The best or richest of anything, as in The tiny upper class lived off the fat of the land while many of the poor were starving. This expression alludes to fat in the sense of "the best or richest part." The Bible has it as eat the fat of the land (Genesis 45:18).
Few albums were as eagerly anticipated as The Fat of the Land, the Prodigy's long-awaited follow-up to Music for the Jilted Generation. By the time of its release, the group had two number one British singles with "Firestarter" and "Breathe" and had begun to make inroads in America. The Fat of the Land was touted as the album that would bring electronica/techno to a wide American audience; in Britain, the group already had a staggeringly large following that was breathlessly awaiting the album. The Fat of the Land falls short of masterpiece status, but that isn't because it doesn't deliver. Instead, it delivers exactly what anyone would expect: intense hip-hop-derived rhythms, imaginatively reconstructed samples, and meaningless shouted lyrics from Keith Flint and Maxim. Half of the album does sound quite similar to "Firestarter," especially when Flint is singing. Still, Liam Howlett is an inventive producer, and he can make empty songs like "Smack My Bitch Up" and "Serial Thrilla" kick with a visceral power, but he is at his best on the funky hip-hop of "Diesel Power" (which is driven by an excellent Kool Keith rap) and "Funky Shit," as well as the mind-bending neo-psychedelia of "Narayan" (featuring guest vocals by Crispian Mills of Kula Shaker) and the blood-curdling cover of L7's "Fuel My Fire," which features vocals by Republica's Saffron. All those guest vocalists mean something -- Howlett is at his best when he's writing for himself or others, not his group's own vocalists. "Firestarter" and all of its rewrites capture the fire of the Prodigy at their peak, and the remaining songs have imagination that give the album weight. The Fat of the Land doesn't have quite enough depth or variety to qualify as a flat-out masterpiece, but what it does have to offer is damn good. ~ Stephen Thomas Erlewine, All Music Guide
The Prodigy (Main Performer), Saffron (Vocals), Liam Howlett (Producer), Liam Howlett (Art Direction), Liam Howlett (Mixing), Kool Keith (Vocals), Crispian Mills (Vocals), Neil McLellan (Engineer), Pat Pope (Photography), Maxim (Vocals), Alex Jenkins (Art Direction), Alex Jenkins (Design), Alex Jenkins (Photography), Jake Holloway (Illustrations), Keith Flint (Vocals), Alex Scaglia (Photography), Terry Whittaker (Photography), Konrad Wothe (Photography), Lou Smith (Photography), Christian Ammann (Photography), Shahin Bada (Vocals), Jim Davies (Guitar)
The Fat of the Land is the third studio album by The Prodigy. The album was released by XL Recordings on 30 June 1997 and on 1 July 1997 in the United States by Maverick Records and Warner Bros. Records. The album title comes from the old English phrase 'living off the fat of the land', which means 'living well' or being wealthy.[1]
"Serial Thrilla" features a sample of a riff by Skunk Anansie, "Funky Shit" features a sample from "Root Down" from the Beastie Boys album Ill Communication, "Fuel My Fire" is a cover of an L7 song from Hungry for Stink. "Smack My Bitch Up" takes a sample from an Ultramagnetic MCs song, "Give the Drummer Some", and thus the Prodigy invited Kool Keith to do the lyrics and vocals for another track, "Diesel Power." Matt Cameron of Soundgarden and later Pearl Jam, who is falsely credited as "Mark" in the liner notes, is also understood to have contributed samples to the album, though it is not clear where.[2]
Appearances in other media
"Mindfields" appeared on the soundtrack of the film The Matrix
"Funky Shit" appeared in the trailers for the film Event Horizon and also played over the end credits
Crispian Mills, who contributed lyrically to the track "Narayan", later adapted "Narayan" and elements of "Climbatize" for his own band's 2007 album, Strangefolk as "Song of Love/Narayana".
Reception
The album debuted at number one on the U.S. Billboard 200 chart.[3] The album has since gone double platinum selling over 2 million copies in the U.S.[4]
In 1998 Q magazine readers voted The Fat of the Land the ninth greatest album of all time. In 2000 Q placed it at number 47 in its list of the 100 Greatest British Albums Ever. Q (10/01, p.46) - Ranked #43 in Q's "Best 50 Albums of Q's Lifetime." Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s." Q (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."
Rolling Stone (5/13/99, p.82) - Included in Rolling Stone's "Essential Recordings of the 90's."
Spin (1/98, p.87) - Ranked #20 on Spin's list of the "Top 20 Albums Of The Year."
Melody Maker (12/20-27/97, pp.66–67) - Ranked #13 on Melody Maker's list of 1997's "Albums Of The Year."
Village Voice (2/24/98) - Ranked #29 in the Village Voice's 1997 Pazz & Jop Critics' Poll.
In 2004, KISS co-founder Gene Simmons covered "Firestarter" on his second solo album, Asshole.
The album caused some controversy. The National Organization for Women objected to the seeming misogyny of "Smack My Bitch Up", though the band maintains that its true interpretation is "doing anything intensely."[6]