Queen had long been one of the biggest bands in the world by 1980's The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time. They might be posed in leather jackets on the cover, but they hardly sound tough or menacing -- they rarely rock, at least not in the gonzo fashion that's long been their trademark. Gone are the bombastic orchestras of guitars and with them the charging, relentless rhythms that kept Queen grounded even at their grandest moments. Now, when they rock, they'll haul out a clever rockabilly pastiche, as they do on the tremendous "Crazy Little Thing Called Love," a sly revival of old-time rock & roll that never sounds moldy, thanks in large part to Freddie Mercury's panache. But even that is an exception to the rule on The Game. Usually, when they want to rock here, they wind up sounding like Boston, as they do on John Deacon's "Need Your Loving Tonight," or they sound a bit like a new wave-conscious rocker like Billy Squier, as they do on the propulsive "Coming Soon." But even those are exceptions to the overall rule on The Game, since most of the album is devoted to disco-rock blends -- best heard on the globe-conquering "Another One Bites the Dust," but also present in the unintentionally kitschy positivity anthem "Don't Try Suicide" -- and the majestic power ballads that became their calling card in the '80s, as they reworked the surging "Save Me" and the elegant "Play the Game" numerous times, often with lesser results. So, The Game winds up as a mixed bag, as many Queen albums often do, but again the striking difference with this album is that it finds Queen turning decidedly, decisively pop, and it's a grand, state-of-the-art circa 1980 pop album that still stands as one of the band's most enjoyable records. But the very fact that it does showcase a band that's turned away from rock and toward pop means that for some Queen fans, it marks the end of the road, and despite the album's charms, it's easy to see why. ~ Stephen Thomas Erlewine, All Music Guide
The Game is the eighth studio album by Queen released 30 June 1980. It was the only Queen album to reach the #1 position in both the United Kingdom and the United States and became Queen's best selling studio album in the US with four million copies sold to date, tying News of the World's US sales tally. Notable songs on the album include the bass driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love", both of which reached number 1 in the United States. The Game was the first Queen album to use a synthesizer[2] (an Oberheim OB-X). The album's working title was "Play the Game", but Taylor voiced concern about its possible overtones of conformity, so it was changed to simply "The Game".
The album features a more pop/rock sound than its predecessor, Jazz. The album's style would be augmented on Queen's next release Hot Space, and future Queen albums. At approximately 35 minutes, The Game is the shortest of Queen's studio albums.
Re-issued in May 2003 on DVD-Audio with Dolby 5.1 surround sound and DTS 5.1. The 5.1 mix of "Coming Soon" features an alternate backing track, because the final master tapes were not found when mixing the album to 5.1.
The photo on the cover of the EMI CD is different from that originally used on the LP and cassette even though the Hollywood CD still has the original photo. The original photo (with Taylor having folded arms and May not having a hand resting upon his exposed hip) is shown in the article. This alternate photo was also used on cover of the DTS DVD-Audio edition of the album released in 2003.
"Crazy Little Thing Called Love", "Sail Away Sweet Sister (To The Sister I Never Had)", "Coming Soon", and "Save Me" were recorded from June to July of 1979.[3] The rest of the songs were recorded between February and May of 1980.[4]
