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The Flesh Eaters

 
Movies:

The Flesh Eaters

  • Director: Jack Curtis
  • AMG Rating: starstar
  • Genre: Horror
  • Movie Type: Horror Comedy
  • Themes: Mad Scientists
  • Release Year: 1964
  • Country: US
  • Run Time: 87 minutes

Plot

This thoroughly weird but truly inspired monster flick is one of the earliest gore films to splatter across drive-in screens in the years prior to Herschell Gordon Lewis' notorious Blood Trilogy. The plot finds a besotted movie star (Rita Morley) and her entourage trapped on an island surrounded by aquatic flesh-munching amoebas (represented by scratches on the film emulsion) created by mad scientist Peter Bartell (Martin Kosleck). These sparkly little death-blobs make mincemeat of most of the cast, including a dorky beatnik (Ray Tudor) who ingests a few of the little buggers in his drink -- leading to an agonizingly fatal case of indigestion. Good photography and well-designed makeup effects make the most of a shoestring budget. Film editor Radley Metzger found his own way as the director of numerous soft-porn films in the '60s and '70s. ~ Cavett Binion, All Movie Guide

Review

This fun, endearingly trashy B-movie gem is one of the best-kept secrets in cult movie fandom. Simply put, The Flesh Eaters offers everything one could want from a drive-in flick of this era: there are colorful characters, action, suspense, fun plot hooks, and a really cool monster. The inventive scenario does a great job of distracting the audience from the limited production values with a combination of taut, effective comic-book storytelling and quotably kitschy dialogue. The Flesh Eaters also boasts appropriately larger-than-life performances to fit its offbeat storyline, with the best work coming from Rita Morley as over-the-hill alcoholic star Laura Winters and Martin Kosleck as Dr. Bartel, the supremely creepy scientist who holds the keys to the plot's mysteries. Best of all, The Flesh Eaters is directed with an unusual amount of care by Jack Curtis, who uses precise framing and rich black-and-white cinematography to unexpectedly atmospheric effect. Even the effects, which were obviously done on a thin budget, show a level of imagination and invention that make them charming even when their cheapness is showing. In short, anyone who loves B-movie horror from the 1960s will get a kick out of the vintage charms of The Flesh Eaters. ~ Donald Guarisco, All Movie Guide

Cast

Martin Kosleck - Peter Bartell; Rita Morley - Laura Winters; Byron Sanders - Grant Murdock; Ray Tudor - Omar; Barbara Wilkin - Jan Letterman

Credit

Jack Curtis - Director, Frank Forest - Editor, Radley Metzger - Editor, Julian Stein - Composer (Music Score), Carson Davidson - Cinematographer, Terry Curtis - Producer, Arnold Drake - Producer, Jack Curtis - Producer, Ray Benson - Special Effects, Arnold Drake - Screenwriter

Similar Movies

Blood Feast; Attack of the Puppet People
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Wikipedia: The Flesh Eaters (film)
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The Flesh Eaters

Theatrical Poster
Directed by Jack Curtis
Produced by Jack Curtis
Terry Curtis
Arnold Drake
Written by Arnold Drake
Starring Martin Kosleck
Rita Morely
Byron Sanders
Music by Julian Stein
Cinematography Carson Davidson
Editing by Radley Metzger
Distributed by Cinema Distributors of America
Release date(s) March 18, 1964
Running time 87 minutes
Country United States
Language English

The Flesh Eaters is a 1964 American horror/science fiction thriller, directed on a low budget by Jack Curtis and edited by future filmmaker Radley Metzger. The film contains moments of violence much more graphic and extreme than many other movies of its time, making it one of the first ever gore films.[1]

Contents

Plot

A wealthy, over-the-hill actress named Laura Winters (Rita Morely) hires pilot Grant Murdoch (Byron Sanders) to fly her and her assistant Jan Letterman (Barbara Wilkin) to Provincetown, but a storm forces them to land on a small island. They soon meet Prof. Peter Bartell (Martin Kosleck) a marine biologist with a German accent who is living in seclusion on the isle.

After a series of strange skeletons wash ashore (human, then fish) it turns out the water has become inhabited by some sort of glowing microbe which apparently devours flesh rapaciously. The biologist is a former US Government agent who was sent to Nazi Germany to recover as much of their scientific data as possible. He was chosen for the job for his scientific skills and knowledge of the German language. Using the methods learned there he hopes to cultivate a group of monstrous "flesh eaters" that can devour the skin off a screaming victim in mere seconds. A beatnik named Omar (Ray Tudor) joins the group after becoming shipwrecked on their shore. Tensions mount after the plane drifts off into the ocean, leaving the castaways and the mad scientist as potential meals for the ravenous monsters.

High-voltage electrification (from a battery system devised by the mad scientist) is utilized in an attempt to slay the monsters. Bartell explains that he has been tracking these creatures and attempting to cultivate them to sell as biological weapons. Soon after it is discovered that the electrical shock instead increases their powers. The high voltage causes the numerous smaller creatures to join into a larger version. By accident, the survivors stumble upon the solution. The creatures devour flesh but not blood, as in each case that remains have been found blood has been present. Bartell surmises that the creatures have a negative reaction to hemoglobin and when directly injected with it the creatures are indeed slain. Following a struggle Bartell is killed just before Murdoch destroys the last of the creatures.

Background

The film has developed a cult following due to its gruesome, if primitive, special effects, including some memorably bloody death scenes.[2] One character is eaten from the inside out by the titular monsters, resulting in a gushing fountain of intestinal matter. Another victim is stabbed with a wooden stake, then shot twice in the face, with resultant gaping bullet holes. These scenes, as well as some occasional unintentionally campy moments, have helped to make the film a favorite for late night TV fanatics for decades.

The deep focus cinematography was the work of director Jack Curtis (working under a pseudonym, Carson Davidson), who shot every scene outdoors under the sun of Long Island.[citation needed] The film was scripted by comic book writer Arnold Drake (The Doom Patrol, Marvel's Captain Marvel, et al.).[3] Drake storyboarded the film, so every shot has the careful, formalized composition of a well-drawn comic strip.[citation needed] One shot, for example is a shot in deep focus: the right profile of the hero dominates the left-side foreground of the frame; in a moment, two or three tiny figures at the far-removed shoreline move left to right, from behind the actor's head, and in focus.

Although produced in 1962 (the movie's end credits reveal the Roman numerals MCMLXII as the date of filming), it apparently was not released until two years later, in 1964.[citation needed]

Remake

In 2001, a remake of The Flesh Eaters was completed by co-directors Shane M. Dallman and Christo Roppolo for their own production company, Labcoat Productions.[4]

To date, the film has not been picked up for distribution, reportedly due to rights clearance problems.

Cast

  • Martin Kosleck as Prof. Peter Bartell
  • Byron Sanders as Grant Murdoch
  • Barbara Wilkin as Jan Letterman
  • Rita Morley as Laura Winters
  • Ray Tudor as Omar
  • Christopher Drake as Matt
  • Darby Nelson as Jim
  • Rita Floyd as Radio Operator
  • Warren Houston as Cab Driver
  • Barbara Wilson as Ann
  • Ira Lewis as Freddy

Footnotes

  1. ^ Corupe, Paul. "The Flesh Eaters". DVD Verdict. http://www.dvdverdict.com/reviews/flesheaters.php. Retrieved 2007-11-08. 
  2. ^ Reis, George R.. "The Flesh Eaters". DVD Drive-In. http://www.dvddrive-in.com/reviews/e-h/flesheaters64.htm. Retrieved 2007-11-07. 
  3. ^ Arnold Drake at the Internet Movie Database.
  4. ^ The Return of the Flesh Eaters by Shane M. Dallman, 2001.

See also

External links


 
 

 

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