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The Libertine

 
Movies:

The Libertine

  • Director: Laurence Dunmore
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Biopic, Period Film
  • Themes: Writer's Life, Mentors, Infidelity
  • Main Cast: Johnny Depp, John Malkovich, Samantha Morton, Rosamund Pike, Tom Hollander
  • Release Year: 2004
  • Country: UK/US
  • Run Time: 114 minutes
  • MPAA Rating: R

Plot

A man who lives for pleasure finds his hedonism betrays him in time in this film adaptation of the play by Stephen Jeffreys. The second Earl of Rochester, John Wilmot (Johnny Depp), was a notorious figure in 17th century Europe; well-respected as a poet and author, Wilmot also earned no small degree of gossip for his freewheeling sex life and appetite for decadence. Wilmot was close friends with Charles II (John Malkovich), the powerful and Machiavellian ruler of England, and enjoyed a passionate romance with Elizabeth Barry (Samantha Morton), an actress of note. But Wilmot's seemingly charmed life took a turn for the worse when he wrote a satirical play lampooning his friend Charles II; the monarch failed to see the humor, and exiled the author from Britain. Wilmot found little solace in his relationship with Barry, especially after he contracted syphilis and began drinking heavily as the disease tore away at his body and his mind. The Libertine was produced in part by John Malkovich, who played the role of John Wilmot in a production of Stephen Jeffreys' original play. ~ Mark Deming, All Movie Guide

Review

The problem with The Libertine is not that we don't like Johnny Depp's debaucherous and self-destructive Second Earl of Rochester -- as he anticipates in a prologue at the film's outset. The problem is that we never get to know him well enough to have much opinion about him at all. This is not for a lack of hardcore acting, as Depp delivers a fantastic performance in a role for which he could have easily phoned in an R-rated variation on Jack Sparrow, and supporting cast members like the tightly controlled John Malkovich and nakedly unaffected Samantha Morton also rise to the occasion. What The Libertine suffers from is a muddled script; while some scenes illuminate the characters and their relationships very well, the compilation of these scenes adds up to less than the sum of their parts. While the film depicts a sordid antihero whose refusal to utilize his intellectual gifts for more than hedonistic partying and oversexed adolescent rebellion is his downfall, it chokes on its explanation for why the earl is like this, even if the intention was to point out that there's no reason behind his self-sabotaging lifestyle at all. Even the depiction of said lifestyle isn't very clear, as the earl celebrates his reputation as a man-slut and eventually succumbs to the infamous VD consequences, and yet he's never seen in the arms of a woman other than the few he has a history with and commitment to. In this same way, the scenes where Depp coaches Morton in her stage acting never really create a mutually cognitional relationship, and his scenes with Malkovich's King Charles II never really establish the earl's personal paradigms about obligation or authority. It all ends up leaving you too much on the outside to sympathize even with the earl's own bewildered loved ones. Half the time the dialogue is distractingly modern, the other half it's so overstuffed with rapid-fire period speak that by the time you've sorted out all the allusions, puns, and double-negatives, you've missed the next three lines in the script. It doesn't help that on top of a pull-no-punches production of less-than-sanitary 17th century England, the cinematography uses such over-the-top soft focus that the movie looks like it was shot through a glass of piss. First-time director Laurence Dunmore can't be blamed for trying: a story with such personal, political, historical, and psychological ground to cover sounds like any filmmaker's dream. The Libertine shows enough promise that even though he didn't achieve it here, we can probably assume that Dunmore is capable of creating a film in which we may not like the protagonist, but we at least care about what happens to him. ~ Cammila Albertson, All Movie Guide

Cast

Johnny Vegas - Charles Sackville; Kelly Reilly - Jane; Jack Davenport - Harris; Richard Coyle - Alcock; Francesca Annis - Countess; Rupert Friend - Downs; Clare Higgins - Molly Luscombe; Tom Burke - Vaughan

Credit

Max Keene - Art Director, Patrick Rolfe - Art Director, Fleur Whitlock - Supervising Art Director, Mary Selway - Casting, Lucy Bevan - Casting, Dien van Straalen - Costume Designer, Laurence Dunmore - Director, Jill Bilcock - Editor, Peter Samuelson - Executive Producer, Marc Samuelson - Executive Producer, Ralph Kamp - Executive Producer, Steve Christian - Executive Producer, Louise Goodsill - Executive Producer, Chase Bailey - Executive Producer, Peter Owen - Hair Styles, Mairi Bett - Line Producer, Michael Nyman - Composer (Music Score), Peter Owen - Makeup, Ben Van Os - Production Designer, Alexander Melman - Cinematographer, John Malkovich - Producer, Lianne Halfon - Producer, Russ Smith - Producer, Russell Smith - Producer, Roger Savage - Sound/Sound Designer, John Hayes - Sound/Sound Designer, Gareth Milne - Stunts Coordinator, Stephen Jeffreys - Screenwriter, Tim Webber - Visual Effects Supervisor, Eddie Smith - Special Effects Coordinator, Robert Wischhusen-Hayes - Set Decorator, Stephen Jeffreys - Play Author

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Wikipedia: The Libertine (2004 film)
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The Libertine

film poster
Directed by Laurence Dunmore
Produced by John Malkovich
Lianne Halfon
Russell Smith
Written by Stephen Jeffreys
Starring Johnny Depp
Samantha Morton
John Malkovich
Rosamund Pike
Music by Michael Nyman
Cinematography Alexander Melman
Editing by Jill Bilcock
Distributed by The Weinstein Company
Release date(s) 23 November 2004 (UK)
25 November 2005 (NYC/LA)
10 March 2006 (US)
Running time 130 minutes (US)
114 minutes (UK)
Country United Kingdom
Australia
Language English
Gross revenue $10.8 million (worldwide)

The Libertine is a 2004 movie starring Johnny Depp, John Malkovich, Samantha Morton, and Rosamund Pike. It is directed by Laurence Dunmore (his debut film) from Stephen Jeffreys' adaptation of his play of the same name. Johnny Depp plays the main character, John Wilmot, 2nd Earl of Rochester, a notorious rake and libertine poet in the court of King Charles II of England. Samantha Morton plays Elizabeth Barry, an actress who becomes brilliant when coached by Rochester, who is her lover. John Malkovich plays the King, who cares about John dearly, but cannot have him ruin his reputation as King. A prevalent aspect of the film is the use of sex as a form of common escapism. The film was rated R by the US MPAA. In the UK, it has been rated 18.

Lord Rochester's suspected bisexuality is only hinted at in most of the film (besides the prologue, in which he makes a fairly blunt warning to the audience that his sexual appetite extends further than heterosexual limitations). Tabloids had Johnny Depp (Rochester) sharing a steamy kiss with Rupert Friend (Downs), but their relationship has been reduced to two brief, ambiguous scenes.

Contents

Plot

In need of Rochester's writing skill, King Charles II (Malkovich) summons the Earl (Depp) back to London, retracting his earlier banishment. As in life, Rochester is shown carrying on with his friends, the Merry Gang, including George Etherege (Hollander) and Charles Sackville (Vegas). On his way back to the court, Rochester comes across a thief, Alcock (Coyle), and hires him as his gentleman on the spot. For one of his first social engagements in London, he takes in a play featuring Elizabeth Barry (Morton), who is booed off the stage and fired by the company. Rochester is taken with Barry and bets Etherege that he can make her a renowned actress in a year's time. As when Rochester met Barry in reality, he immediately begins to tutor her and they fall in love.

Meanwhile, Charles asks Rochester to write a great work about him, to bolster his legacy as king. Barry delivers a brilliant performance at her next play and Etherege pays off his debt to Rochester. The king pays Barry to spy on Rochester to keep track of his progress. Billy Downs (Friend) joins the Merry Gang, and becomes a close friend of Rochester's. Charles, in need of money from France, asks Rochester to write an extravagant play in honor of the French Ambassador's visit, hoping it will impress the Ambassador to lend his support. Instead, Rochester writes Sodom, which involves nude actors, phallic imagery, the distribution of ornate dildos, and a scathing criticism of the King, played by Rochester himself. Outraged, Charles interrupts the play and Rochester flees. Rochester continues to slide into debauchery, creating a skirmish outside a house of prostitution that leads to Downs' death.

For six months Rochester escapes the scrutiny of the King while suffering the effects of syphilis. Hiding in the English countryside under the pseudonym of Doctor Bendo with the help of Alcock and Jane, his concubine and confidant. Rochester conceals his facial gummata beneath a mask and peddles medical services. Eventually he is found, but instead of any capital punishment, the King decides a worse fate would be to ignore him, in his words, “condemning you to be you for the rest of your days”. He returns to his wife (Pike) and his home, where his mother convinces him to renounce his atheism and accept Christianity.

In the meantime, Charles' unpopular support of Roman Catholicism in England has led to his political beating in Parliament. He is unable to conceive any heirs with his wife, and so it is feared that his Catholic brother, James, Duke of York, will become king. Parliament introduced the Exclusion Bill to deny James the throne which seemed sure to pass by 15 votes. Rochester makes a dramatic entrance into Parliament, wearing a silver nosepiece and heavy pancake makeup to conceal the ravages of syphilis and hobbling on two canes, and eloquently denounces the Bill. As Rochester walks off, the subsequent vote kills the bill by over 40 votes. He goes to see Barry who reveals they had a daughter together, yet she rejects him. He returns to his home to his deathbed. Recalling fond memories, he dies with his wife, mother, and Alcock by his side.

Cast

Cast notes

Music

The Libertine

photograph by Michael Nyman
design by Russell Mills and Michael Webster
Soundtrack by Michael Nyman
Released November 29, 1995
June 24, 2008 (USA: reissue)
Recorded August 2004 (Angel Recording Studios Limited, London)
March 2005 (Olympic Studios, London)
Genre Soundtrack, Contemporary classical music, Minimalist music
Length 48:05
Language English
Label MN Records
Producer Michael Nyman
Michael Nyman chronology
The Piano Sings
2005
The Libertine
2005
The Composer's Cut Series Vol. I: The Draughtsman's Contract
2005

The Libertine is the third release on Michael Nyman's own label, MN Records, and the first to receive distribution in the United States, by Inner Knot Records. It is his 50th album release overall. When Naxos Records began distributing MN Records in the United States in 2008, it was included and began appearing in large quantitites in stores. This is Nyman's last score for a major motion picture to date, and his last soundtrack release.

The score includes the song "If" (as "Rochester's farewell," with partially changed lyrics, removal of the quotes from "Time Lapse" from A Zed & Two Noughts, and the addition of a setting of the Kyrie) performed by Hilary Summers, who originally performed it in the film, The Diary of Anne Frank (1995). It also includes an abridgement by Jeffreys of one of Wilmot's most famous poems, "Signior Dildo", also sung by Ms. Summers. A recurring theme on the album which first appears in "Upon drinking in a bowl" for solo viola, became the basis of the Interlude in C for Accent007 ensemble. "The maimed debauchee" is a fairly brief piece, but resembles the Interlude at its climax. The theme reappears in a longer version as "Against constancy."

The album primarily follows the order of the film, but there are exceptions, including "My Lord all-pride," which immediately follows "Signior Dildo" in the film, as Wilmot steps out from curtains painted to resemble female genitalia.

Portions of the score appear in all-brass arrangements on the album, Nyman Brass.

Track listing

  1. History of the insipid
  2. Upon drinking in a bowl
  3. Impromptu on an English court
  4. Upon nothing
  5. The maimed debauchee
  6. The wish
  7. The submission
  8. A ramble in St. James's Park
  9. The mistress
  10. Signior dildo
  11. Against constancy
  12. My Lord all-pride
  13. The imperfect enjoyment
  14. A satire against reason
  15. Rochester's farewell
  16. A satire upon mankind
  17. Upon leaving his mistress

Personnel

Michael Nyman Orchestra

  • Music composed, conducted, and produced by Michael Nyman
  • Assistant to the composer: Andrew Keenan
  • Recorded, mixed, and edited by Austin Ince
  • Assistant Engineers: Mat Bartram and Roland Heap
  • Orchestra contractor: Isobel Griffiths
  • Published by Boosey and Hawkes Music Publisgers/Michael Nyman Ltd. 2005

Except Track 15, music by Michael Nyman, text by Stephen Jeffreys Published by Chester Music Ltd./Michael Nyman Ltd. 2005

Box office

The film has grossed a total of $4.8 million in the United States and $10.8 million worldwide [1]

References

  1. ^ http://www.boxofficemojo.com/movies/?id=libertine.htm

External links


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