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| The Fox and the Hound | |
|---|---|
 |
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| Directed by | Ted Berman Richard Rich |
| Produced by | Ron Miller Art Stevens Wolfgang Reitherman |
| Written by | Ted Berman Larry Clemmons |
| Starring | Mickey Rooney Kurt Russell Pearl Bailey Jack Albertson |
| Music by | Buddy Baker |
| Distributed by | Buena Vista Distribution |
| Release date(s) | July 10, 1981 (U.S.) |
| Running time | 83 minutes |
| Language | English |
| Followed by | The Fox and the Hound 2 (2006) |
| IMDb profile | |
The Fox and the Hound is a 1981 animated feature produced by Walt Disney Productions, first released to movie theatres in the U.S. on July 10, 1981. The twenty-fourth animated feature in the Disney animated features canon, the film is loosely based on the Daniel P. Mannix novel The Fox and the Hound. The film centers around the story of two unlikely friends, a bloodhound and a red fox, who struggle to preserve their friendship. At the time of release it was the most expensive animated film produced to date, costing $12 million.[1] A direct-to-video "midquel," The Fox and the Hound 2, was released on December 12, 2006.
Plot summary
A young red fox kit is left orphaned when his mother is shot by a hunter. A
kindly owl, named Big Mama, arranges him to be adopted by the compassionate Widow Tweed as a pet on
her farm. Tweed names the fox Tod. Meanwhile, Tweed's neighbor, an ill-tempered
Tod and Copper meet and form a friendship they feel will last forever. Slade grows frustrated after Copper is constantly caught wandering off to play with Tod. After several meetings between Tod and Copper, Slade places Copper on a leash to stop him from wandering off.
Undeterred, Tod decides to play with Copper at his home. Tod's visit to Slade's farm becomes disastrous when he inadvertently awakens Chief, who promptly chases him throughout the farm. Slade enters the pursuit as well, trying to shoot Tod. The pursuit finally ends after Slade begins shooting at Widow Tweed's car, with Tod in tow. A furious Tweed takes Slade's gun out of his hand and shoots his car's radiator. After a fierce argument, the belligerent Slade makes it clear that he intends to kill Tod at his first opportunity.
For the rest of the summer Tod is limited to the house with Widow Tweed. The matter is shelved for the moment, with hunting season commencing, and Slade takes his dogs into the wilderness for the interim. Meanwhile, Big Mama explains to Tod that his friendship with Copper cannot continue, as they were bred to be enemies. Tod, in his innocence, states that he and Copper are "gonna be friends forever."
Months pass, and Copper becomes an excellent hunting dog. Upon Copper's return, Tod meets him during the night, thinking their friendship unchanged. Copper explains that he is a hunting dog now, and that they can no longer be friends. Their meeting is cut short when Chief awakens and alerts Slade. A chase ensues, but Copper diverts Chief and Slade so that Tod can escape. Unfortunately, Chief manages to maintain the pursuit, which carries onto a railroad track trestle. When a fast-moving train suddenly approaches, Tod is able to duck under the vehicle, but Chief is struck and wounded. Enraged, Copper blames Tod for the accident and swears vengeance.
Realizing that Tod cannot safely stay on her farm now, Tweed leaves him at a nature preserve, which has signs prohibiting hunting. Although Tod has a difficult time adjusting, Big Mama helps by introducing him to a young, beautiful vixen named Vixey. Tod first tries to impress Vixey by catching a fish, only to fail, causing Vixey and the other animals of the game reserve to laugh at him. Angry and hurt, Tod tells Vixey that she's "a silly, empty-headed...female!" Angered, they refuse to speak to each other, but Big Mama intervenes with the song "Appreciate the Lady" and directs Tod in being himself, and Vixey to give him another chance. They get along very well once Tod admits his lack of survival skills. Vixey is now aware of his inability to survive in the wild and helps him adapt.
The vengeful Slade and Copper trespass into the preserve to kill Tod with leghold traps and guns. The result is a harrowing chase throughout the forest trying to catch Tod and Vixey that climaxes when Slade and Copper inadvertently provoke an attack from a disturbed bear. Against his better judgment, Tod intervenes to save his friend. He fights the much larger bear and ends up luring the bear on to a fallen trunk that breaks and sends the two falling down a waterfall.
Tod survives and meets Copper at shore, who is stunned at Tod's heroism for his sake in spite of current events. However, Slade does not share any gratitude and suddenly appears, still vindictively eager to kill the fox. Copper makes the moral decision of interposing his body in front of Tod, and Slade, reluctant to kill his own hound for a petty vendetta against a fox who had just saved their lives, is forced to give up and return home. The fox and hound share one final smile before going their separate ways and at the same time, Squeeks the caterpillar is turned into a butterfly while Dinky and Boomer are watching through Squeeks' hole in order to eat it (throughout the film, Dinky and Boomer are always trying to eat Squeeks but are outsmarted by Squeeks every time).
In the final scene, as Copper rests in his dog house, he hears Tod's voice of when they were young saying that they would be friends forever. He smiles at this, and falls asleep. The view then backs out to a small hill, where Vixey joins Tod, looking at both houses.
Cast
- Mickey Rooney as Tod
- Kurt Russell as Copper
- Pearl Bailey as Big Mama
- Jack Albertson as Amos Slade
- Jeanette Nolan as Widow Tweed
- Pat Buttram as Chief
- Keith Coogan as Young Tod
- Corey Feldman as Young Copper
- Sandy Duncan as Vixey
- Paul Winchell as Boomer
- Richard Bakalyan as Dinky
- John Fiedler as The Porcupine
- John McIntire as The Grumpy Badger
- Mel Blanc as Squeeks
Supervising animators
- Randy Cartwright
- Glen Keane (The Bear)
- Cliff Nordberg
- Ron Clements
- Frank Thomas
- Ollie Johnston
Making of the film
This film represented a changing of the guard of the animators creating the film from Walt's Disney's "nine old men" to the more recently trained Disney animators who had moved through the in-house animation training program begun in 1976.[2][3]
The story was based on Daniel Mannix's 1967 book The Fox and the Hounds, Tod the fox who befriended a hunting dog named Copper and much more realistic. It ended with a hunter nailing Tod's lifeless pelt to the wall then euthanizing Copper with his shotgun.
The story was changed to be more Disney-like with a happy ending and was the last work of the remaining original animators. Don Bluth worked as an animator on this film, but left Disney early in the production, taking 11 Disney animators (which comprised 17% of the production staff) with him to start his own rival studio, Don Bluth Productions. This studio, which eventually became Sullivan Bluth Studios, was Disney's main rival through the early 1990s and later produced The Secret of NIMH and a number of other well-known films. As a result of Bluth's defection, production on The Fox and the Hound was delayed by nearly six months.
The co-directors for the film were Ted Berman, Richard Rich, and Art Stevens.
Berman previously had credits as a character animator for the 1961 feature film One Hundred and One Dalmatians and writer for the 1977 film The Many Adventures of Winnie the Pooh. He would later be co-director for the 1985 film The Black Cauldron.
Rich had been a Disney employee since 1972 but this was his first major assignment. He would also serve as a co-director for The Black Cauldron. He would later found Rich Animation Studios.
Stevens was previously credited as a character animator for the 1953 Peter Pan, the previously mentioned One Hundred and One Dalmatians and the 1973 Robin Hood. He had also previously directed the 1977 film The Rescuers.
Originally, the writers of the film intended for Chief to die when he got hit by the train, so that Copper's revenge against Tod is more extreme. Story veteran Vance Gerry argued for the department: "But he gets hit in the kisser with a freight train!!" To which Ron Miller and co-director Art Stevens countered: "Geez, we never killed a main character in a Disney film and we're not starting now!" As was also the case in Lady and the Tramp, where Trusty is seemingly killed but in a later scene has recovered, Chief suffers major injuries but is saved from death. [citation needed]John Lasseter started out working at Disney on this film and others such as Mickey's Christmas Carol before leaving to join Pixar in 1986.[4] With Disney's purchasing of Pixar, Lasseter has gone full circle and has returned to the company he started his career with.
Other new animators who worked on this film and some of their future successes:
- John Musker and Ron Clements (story artist and animator): Producer-director team of The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules, and Treasure Planet.
- Tim Burton (assistant & development artist): Producer of The Nightmare Before Christmas and Director of Corpse Bride.
- Glen Keane (animator): Animation creator and designer of characters Ariel, Beast, Aladdin and Pocahontas.
- Jerry Reese (animator): Director of The Brave Little Toaster.
- Brad Bird (animator): director of Warner Bros.' The Iron Giant, The Incredibles, Ratatouille and previously of The Simpsons.
- Chris Buck (animator): Director of Disney's Tarzan.
- Don Bluth (animator): Director of The Secret of NIMH, An American Tail, The Land Before Time, and All Dogs Go to Heaven
- John H. Williams (animators): Producer of Shrek and Shrek 2.
Release history
The Fox and the Hound was released in theatres on July 10, 1981 and re-released on March 25, 1988. It was the last VHS video of the "Classics Collection" in 1994 (it was not included in the "Masterpiece Collection"). It was released on "Gold Collection" DVD in 2000.
On October 10, 2006, The Fox and the Hound 25th Anniversary Special Edition DVD was released.
International release dates
Argentina: July 23, 1981
West Germany: November 13, 1981
U.K.: November 17, 1981
Italy: November 19, 1981
France: November 25, 1981
Spain: November 27, 1981
Sweden: December 5, 1981
Finland: December 11, 1981
Australia: December 17, 1981
Netherlands: December 24, 1981
Japan: March 12, 1983
Critical reaction
Although the film was a financial success, the general reaction by film critics to the film was mixed. Many were disappointed that the predominantly young creative staff, many of whom had only recently joined the company, had produced a film that seemed very conservative in both concept and execution. Other critics, like Richard Corliss of Time Magazine, praised the film for its intelligent story about prejudice. He argued the film shows that prejudiced attitudes can poison even the deepest relationships, and the film's bittersweet ending delivers a powerful and important moral message to audiences.
Nevertheless, the film gained a cult following, and it was awarded a Golden Screen Award at the Goldene Leinwand Awards in 1982. It was also nominated for a Young Artist Award and the Saturn Award for Best Fantasy Film.
Trivia
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Trivia sections are discouraged under
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- In the scene where Tod tries to find shelter in the woods during a rainstorm, we see a family of ducks in animation lifted from Disney's 1942 feature Bambi. Also borrowed in the movie are a twice-appearing family of quail (again from Bambi) and a squirrel whose appearance is identical to Wart/Arthur as a squirrel in The Sword in the Stone.
- The bear's growl was a recording of Shere Khan's growl from The Jungle Book.
- The last Disney animated feature to begin with the complete opening credits and end with a "The End: Walt Disney Productions" credit, like all previous Disney films after Alice in Wonderland. The next Disney animated feature, The Black Cauldron, was the first to have closing credits.
- The last Disney animated feature to be made with entirely analog techniques.
- The first Disney animated feature not to use line overlay since The Jungle Book.
- Tim Burton did design work on the film, working as an in-between animator for Tod's friend Vixey.
- There is a small reference to a previous Disney animation, Robin Hood, when watching the seven quail chicks crossing in front of them, Vixey counts them and mentions that 'I think six would be just right'; she was referring to kits, but she does so subtly enough to confuse Tod. In Robin Hood, while fighting against the guards Robin tells Maid Marian that they would have six children. In both cases, the couples are foxes, only in Robin Hood they are anthropomorphised.
- The short that will be on 4KIDS TV is called , "The Fox of Strengh" included actors Marc Thompson as the fox and Veronica Taylor as the vixen.
- In fox hunting, a fox is called a tod. Widow Tweed names Tod, though, ironically, because he is "such a little toddler."
- This was the second (and last) time a bear fell from a waterfall in a Disney film, the previous being Fun and Fancy Free.
- This was the first Disney film to not have a traditional happy ending. This did not recur until 1995's Pocahontas.
- Before the ending of the film, during the bear fight with Tod and the bear, the log breaks because the bear tried to slay Tod, and then they fall into a river. This is a reference to the Sherlock Holmes story "The Final Problem" when Sherlock Holmes and Professor Moriarty fell over Reichenbach Falls. Fortunately, Tod survived. This was later used in The Great Mouse Detective.
Soundtrack Listing
- "Best of Friends" Music by Richard Johnston, Lyrics by Stan Fidel, Performed by Pearl Bailey
- "Lack of Education" Music and Lyrics by Jim Stafford, Performed by Pearl Bailey
- "A Huntin' Man" Music and Lyrics by Jim Stafford, Performed by Jack Albertson
- "Appreciate the Lady" Music and Lyrics by Jim Stafford, Performed by Pearl Bailey
- "Goodbye May Seem Forever" Music by Richard Rich, Lyrics by Jeffrey Patch, Performed by Jeanette Nolan
References
- ^ The Official Disney Trivia Book: Paperjacks, date 1988, pages 63-64 , ISBN 07701-1002-9 info on cost and book source story info'
- ^ [1]Variety information on Disney Animation school and new animators starting with this film
- ^ [2] Reference from Animation World Magazine, reference for this section
- ^ [3]Variety | Variety article about John Lasseter'
External links
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