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The Fevers

 
Album Review: The Fevers

  • Artist: Ta'Raach & the Lovelution
  • Rating: StarStarStarHalf Star
  • Release Date: January 30, 2007
  • Type: Contains explicit content, Lyrics are included with the album
  • Genre: Rap

Review

Detroit native Terrell McMathis has been popping up on recordings for nearly ten years. Known as Lacksidaisycal, then Lacks, and now Ta'Raach, he has appeared on tracks by Carl Craig's Innerzone Orchestra ("The Beginning of the End"), Jay Dee ("It's Like That"), Amp Fiddler ("This Is How"), As One ("It Ain't Nothin'"), and Dabrye ("Pressure"), just to name a few. While The Fevers is his first chance to step out on his own with a full-length, he dialed up a number of collaborators and billed it to Ta'Raach & the Lovelution. Like Platinum Pied Pipers' Triple P -- yes, Ta'Raach is on that as well -- The Fevers juggles hip-hop with R&B, albeit with a heavier slant toward MCing. Recorded in a couple studios near his adopted California locale, a spot just outside his hometown, and even Cologne, the 40-minute album is of a piece, as if it had been laid out in one session. Once frantic and bugged-out, Ta'Raach's delivery as an MC is now deep, stout, and steady. Production-wise, it's not a surprise that he's somewhere between fellow Detroiters like the late Jay Dee and Platinum Pied Pipers' Waajeed, whipping up ruggedly elegant (or elegantly rugged) beats that are equally efficient whether supporting hazy vocals or rapid-fire spitting. A lot of territory is covered, from the somber-yet-motivating "Hey!," to the dreamy daze of "Liberation's Lullabye" (featuring Joy Jones), to the fierce "Service" (with a beat that resembles one of house producer Moodymann's blue-in-the-face jack tracks). After factoring the guest verses from ex-D12 member Fuzz Scoota, Tha Beloved, Big Tone, and Cashius King, the coordinates of the album outside the R&B flashes land somewhere between hardcore at its most hot-blooded (if your idea of hardcore involves BDP and Nas) and the Native Tongues at their most playful. ~ Andy Kellman, All Music Guide

Tracks

Track TitleComposersPerformersTime
Let's Go Ta'Raach Ta'Raach (0:25)
The Big Bang Theory Ta'Raach Ta'Raach (2:50)
I Name (E.G.I.G.) Ta'Raach Ta'Raach, Fuzz Scoota (3:21)
F#@k Music Ta'Raach Ta'Raach (1:35)
F#@kin' Round Ta'Raach Blu, Ta'Raach (1:08)
The What What Ta'Raach Ta'Raach, Tha Beloved (2:53)
Catch My Breath (World) J.R. Mitchell, Ta'Raach J.R. Mitchell, Ta'Raach (4:20)
The Look Amp Fiddler, Big Tone, Ta'Raach Amp Fiddler, Big Tone, Ta'Raach (2:45)
I Said Ta'Raach Ta'Raach (0:35)
Hey! Ta'Raach Ta'Raach (3:28)
Merci Me Lord Ta'Raach Blu, Ta'Raach (2:59)
Liberation's Lullabye Joy Jones, Ta'Raach Joy Jones, Ta'Raach (2:53)
DL-My-BG Ta'Raach Ta'Raach, Black Monk (1:36)
I Don't Rock Parties Ta'Raach, Cashius King Blu, Ta'Raach, Cashius King (3:05)
Service Ta'Raach Ta'Raach (3:23)
Hold On Ta'Raach Ta'Raach (3:34)

Credits

J.R. Mitchell (Arranger), J.R. Mitchell (Acoustic Treatments), Diego Carlin (Executive Producer), Kelly Hibbert (Arranger), Kelly Hibbert (Engineer), Kelly Hibbert (Mastering), Kelly Hibbert (Vocal Engineer), Black Monk (Performer), Cashius King (Performer), Fuzz Scoota (Performer), Tha Beloved (Performer)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more