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The Kentucky Cycle

 
American Theater Guide: The Kentucky Cycle

Kentucky Cycle, The (1993), a play in two parts by Robert Schenkkan. [ Royale Theatre, 34 perf.; Pulitzer Prize.] In this sprawling epic that filled two full‐length plays, three families (two white and one black) who inhabit a section of Eastern Kentucky are traced from 1775 to 1975, the sins of the ancestors coming back to haunt later generations. The plays also served as a history of the whole nation as everything from tribal Indian skirmishes, the opening of the West, the Civil War, coal miners' strike and the emerging labor movement, the recession, and the government's “war on poverty” served as the background for the extended tale. The drama was seen in Seattle, Los Angeles, and Washington, and was awarded the Pulitzer before its Broadway production (co‐produced by the Kennedy Center, the Mark Taper Forum, and others), which boasted a large cast, led by Stacy Keach, playing multiple roles. But mixed notices and an expensive production shortened the run to a month.

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Notes on Drama: The Kentucky Cycle
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Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Robert Schenkkan 1992

When he first conceived the idea of The Kentucky Cycle, Robert Schenkkan never believed that it would grow into a history making, award winning, epic drama of Americana. He began the work in 1984 after a trip through rural eastern Kentucky as a wedding present to his wife, Mary Anne. The play grew as Schenkkan researched more about the region and his desire to say something about how modern America thinks of and rethinks its past and what that history means. The Kentucky Cycle won a grant from the Kennedy Center Fund for New American Plays, which allowed Schenkkan to complete the cycle by fall of 1991 when it premiered at Intiman Theatre in Seattle. The 1992 Pulitzer Prize for Best Drama propelled The Kentucky Cycle to New York, where it opened to mixed reviews. Schenkkan captures the essence of America’s past and its fears and translates them into a work that many critics see as the best theater in the last two decades of American drama.

The Kentucky Cycle is a series of nine plays that spans over 200 years of American history in a small portion of eastern Kentucky. Although the features are local, the issues raised in the play are universally American and draw on the very best and the very worst in America’s history. The plays explore violence as a part of American life — whether that violence is racial, gender-based, or environmental — and how each generation deals with and works through the American tendency to use force first and ask questions later.

Wikipedia: The Kentucky Cycle
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The Kentucky Cycle
Written by Robert Schenkkan
Date premiered 1991
Place premiered Intiman Theatre
Seattle, Washington
Original language English
Subject a sweeping epic of three families in spanning 200 years of American history
Genre Drama
Setting Kentucky, 1775-1975
IBDB profile

The Kentucky Cycle is a series of nine one-act plays by Robert Schenkkan that explores American mythology, particularly the mythology of the West, through the intertwined histories of three fictional families struggling over a portion of land in the Cumberland Plateau. The Kentucky Cycle was the result of several years of development, starting in New York City at New Dramatists and the Ensemble Studio Theatre. The two part, six hour epic was later workshopped at the Mark Taper Forum, EST-LA, the Long Wharf Theatre, and the Sundance Institute. The complete cycle of short plays had its world premiere in 1991 at the Intiman Theatre in Seattle, Washington. In 1992, it appeared as part of the Mark Taper Forum's 25th Anniversary Season.[1]

It was awarded the 1992 Pulitzer Prize for Drama, the first time in the history of the award that a play was so honored which had not first been presented in New York City. This feat would be repeated in 2003 with Nilo Cruz's Anna in the Tropics. The Kentucky Cycle also won both the PEN Centre West and the LA Drama Critics Circle Awards for Best Play. In 1993 it appeared at the John F. Kennedy Center in Washington, D.C. and opened on Broadway in November of that same year where it was nominated for a Drama Desk and Outer Critics Circle awards.+ The play was produced on Broadway in 1993 and was nominated for several Tony awards, though, confronted by the massive Tony success of its Pulitzer successor, Tony Kushner's Angels in America: Millennium Approaches, the production failed to garner a single award.

The opening night cast included John Aylward, Lillian Garrett-Groag, Gail Grate, Katherine Hiler, Ronald Hippe, Gregory Itzin, Stacy Keach, Ronald William Lawrence, Scott MacDonald, Tuck Milligan, Randy Oglesby, Jeanne Paulson, Stephen Lee Anderson, Michael Hartman, Philip Lehl, Patrick Page, Susan Pellegrino, James Ragland, Jennifer Rohn, Novel Sholars, and Lee Simon, Jr.

The play also generated controversy with some Kentucky writers that claimed it trafficked in stereotypes. Others lauded what they saw as the plays' honesty. In 2001, the play was directed in Eastern Kentucky by a native Kentuckian with a cast that included both local and out-of-state actors.[citation needed] It continues to be produced across the United States, and is published by Dramatists Play Service.

The Kentucky Cycle's film and Television rights are owned by Actor Kevin Costner.[citation needed]

Contents

Play Summaries

Masters of the Trade
Michael Rowen deceives the Native Americans, gaining land and causing the tribe's death.
Courtship of Morning Star
Michael Rowen kidnaps and rapes Morning Star, producing a son, Patrick.
The Homecoming
Patrick Rowen kills Joe Talbert and claims Rebecca Talbert as his wife, starting a cycle of revenge between the two families.
Ties That Bind
Patrick Rowen, deeply in debt, loses all he owns to the Talberts and becomes a sharecropper on his own land.
God's Great Supper
Jed Rowen recounts his haunting experiences in the civil war, including his family's successful revenge against the Talberts as well as his encounters with William Clarke Quantrill.
Tall Tales
Working for the coal companies, a smooth-talking man named J.T. Wells swindles the Rowens out of their land.
Fire in the Hole
A Union organizer attempts to rally Mary Anne Rowen's family and fellow miners into striking against the Blue Star Mining Company.
Which Side Are You On?
An underhanded deal between the Union and the Blue Star Mining Company pits Joshua Rowen, James Talbert Winston, and Franklin Biggs against each other.
The War On Poverty
Three descendants of the Rowen, Talbert, and Biggs lines find something unexpected buried on the original Rowen homestead, shortly before they are to sell the land forever.

Awards and nominations

Awards
  • 1992 Pulitzer Prize for Drama
Nominations
  • 1994 Drama Desk Award for Best Revival of a Play
  • 1994 Tony Award for Best Revival of a Play

References

  1. ^ (.DOC) Mark Taper Forum Production History. Center Theatre Group. 2008. http://www.centertheatregroup.org/_pdf/MTF_Production_History.doc. Retrieved 2008-08-05. 

Further reading

  • Schenkkan, Robert (1993). The Kentucky Cycle (First edition ed.). New York: Plume. ISBN 0452269679. 

External links



 
 

 

Copyrights:

American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Notes on Drama. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Kentucky Cycle" Read more