- Director:
John Erman - AMG Rating:


- Genre: Drama
- Movie Type: Medical Drama
- Themes: Women's Friendship, Dying Young
- Release Year: 1990
- Country: US
- Run Time: 97 minutes
Movies:
The Last Best Year |


| Wikipedia: The Last Best Year |
| The Last Best Year | |
|---|---|
The Last Best Year |
|
| Directed by | John Erman |
| Produced by | John Erman Josette Perrotta David W. Rintels Victoria Riskin |
| Written by | David W. Rintels |
| Starring | Mary Tyler Moore Bernadette Peters |
| Music by | John Morris |
| Cinematography | Frank Tidy |
| Editing by | Paul LaMastra |
| Release date(s) | November 4, 1990 (ABC television) |
| Running time | 120 minutes |
| Language | English |
The Last Best Year is a drama television movie, concerning a lonely woman who discovers that she has a terminal illness. This made-for-television movie co-starred Mary Tyler Moore and Bernadette Peters, two actresses known for playing comedic roles. It aired on ABC.
Contents |
Jane (Bernadette Peters) visits a doctor (Brian Bedford) after becoming ill during a business trip. She is told that she has a terminal illness and is referred to a psychologist, Wendy Haller (Mary Tyler Moore), to help her in dealing with the emotional aspects of the illness. Jane, although successful at business, leads a solitary life except for occasional times she spends with her married lover, Jerry, who leaves her during her crisis. Reluctant to open herself emotionally at first, she soon warms to Wendy. Jane makes a last trip to visit her beloved Aunt Lizzie (Carmen Mathews).
Jane finally faces the secret she has been hiding for years, that she gave her infant son up for adoption. As she makes peace with guilt from her troubled past and comes to terms with her fate she gains loving support from Aunt Lizzie, Wendy, and Amy and Peter, her co-workers. She returns to the faith she had turned from and makes contact with her grown son. Wendy, also, has had a troubled past and, through her relationship with Jane, resolves her own issues, especially with her mother Anne.
John J. O'Connor wrote in his review: "What takes place is that rare occurrence in films of any sort-a female bonding...Ms. Moore and Ms. Peters give marvelously restrained and touching performances." (New York Times, TV View, November 4, 1990, p. H33.)
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