kronk arrive shortly after. Pacha overhears Yzma discussing their plans to kill Kuzco, and flees with him and warns him. Kuzco, convinced Yzma is loyal, berates Pacha and returns to Yzma. Kuzco overhears Yzma and Kronk discussing that they are seeking to kill him, and that the kingdom doesn't miss him. Kuzco realizes Pacha was right, but Pacha has left when he goes back to where he left him. After spending the night alone in the jungle, Kuzco returns to Pacha's village and the two reunite. However, Yzma and Kronk have finally located the village as well, and the two race back to the palace, with Yzma and Kronk getting hit by lightning and falling into a chasm.
Kuzco and Pacha arrive at the laboratory but find that their pursuers somehow got there first. Kronk changes sides after a vicious tongue-lashing from Yzma, and gets dropped down a trapdoor. Yzma summons the palace guards, forcing Kuzco and Pacha to grab all of the transformation potions they can and flee. After trying several formulas that convert Kuzco to other animals, and then back to a llama, they escape the guards (but not Yzma) and find they are down to only two vials. Yzma accidentally steps on one of the two, turning herself into a tiny kitten. She still almost manages to obtain the antidote, but is thwarted by the sudden reappearance of Kronk. Kuzco becomes human again and sets out to redeem himself, building Kuzcotopia on the hill next to Pacha's home and inviting Pacha and his family to join him there. Meanwhile, outdoorsman Kronk becomes a scout leader, with kitten-Yzma forced to be a member of the troop.
Cast
Production crew
| Crew position |
|
| Directed by |
Mark Dindal |
| Produced by |
Randy Fullmer |
| Story by |
Mark Dindal
Chris Williams |
| Screenplay by |
David Reynolds |
| Executive Producer |
Don Hahn |
| Lyrics by |
Sting |
| Music by |
Sting
David Hartley |
| Original Score by |
John Debney |
| Associate Producer |
Patricia Hicks |
| Art Director |
Colin Stimpson |
| Film Editor |
Pamela Ziegenhagen-Shefland |
| Artistic Supervisors |
Stephen Anderson (Story supervisor)
Jean-Christophe-Poulain (Layout supervisor)
Natalie Franscioni-Karp (Background supervisor)
Drew Shaw (Late-Scene Supervisor)
Benjamin Stegemann (Animation supervisor)
Vera Pacheco (Clean-up supervisor)
Mauro Maressa (Effects supervisor) |
| Supervising Animator |
Nik Ranieri (Kuzco)
Bruce W. Smith (Pacha)
Dale Baer (Yzma)
Tony Bancroft (Kronk)
Doug Frankel (Chicha)
James Lopez (Tipo)
Brian Ferguson (Chaca/Bucky) |
Based on an Original Story by
Associate Art Director
Production Design
Character Design
Artistic Coordinator
Production Manager |
Roger Allers and Matthew Jacobs
Thomas Cardone
Paul J. Felix
Joseph C. Mosier
Dan Hansen
Tod C. Marsden |
Production
Kingdom of the Sun
Early in development, the film was titled Kingdom of the Sun, later Kingdom in the Sun, with Roger Allers as the film's director and Randy Fullmer as producer. Among those on Allers's production team were supervising animator Andreas Deja, who was in charge of the witch character of Yzma, and pop musician Sting, who, in the wake of Elton John's success with The Lion King's soundtrack, had been assigned to write several songs for the film.
Kingdom of the Sun was to have been a tale of a greedy, selfish emperor who finds a peasant who looks just like him; the emperor swaps places with the peasant for fun, much as in author Mark Twain's archetypal novel The Prince and the Pauper. However, the evil witch Yzma has plans to summon a dark spirit named Supai and capture the sun so that she may retain her youth forever (the sun gives her wrinkles, so she surmises that living in a world of darkness would prevent her from wrinkling). Discovering the switch between the prince and the peasant, Yzma turns the real emperor into a llama and threatens to reveal the pauper's identity unless he obeys her. The emperor-llama learns humility in his new form, and even comes to love a girl llama-herder. Together, the girl and the llama set out to undo the witch's plans.
Troubled production
Development suffered from several attempts at trying to make the plot more original, and also from a general lack of direction. Upper management felt the plot was too similar to any number of other "Prince and Pauper" stories, and test screenings of the work-in-progress generated poor feedback. Disney hired Mark Dindal, director of Warner Bros.'s comedic animated musical Cats Don't Dance, in hopes that Dindal would be able to punch-up Allers's epic, yet uninvolving, story. The result was that Dindal and Allers essentially began making two separate films, with Dindal pushing his scenes toward comedy and Allers pushing his toward drama.
Disney chief Michael Eisner and his studio executives were not pleased at the uneven story, the lukewarm test-audience response, and the slow pace of production. However, the executives were at first reluctant to intervene because of Allers's success with The Lion King, which had also had a troubled time in production. In addition, most of Allers's crew had complete faith in the director, who was determined to create a sweeping epic on the scale of The Lion King.
By the summer of 1998, it was apparent that Kingdom of the Sun was not far along enough in production to be released in the summer of 2000 as planned. At this time, one of the Disney executives stormed into Randy Fullmer's office and, placing his thumb and forefinger a quarter-inch apart, angrily remarked that "your film is this close to being shut down".[1] Fullmer approached Allers, and informed him of the need to finish the film on time for its summer 2000 release (crucial promotional deals with McDonald's, Coca-Cola, and others were already established and depended upon meeting that release date). Allers acknowledged that the production was falling behind, but was confident that, with an extension of between six months to a year, he could complete the film. When Fullmer denied Allers's request for an extension, the director quit the project.
Overhaul
Eisner, hearing Allers had quit, became furious, and gave Fullmer two weeks to prove the film could be salvaged or else Eisner would personally shut down production. Fullmer and Dindal halted production for six months to retool Kingdom of the Sun, while their animators were reassigned to work on the Rhapsody in Blue segment of Fantasia 2000. In the interim, Dindal, Fullmer, and writers Chris Williams and David Reynolds overhauled the film completely.
When work on the film resumed, it had a new title and a new story. Gone were the sun-capturing plot, the look-alike peasant, and the llama-herder love interest. Now the film was a buddy movie, with Yzma depicted more as a mad scientist. The co-lead became Pacha, a portly farmer from the countryside. Eisner worried that the new story was too close in tone to Disney's 1997 film Hercules, which had performed decently but yet below expectations at the American box office. Dindal and Fullmer assured him that The Emperor's New Groove, as the film was now called, would have a much smaller cast, making it easier to involve audiences.
Andreas Deja declined to return to the film, and moved to Orlando, Florida to work on Lilo & Stitch, instead. Sting's songs, related to specific scenes that were now gone, had to be dropped. Sting was bitter about the removal of his songs (which are available on The Emperor's New Groove soundtrack album). "At first, I was angry and perturbed. Then I wanted some vengeance."[2]
Influences
The title of the film is derived from that of the popular Danish fairy tale The Emperor's New Clothes. Similarly, the personality of a self-obsessed ruler who puts himself first to the detriment of his own people is also based on the fairy-tale.
The setting and culture of The Emperor's New Groove are based on the Inca Empire that developed into what is now modern-day Peru. Along with the architecture, roads, intricate waterworks, sun worship, and llamas as domestic beasts, Kuzco's name is similar to Cusco, the Peruvian city considered the capital of the Inca Empire, and Pacha's name is drawn from Pachacutec, considered the most important ruler of the Inca Empire, and a historical figure. Names and imagery mingle elements of Incan culture with elements from pre-Incan Peruvian cultures and non-Incan cultures of Central and South America. There are also incongruities and anachronisms, some for humorous effect and some simply the result of not prioritizing historical authenticity. While the animators made a research trip to Peru for inspiration, the film and its publicity are notably non-specific about the geographical or historical setting of the story.[3]
Unlike many previous Disney animated films, The Emperor's New Groove is almost completely devoid of musical numbers. It is the first Walt Disney Feature Animation film since 1990's The Rescuers Down Under not to be a musical, and the start of a larger trend where the studio began to move away from musicals.
Deleted scenes
The standard DVD release includes a nearly complete deleted scene, in which Pacha witnesses a practice attack by royal guards on a mock-up of his village. Much of this scene is seen as complete animation in full color. The 2001 two-disc collector's edition DVD includes several other scenes which did not make it past the storyboarding phase, including Kuzco (as a llama) meeting Pacha's sitcom-esque extended family.
The film's ending originally had Kuzco building his Kuzcotopia amusement park on another hill near Pacha's, and inviting Pacha and his family to visit. Sting, an environmentalist, protested against the ending because it appeared that Kuzco had destroyed portions of the rain forest to build his park. The ending was rewritten so that Kuzco changes his mind about destroying more land, constructs a shack similar to Pacha's and spends his vacation among the villagers.
Home media release
The standard VHS and DVD was released May 1, 2001 at the same time the "2-Disc Collector's Edition" was released but with more Bonus Features. The standard VHS and DVD & The 2-Disc Collector's Edition are now Discontinued. Disney re-released a single-disc special edition called "The New Groove Edition" on October 18, 2005.
Reception
The film received positive reviews and currently holds an 85% "Certified Fresh" approval rating on Rotten Tomatoes, with the Rotten Tomatoes consensus saying that the film "has more of the look and feel of Looney Tunes cartoons than classic Disney films."
The Emperor's New Groove made $89,302,687 at the U.S. box office, and an additional $80,025,000 worldwide; totals lower than those for most of the Disney Feature Animation productions released in the 1990s. New Groove and all but two of the five future traditional Disney Feature Animation films—2002's Lilo and Stitch and 2003's Brother Bear—would sustain losses during their theatrical releases.
Annie Awards
| Result |
Award |
Winner/Nominee Recipient(s) |
| Nominated |
Animated Theatrical Feature |
| Nominated |
Individual Achievement in Directing |
Mark Dindal (Director) |
| Nominated |
Individual Achievement in Writing |
Mark Dindal (Story)
Chris Williams (Story)
David Reynolds (Screenplay) |
| Nominated |
Individual Achievement in Storyboarding |
Stephen J. Anderson (Story Supervisor) |
| Nominated |
Individual Achievement in Storyboarding |
Don Hall (Story Artist) |
| Nominated |
Individual Achievement in Production Design |
Colin Stimpson (Art Director) |
| Won |
Individual Achievement in Character Animation |
Dale Baer (Supervising Animator—Yzma) |
| Won |
Individual Achievement in Voice Acting - Female |
Eartha Kitt ("Yzma") |
| Nominated |
Individual Achievement in Voice Acting - Male |
Patrick Warburton ("Kronk") |
| Won |
Individual Achievement in Music |
Sting (Music/Lyrics)
David Hartley (Music) |
The Sweatbox
Trudie Styler, a documentarian, had been allowed to film the production of Kingdom of the Sun/The Emperor's New Groove as part of the deal that originally brought her husband Sting to the project. As a result, Styler recorded on film much of the struggle, controversy, and troubles that went into making the picture (including the moment when producer Fullmer called Sting to inform the pop star that his songs were being deleted from the film). Styler's completed documentary, The Sweatbox, premiered at the Toronto Film Festival on September 13, 2002. Disney owns the rights to the documentary and has not released it on home video or DVD.
Derivative works
A direct-to-DVD sequel titled Kronk's New Groove was released in December 2005, and a Disney Channel cartoon series, The Emperor's New School followed, but without David Spade voicing Kuzco and John Goodman voicing Pacha, as they had in the original film and sequel. Patrick Warburton, Eartha Kitt, and Wendie Malick reprised their roles for the series. John Goodman has subsequently reprised his role for the current season of The Emperor's New School.
Kuzco was featured as a guest in Disney's House of Mouse and Mickey's Magical Christmas: Snowed in at the House of Mouse.
Two video games were developed and released concurrent with the film. The first, for the Sony PlayStation, was developed by Disney Interactive and published by Sony Computer Entertainment of America. The second, for the Nintendo Game Boy Color, was developed by Sandbox and published by Ubisoft. Both titles were released in PAL territories the following year.
See also
References
- ^ Jim Hill, "The Long Story Behind the Emperor's New Groove". Part 1, page 3. [1]
- ^ (Dec. 14, 2000). "Studio Briefing: How Sting Spun Out Of The Groove". Internet Movie Database. [2]
- ^ See Helaine Silverman, "Groovin' to ancient Peru: A critical analysis of Disney's The Emperor's New Groove" in Journal of Social Archaeology 2002, 2: 298-322.
External links
