The Fortune is a 1975 American comedy film directed by Mike Nichols. The screenplay by Adrien Joyce focuses on two bumbling con men who plot to steal the money of a wealthy young woman.
Plot
Nicky Wilson and Oscar Sullivan are inept scam artists who see pay dirt in the guise of Fredericka Quintessa Bigard, the millionaire heiress to a sanitary napkin fortune. She is in love with the already married Nicky, but because the Mann Act prohibits him from taking her across state lines and then engaging in immoral relations, he proposes she marry Oscar and then carry on an affair with the man she really wants. Oscar, who is wanted for embezzlement and anxious to get out of town, is happy to comply with the plan, although he intends to claim his spousal privileges after they are wed.
Once they reach Los Angeles, the two men try everything they can to separate Freddie from her inheritance, without success but with enough determination to arouse her suspicions. When she announces she plans to donate all her money to charity, Nicky and Oscar panic and come to the conclusion murder might be their only recourse if they're going to achieve their goal.
Production
When Warren Beatty was unable to stir interest in his and Robert Towne's screenplay for Shampoo, the project about an amoral hairdresser he had been developing since 1967, he bundled it with the more appealing The Fortune and convinced Columbia Pictures head David Begelman to finance both films. The fact Carole Eastman, writing under the pen name Adrien Joyce, had yet to complete her 240-page script fazed Beatty less than it did director Mike Nichols, who needed a box office hit after Catch-22 and The Day of the Dolphin, both of which had been critical and commercial flops. The working relation between the screenwriter and director was amiable until Eastman began to object to the many cuts Nichols was making to the script and his determination to make it less satirical and more slapstick, and she eventually was fired from the production. [1]
Nichols originally wanted Bette Midler to portray Freddie, but he changed his mind when, seemingly unaware of who he was, she insulted him by asking what films he previously had made. He ultimately cast relative newcomer Stockard Channing, whose credits were limited to a few television appearances and a minor role in the Barbra Streisand film Up the Sandbox, in the role. [1]
Because the start of principal photography on One Flew Over the Cuckoo's Nest was delayed, Jack Nicholson, who had worked with Nichols on Carnal Knowledge, was available for the role of Oscar Sullivan. During filming the actor was forced to deal with two events that impacted his personal life. First, a fact checker working on a biographical piece for Time discovered the woman Nicholson believed was his sister was actually his mother, and the woman who raised him was really his grandmother. Then close friend Cass Elliot died in her sleep, and rumors about the cause of her death circulated in the media. These two events, linked with the film's eventual failure, made The Fortune a subject Nicholson never discussed in later interviews and biographies. [1]
The film was shot on location in Albuquerque, New Mexico, as well as on a segment of street constructed in the corner of the former RKO Forty Acres backlot where the "Stalag 13" sets for TV's "Hogan's Heroes" had been located during the lot's Desilu and later ownership. Nichols did not direct another film for seven years. [1]
Cast
Critical reception
Vincent Canby of the New York Times called the film "very funny," "manically scatterbrained," and "a marvelous attempt to recreate a kind of farce that, with the notable exceptions of a handful of films by Blake Edwards and Billy Wilder, disappeared after World War II." He added, "The Fortune does have sequences that sag, and there are moments when it's obvious that farce is not exactly the native art of any of the people involved. One occasionally is aware of the tremendous effort that has gone into a particular effect, though that doesn't spoil it for me. The endeavor is nobly conceived in an era that has just about abandoned farce in favor of parody, satire, situation and/or wise-crack comedy, all of which Mr. Nichols already can do with — perhaps — too great an ease. The Fortune will probably be compared to The Sting, because of the overlapping of the eras and the con-man theme. Incorrectly, though. The Sting is an adventure. The Fortune is farce of a rare order." [2]
Time Out London said it "starts promisingly as a sardonic comedy . . . but once in California lethargy settles in. The film becomes almost static, a series of stagy, glossy tableaux: such lack of momentum may be an adequate assessment of the characters' limited capacity for development, but it has a disastrous effect on the film's pacing. Events degenerate into miscalculated farce and underline Nichols' continuing slick superficiality. Adrien Joyce's much hacked-about script sounds as though it was once excellent: a pity everyone treats it so off-handedly." [3]
Channel 4 called it a "flat-footed attempt to revive the 1930s screwball comedy" but liked the leads, commenting, "The trio's timing and delivery almost rescue the movie from degenerating into bad farce." [4]
TV Guide rated it four stars, calling it "an offbeat but often hilarious comedy" and adding the film "works well through the fine performances of the leads and the superb timing of director Nichols." It concluded, "Full of period and period-sounding music, The Fortune is cold to the core - agreeably disagreeable amusement." [5]
Awards and nominations
Stockard Channing was nominated for the Golden Globe Award for New Star of the Year – Actress but lost to Marilyn Hassett in The Other Side of the Mountain.
References
External links
|
Films directed by Mike Nichols |
|
| 1960s |
|
|
| 1970s |
|
|
| 1980s |
|
|
| 1990s |
|
|
| 2000s |
|
|
