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The End

 
Artist: The End

Group Members:

Aaron Wolff, Steve Watson, Anthony Salajko, Tyler Semrick-Palmateer, Andrew Hercules, Sean Dooley

Similar Artists:

  • Formed: 1999, Canada
  • Genres: Rock
  • Representative Albums: "Within Dividia", "Transfer Trachea Reverberations from Point: False Omniscient", "Elementary

Biography

Canadian post-grindcore extremists the End were formed in spring 1999 by vocalist Tyler Semrick-Palmateer, guitarists Steve Watson and Andrew Hercules, bassist Sean Dooley, and drummer Anthony Salajko. After strenuous touring across southern Ontario and occasional visits to the U.S. East Coast, the band committed its extremely heavy, dauntingly complex music to tape with 2002's Transfer Trachea Reverberations From Point: False Omniscient release. New singer Aaron Wolff joined soon after and participated in the recording of their concept album follow-up, 2004's Within Dividia. ~ Eduardo Rivadavia, All Music Guide
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Wikipedia: The End (The Beatles song)
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"The End"
Song by The Beatles

from the album Abbey Road

Released September 26, 1969 (1969-09-26)
Recorded 23 July–18 August 1969
Genre Hard Rock, Art Rock
Length 2:20
Label Apple
Writer Lennon/McCartney
Producer George Martin
Abbey Road track listing

"The End" is a song by The Beatles composed by Paul McCartney (credited to Lennon/McCartney) for the album Abbey Road. It was the last song recorded collectively by all four of The Beatles,[1] and is the final song of the medley that dominates side two of the LP version of the album.

Contents

Composition and recording

McCartney said, "I wanted [the medley] to end with a little meaningful couplet, so I followed the Bard [Shakespeare] and wrote a couplet."[2] In his 1980 interview with Playboy, John Lennon acknowledged McCartney's authorship by saying, "That's Paul again ... He had a line in it, 'And in the end, the love you get is equal to the love you give,' which is a very cosmic, philosophical line. Which again proves that if he wants to, he can think."[3] Lennon misquoted the line slightly; the actual words are, "And, in the end, the love you take/ Is equal to the love you make."[4]

Recording began on 23 July 1969, when The Beatles recorded a one-minute, 20-second master take that was extended via overdubs to two minutes and five seconds. At this point, the song was called "Ending."[5] The first vocals for the song were added on 5 August, additional vocals and guitar overdubs were added on 7 August, and bass and drums on 8 August, the day the Abbey Road cover picture was taken.[6] Orchestral overdubs were added 15 August, and the closing piano and accompanying vocal on 18 August.[7]

All four Beatles have a solo in "The End", including Ringo Starr's only drum solo for The Beatles.[8] Starr disliked solos; he preferred to cater drumwork to whoever sang in a particular performance.[9] The take in which he performed the solo originally had guitar and tambourine accompaniment,[5] but other instruments were muted during mixing giving the effect of a drum solo. The additional instruments were restored for a remix on the Anthology 3 compilation album.[10] The drum solo was also later used at the beginning of "Get Back" on the 2006 album Love.

McCartney, Harrison, and Lennon perform a rotating sequence of three, two-bar guitar solos.[1][8] The solos begin approximately 53 seconds into the song and end just before the final piano part. Lennon described it in his 1970 interview with Rolling Stone: "There's a nice little bit I played on Abbey Road. Paul gave us each a piece, a little break where Paul plays, George plays and I play."[11]

"The End" was initially intended to be the final track on Abbey Road, but it is followed by "Her Majesty". In the first practice mix of the medley, constructed on 30 July, "Her Majesty" followed "Mean Mr. Mustard" (on the released version of the album, "Her Majesty" begins with the excised final chord of "Mean Mr. Mustard"). According to sound engineer John Kurlander, McCartney said, "I don't like 'Her Majesty,' throw it away." Kurlander cut it out, but said, "I'd been told never to throw anything away, so after he left I picked it up off the floor, put about 20 seconds of red leader tape before it, and stuck it onto the end of the edit tape." When McCartney heard "Her Majesty" in its new position he liked it and decided that it should remain on the album.[12]

Reception

Richie Unterberger of Allmusic considered "The End" to be "the group's take on the improvised jamming common to heavy rock of the late '60s, though as usual the Beatles did it with far more economic precision than anyone else."[13] John Mendelsohn of Rolling Stone said it was "a perfect epitaph for our visit to the world of Beatle daydreams: "The love you take is equal to the love you make."[14].

In popular culture

Personnel

Personnel above per Ian MacDonald[1]

Notes

  1. ^ a b c MacDonald 2005, p. 361.
  2. ^ Miles 1997, p. 558.
  3. ^ Sheff 2000, p. 204.
  4. ^ Hal Leonard 1993, pp. 252–253.
  5. ^ a b Lewisohn 1988, p. 181.
  6. ^ Lewisohn 1988, pp. 185–186.
  7. ^ a b Lewisohn 1988, p. 190.
  8. ^ a b The Beatles 2000, p. 337.
  9. ^ Larry King Show 2007.
  10. ^ Apple Records 1996.
  11. ^ Wenner 2000, p. 22.
  12. ^ Lewisohn 1988, p. 183.
  13. ^ Unterberger 2007.
  14. ^ Mendelsohn 1969.

References


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