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The Lost Boys

 
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The Lost Boys

 
  • Director: Joel Schumacher
  • AMG Rating: starstarstar
  • Genre: Horror
  • Movie Type: Teen Movie, Horror Comedy
  • Themes: Heroic Mission, Kids in Trouble, Dangerous Attraction
  • Main Cast: Jason Patric, Corey Haim, Dianne Wiest, Barnard Hughes, Edward Herrmann, Kiefer Sutherland
  • Release Year: 1987
  • Country: US
  • Run Time: 97 minutes
  • MPAA Rating: R

Plot

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide

Review

Few blockbusters can boast the easy charms of this delightful popcorn flick, which featured "the two Coreys" (Haim and Feldman) at the height of their popularity and set brooding Jason Patric up for endless "Why isn't he a bigger star?" feature stories. Although no fewer than five hands were involved in the screenplay, the film that emerges is a solidly cohesive effort that takes both its teen angst and its blood-n-fangs seriously even as it smirks slightly at its own cheekiness. From the deadpan antics of Grampa (Barnard Hughes) and the quirky likability of his flaky daughter, Lucy (Woody Allen favorite Dianne Wiest), to the classic "meet cute" of Star (Jamie Gertz) and Michael (Jason Patric), The Lost Boys uses standard-issue screenwriting devices to set up its vampires-in-seedy-suburbia scenario. It succeeds, however, thanks to its imaginative vampire mythos and its easy mixture of laughs and thrills. Kiefer Sutherland is actually quite menacing as the leader of the Rebel Without a Cause-style undead, while the Coreys and co-star Jamison Newlander have great fun spouting slang witticism and driving stakes through the hearts of the bloodsucking legions. The location shots of coastal Northern California punks cavorting on the boardwalk set an edgy pop-culture tone that's carried through in the music (by INXS, Echo and the Bunnymen, and composer Thomas Newman, among others) and especially in the shots of the so-hip-it-hurts vampire hangout. The real treat for horror fans, though, is the extended set piece of the climax, which includes so many inventive deaths (and killer plot twists) that it renders earlier vampire movies tame. Fans of more methodical psychological horror -- and older audiences in general -- probably won't find The Lost Boys too scintillating, but for youngsters, horror fans, and '80s survivors, it's a fun little flick that has held up remarkably well. ~ Brian J. Dillard, All Movie Guide

Cast

Jami Gertz - Star; Corey Feldman - Edgar Frog; Jamison Newlander - Alan Frog; Brooke McCarter, Jr. - Paul; Billy Wirth - Dwayne; Alex Winter - Marko; Chance Michael Corbitt - Laddie; Melanie Bishop - Child's Mother; Kelly Minter - Maria; Jim Turner - Gas Station Owner; J. Dinan Myrtetus - Security Guard; Nori Morgan - Shelly

Credit

Thomas A. Duffield - Art Director, Marion Dougherty - Casting, William S. Beasley - First Assistant Director, Joel Schumacher - Director, James Arnett - Second Unit Director, Robert Brown - Editor, Mark Damon - Executive Producer, Richard Donner - Executive Producer, John W. Hyde - Executive Producer, Thomas Newman - Composer (Music Score), Michael D. O'Shea - Camera Operator, Michael Genne - Camera Operator, Robert W. Welch III - Production Designer, Michael Chapman - Cinematographer, Harvey Bernhard - Producer, John Warnke - Set Designer, R. Chris Westlund - Set Designer, Greg Cannon - Special Effects, Bob Stoker, Jr. - Special Effects, David Ronne - Sound/Sound Designer, Randy Hall - Stunts, Gene Lebell - Stunts, John Meier - Stunts, Bernie Pock - Stunts, Spice Williams - Stunts, Sandy Gimpel - Stunts, Steve Holladay - Stunts, Chuck Picerni, Jr. - Stunts, Scott Wilder - Stunts, David LeBell - Stunts, Larry Nicholas - Stunts, Pat Romano - Stunts, David Burton - Stunts, William R. Perry - Stunts, Janice Fischer - Screen Story, James Jeremias - Screen Story, Jeffrey Boam - Screenwriter, Chris Columbus - Screenwriter, Janice Fischer - Screenwriter, James Jeremias - Screenwriter, Thomas Pope - Screenwriter, Paul H. Goldsmith - Second Unit Director Of Photography

Similar Movies

Fright Night; Martin; The Monster Squad; Near Dark; Salem's Lot; Vampire's Kiss; Fright Night Part 2; From Dusk Till Dawn; The Forsaken; Queen of the Damned; Blade: Trinity; Dark Town; Vampires: Los Muertos; The Brotherhood II: Young Warlocks; Tainted
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Wikipedia: The Lost Boys
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The Lost Boys

Theatrical poster
Directed by Joel Schumacher
Produced by Harvey Bernhard
Richard Donner
Written by Janice Fischer
James Jeremias (story and screenplay)
Jeffrey Boam (screenplay only)
Starring Jason Patric
Kiefer Sutherland
Corey Haim
Corey Feldman
Jami Gertz
Edward Herrmann
Barnard Hughes
Dianne Wiest
Music by Thomas Newman
Cinematography Michael Chapman
Editing by Robert Brown
Distributed by Warner Bros.
Release date(s) July 31, 1987
Running time 93 minutes
Country Flag of the United States United States
Language English
Followed by Lost Boys: The Tribe (2008)

The Lost Boys is a 1987 American horror film about two young Arizonans who move to California and end up fighting a gang of teenage vampires.

Directed by Joel Schumacher, the film stars Jason Patric, Corey Haim, and Kiefer Sutherland, and co-stars Jami Gertz, Corey Feldman, Dianne Wiest, Edward Herrmann, Alex Winter, Jamison Newlander, and Barnard Hughes.

The title is a reference to the Lost Boys in J. M. Barrie's stories about Peter Pan and Neverland.

Contents

Plot

After a strange and mysterious murder at a fairground at the immediate start of the film, Michael and Sam move with their mother Lucy to Santa Carla, a coastal California town plagued with gang activity and unexplained disappearances. The family moves in with Lucy's father, a cantankerous old man who lives in the outlying suburbs of town and who decorates his house with the product of his hobby: taxidermy.

The center of town life seems to be the local boardwalk. While Lucy gets a job at a local video and electronics store run by a man named Max, Michael is fascinated by a beautiful young woman who he sees at an outdoor concert. After following her along the boardwalk, he sees her getting on a motorcycle with David, the leader of the local gang. The following night he finds the young woman again and learns her name is Star. As they are about to leave together on Michael's motorcycle, David reappears and provokes Michael into following him and his cadre. They drive to some sea-cliffs where Michael is almost baited into going over the edge. Michael punches David, who merely sees potential in Michael and invites him to the gang's lair, an old dilapidated hotel that sank beneath the ground after an earthquake.

At the hotel, the gang leads Michael through an unsettling initiation involving Chinese takeout. At the end, an annoyed Michael takes a swig from a bottle which the gang claims is wine, however it turns out to be vampire blood. The gang then takes Michael out to where some railroad tracks cross a foggy gorge; one by one the group jumps off the tracks and out of sight. Michael realizes they are hanging from exposed reinforcement bars. They talk him into joining them under the tracks. As a train roars overhead, the reinforcement bar shakes and one by one the members of the gang fall into the foggy gorge, but they do not die; Michael can hear them goading him to fall. Unable to lift himself up, or hold on any longer, Michael falls in as well.

Michael wakes up in his bed still in the clothes he wore the night before. He is groggy and disoriented. It is mid-day and he has no clue how he got there. In the meantime, Sam has made the acquaintance of two young brothers, Edgar and Alan Frog. The Frog brothers run the local comic book store for their burn-out parents. Upon learning that Sam is new to the area they force a couple of vampire themed comic books on him despite his protestation that he does not like horror comics. They explain to him that they may one day save his life. Sam is initially mocking of their claims but becomes suspicious of Michael's increasingly bizarre behavior, including sleeping all day and being sensitive to sunlight. One day, as Sam is taking a bath, Michael, driven by bloodlust attempts to attack him, but is fought off by the family's dog. Afterwards Sam becomes convinced that Michael is a vampire when Michael is seen to be partly transparent in a mirror and soon afterwards begins uncontrollably floating around the house. In a panic he calls the Frog brothers, who inform him that he must kill Michael, but Sam refuses to murder his brother. Michael returns to the gang, and they reveal that they are indeed vampires and murder a group of teenagers at a bonfire party. David explains that Michael must feed in order to survive, but Michael refuses to kill and leaves. Returning to the groups lair he discovers Star, who reveals their nature as "half vampires" who will not achieve full vampire status until they have killed. She says that David had intended for Michael to be her first kill but that she cannot do it. The two make love.

Sam has discovered, from comic books that if the "head vampire" is killed then all of his subordinate "half vampires" will revert to human form. Unwilling to kill his brother he enlists the Frog brothers' help in trying to kill the head vampire. This proves difficult, as it is not immediately evident who this is. Sam and the Frog Brothers suspect Max, who has begun dating Sam's mother and whom they have never seen during the day, but their tests during his visit to their house all indicate he is human.

The teens determine that one of the gang must be the head vampire. Michael, disgusted at the transformation he has undergone, joins them in an attempt to rescue Star and her young brother Laddie, also a "half vampire" and reverse their condition. The group borrow Grandpa's car (without permission - Sam shouting permission to borrow the car as they drive by him.) Grandpa is seen making a fence and putting large spiked fence posts into the ground. The group travels to the vampire's cave and while Michael rescues Star and Laddie, the Frog Brothers and Sam travel deep into the lair to kill the vampires. They discover the gang asleep, hanging from the roof like bats. Unsure of which one of the gang is the head vampire the Frog brothers stake Marko, one of the gang members who expires in an explosive fashion. With the rest of the gang woken by the commotion the three boys retreat, with Sam narrowly escaping capture by David. That night, while Lucy is on a date with Max and their grandfather is away, the teens barricade their house and prepare for the gang's assault. Among other things they steal holy water from a church and fill squirt guns with it to use against the vampires. That night the gang attacks. With the help of Sam's dog, Nanook, the defenders pick off the gang-members one by one, with Sam shooting Dwayne through the heart with an arrow, Nanook knocking Paul into a bathtub full of holy water and garlic, and Michael impaling David on some deer antlers in his grandfather's taxidermy workshop. However, Michael is still a vampire, and Max and Lucy then appear and Max reveals himself to be the head vampire after all; the tests hadn't worked because he had been freely invited into the house. He reveals that he had wanted Lucy as his mate and that his "family" and hers would merge. Lucy is horrified, but Max threatens to kill Sam unless she joins him. As Max is about to bite Lucy's neck, her father crashes his jeep through the wall of the house; the vehicle's hood is piled up with the large spiked fence posts (seen earlier when Grandpa is putting the fence up) and one of them impales Max, killing him. As the others stare in amazement, Grandpa casually gets a root beer from the refrigerator and remarks, "One thing about living in Santa Carla I never could stomach... all the damn vampires."

Cast

Keenan Wynn and John Carradine (a veteran of vampire films) were both original choices for Grandpa. Wynn died right before filming and Carradine was too ill.[citation needed]

Though almost all of Kelly Jo Minter's scenes are deleted from the film, and the only true appearance she makes is over Lucy's shoulder in the video store, she still received billing in the film's opening credits. Her scenes can be viewed in the 2004 Lost Boys DVD special features.

Production

  • The original screenplay written by 'Janice Fischer', and James Jeremias was about a bunch of "Goonie-type 5th-6th grade kid vampires", with the Frog Brothers being "chubby 8-year-old Cub Scouts", and Star being a boy instead of a love interest. Joel Schumacher hated that idea and told the producers he would only sign on if he could change them to teenagers, as he thought it would be sexier and more interesting.
  • Executive producer Richard Donner originally intended to direct the movie himself, but as production languished, he moved on to Lethal Weapon (1987) - and eventually hired Joel Schumacher for the job.
  • The movie didn't originally end on a joke. After the scene with Grandpa at the refrigerator, it was supposed to cut to the surviving Lost Boys regrouping in the sunken hotel. The last shot was of a mural on the wall, made in the early 1900s, with Max in it - looking exactly the same even though nearly 100 years had passed, a la The Shining. All of this appeared in an early draft of the script, but ultimately was never filmed.
  • Kiefer Sutherland was only meant to wear black gloves when riding the motorbike. However, while messing around on the bike behind-the-scenes he fell off, breaking his wrist, which forced him to wear the gloves through the whole movie to cover his cast.

Box office and critical importance

The Lost Boys performed well at the U.S. box office, grossing over $32 million - a strong performance for an R-rated horror movie, especially at that time.

It won a Saturn Award for Best Horror Film in 1987. The film was part of an 80s trend to make the vampire figures of the stories of old more applicable to audiences in the 1980s, one that included 1987's western-gothic Near Dark and the suburban Fright Night of 1985.

The Novel

As was the case for many of WB's films at the time, Craig Shaw Gardner was given a copy of the script and asked to write a short novel to accompany the film's release. It was released in paperback by Berkley Publishing and is 220 pages long. It includes several scenes later dropped from the film such as Michael working as a trash man for money to buy his leather jacket. It expands the roles of the opposing gang, the Surf Nazis, who were seen as nameless victims of the vampires in the film. It includes several tidbits of vampire lore, such as not being able to cross running water and salt sticking to their forms. It has become something of a collector's item among fans with prices ranging from $20 for a well-read and somewhat battered copy to well over a $150 for copies in good condition (see external links).

The sequels

"David" (Kiefer Sutherland) is impaled on a pair of antlers but doesn't disintegrate like the other vampires. Despite what Max later says, he is not really supposed to be dead. This was intended to be picked up in a sequel, The Lost Girls, which was scripted but never made. In Lost Boys: The Tribe this is explained away as a vampire being able to be killed by anything through the heart, not just a wooden stake. David does not appear in Lost Boys: The Tribe. He makes a reappearance in the comic book series, The Lost Boys: Reign of Frogs, which serves as a prequel to Lost Boys: The Tribe and explains the antlers missed his heart.

Scripts for this and other sequels have been circulating since the late 1980s, and the original film's director, Joel Schumacher, made several attempts at one during the 1990s.

Finally, over 20 years after the release of the original film, Lost Boys: The Tribe, was greenlighted. Corey Feldman reprises his role as Edgar Frog, with cameos by Jamison Newlander and Corey Haim as Alan Frog and Sam Emerson, respectively. Kiefer Sutherland's half-brother Angus Sutherland takes over the role of lead vampire in the sequel.

In March 2009, MTV reported that work had begun on a third "Lost Boys" movie. Corey Feldman will serve as an executive producer as well as act reprising his role of Edgar Frog.[1]

Music

Thomas Newman wrote the film score to be an eerie blend of orchestra and organ arrangement while the music soundtrack contains a number of notable songs and several covers, including "Good Times", a duet between INXS and former Cold Chisel lead singer Jimmy Barnes which reached number 1 on the Australian charts in early 1987. This cover version of a 1960s Australian hit by the Easybeats was originally recorded to promote the Australian Made tour of Australia in early 1987, headlined by INXS and Barnes.

Tim Capello's cover of The Call's "I Still Believe" was featured in the film as well as on the soundtrack. Tim Capello makes a small cameo appearance in the movie playing the song at the Santa Carla boardwalk, with his saxophone and trademark bodybuilder muscles on display.

The soundtrack also features a cover version of The Doors' song "People are Strange" by Echo & the Bunnymen. The song as it featured in the movie is an alternate, shortened version with a slightly different music arrangement. This version has not been released as of yet.

Lou Gramm, the famed lead singer of Foreigner, also recorded "Lost in the Shadows" for the soundtrack, along with a video which featured clips from the film.[2]

The theme song, "Cry Little Sister", was originally recorded by Gerard McMahon (under his pseudonym of Gerard McMann) for the soundtrack, and later re-released on his self-titled album "G Tom Mac" in 2000. In the sequel of the film the theme song "Cry Little Sister" was covered by a Seattle based rock band "Aiden".[3] A re-make of the song was done by Zug Izland. Many of the lyrics were changed, including some apparent mondegreens. Zug Izland's song is called "Cry" and is featured on their album "Cracked Tiles."

Songs not on the soundtrack

References in popular culture

The phrase "vamp-out" has gone on to be used elsewhere, including as slang on the TV series Buffy the Vampire Slayer. Other Buffy connections include Kiefer Sutherland's father, Donald Sutherland, who played the role of Buffy's first Watcher, Merrick, in the original Buffy the Vampire Slayer feature film. The film, however, was not canon to the TV series.

In a number of sitcoms, Haim and Feldman reference The Lost Boys. In National Lampoon's Last Resort, Haim tries crossing himself to ward off an attacker. Feldman interrupts, "Hey, cut that out. You already did that in The Lost Boys."

Plus, the show Big Wolf on Campus had Haim and Feldman appear in different episodes as themselves, but vampires, the story being that during the making of The Lost Boys, they actually became vampires.

In the movie Reservoir Dogs Mr. Orange talks about how he was interrupted in his efforts to watch the movie.

Hardcore punk group Death By Stereo gets their name from a line spoken by Sam Emerson. A clip from the movie can be heard on the first song of their album If Looks Could Kill, I'd Watch You Die.

The song "Santa Carla Twilight" by psychobilly band Tiger Army is named after the town in The Lost Boys and makes references to vampirism.

The movie inspired the eponymous song "Lost Boys" by Finnish rock band The 69 Eyes. The movie-adapting video for the song was directed by Bam Margera.

The 2004 Activision video game Vampire: The Masquerade - Bloodlines makes reference to the film during a quest in the Hollywood hub. The quest involves the player convincing a food critic to give a certain cafe a bad review. If the player's character is a Malkavian, they may use their power of Dementation to make him think he's eating maggots. The line is identical to Kiefer Sutherland's character's spoken dialogue in the film with the phrase "Not like this is from a movie or anything..." added at the end.

In an episode of Psych entitled "Poker? I Hardly Know Her!", Shawn refers to the movie when asking Gus about the rule involving vampires needing to be invited into a dwelling, saying, "Gus, you've seen 'Lost Boys' like 14 times, what's the rule?"

Industrial rock band Dope Stars Inc. references the movie's tagline in their song "Infection 13": 'Sleep all day, party all night, never grow old and never die'.

References

External links


 
 

 

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