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The Man Who Knew Too Little

 
Movies:

The Man Who Knew Too Little

  • Director: Jon Amiel
  • AMG Rating: starstar
  • Genre: Comedy
  • Movie Type: Comedy of Errors, Parody/Spoof
  • Themes: Mistaken Identities, Assassination Plots
  • Main Cast: Bill Murray, Peter Gallagher, Joanne Whalley, Alfred Molina, Richard Wilson
  • Release Year: 1997
  • Country: US
  • Run Time: 94 minutes
  • MPAA Rating: PG

Plot

Jon Amiel directed this satire on mistaken-identity thrillers and the spy genre, scripted by Robert Farrar, Tim John, and Oliver Butcher from Farrar's unpublished novel, Watch That Man. In the female lead, Joanne Whalley returned to films after a three-year absence, choosing to do so with director Amiel. Farrar's Hitchcockian-style story focuses on naive Blockbuster Video clerk Wallace Ritchie (Bill Murray) who travels from Des Moines, Iowa, to London to celebrate his birthday with his wealthy younger brother, James (Peter Gallagher). When he turns up on the same night that James has plans to attend a high-profile client dinner party (that he hopes will bring him millions from a German investment firm), James needs to keep Wallace away during the evening, so he gives Wallace a ticket to the participatory Theater of Life. The theater game requires Wallace to assume a character and interact with actors portraying people in dramatic situations.

At the corner phone booth, the initial call should begin the evening of innocent fun. However, the phone instructions Wallace receives are actually intended for an assassin, part of a scheme to end the current UK regime and revive the Cold War. The real assassin gets the call from the Theater of Life. Blissfully unaware, Wallace walks without fear into a complex web of intrigue involving defense ministers, call girls, and Russian hitmen. For Wallace, all the world's a stage, and he's amazed at the skill of the actors, including beautiful enigmatic Lori (Joanne Whalley) -- while Wallace's pursuers are mystified by their adversary's fearlessness in the face of threats, torture and bullets. Farrar got the idea for this comedy from a chance remark at a party: "The inspiration came from a dinner party, when somebody told me about these strange live theater performances which were all the rage in England in the '80s. The idea was to telephone for instructions if you wanted to take part. My immediate reaction was, 'Wouldn't it be fabulous if somebody got the wrong number, and it all went hopelessly wrong?'" Filming took place in London's East End (Three Mills Studios), at a variety of London locations, and just outside London at the Elstree Film Studios. ~ Bhob Stewart, All Movie Guide

Review

A high-concept comedy in which Bill Murray -- who is perhaps too cerebral a comic presence for the clueless role he's been assigned -- manages to pull off one of his best performances. He may have started out playing mentally challenged whack jobs in films such as Caddyshack (1980) and Stripes (1981), but Murray has always shined brightest as characters who are intellectually snide and above it all. Here he's required to fill the part of a video store manager too dim to get that he's actually embroiled in a real-life espionage drama, engaged in what he believes to be a role-playing game. A Hitchcock-style thriller by way of a TV situation comedy, the film is a clever comic idea but would seem to call for the lead to be almost energetically stupid, a buffoon in an overcoat, very likely the way somebody such as Jim Carrey would tackle the job. Instead, Murray underplays the hero, disengaging from what's going on around him and blithely drifting rather than dumbly stumbling through his adventures, a truly interesting choice that makes his clueless quality more believable. What is so pleasantly surprising is that he's not playing the character as too stupid to understand what's happening, but instead is seizing on the man's languid lack of ambition as the real underlying cause of his inability to wise up. In Murray's hands, the hero is not an idiot, he's just too zonked-out to care. It's a brilliant choice that changes the dynamics between him and every other character and a terrific example of a dexterous performer doing some amazing work. What should have been nothing more than a forgettable but briefly enjoyable farce becomes, along with Quick Change (1990), one of Murray's most underrated films and one that's definitely worth a second look for his fans. ~ Karl Williams, All Movie Guide

Cast

Geraldine James - Dr. Ludmilla Kropotkin; John Standing - Embleton; Anna Chancellor - Barbara Ritchie; Nicholas Woodeson - Sergei; Simon Chandler - Hawkins; John Thomson

Credit

Chris Seagers - Art Director, Michelle Guish - Casting, Madeline Warren - Co-producer, Janty Yates - Costume Designer, Gerry Gavigan - First Assistant Director, Jon Amiel - Director, Pamela Power - Editor, Paul Karasick - Editor, Elizabeth Robinson - Executive Producer, Joe Caracciola, Jr. - Executive Producer, Christopher Young - Composer (Music Score), Jim Clay - Production Designer, Robert M. Stevens - Cinematographer, Arnon Milchan - Producer, Mark Tarlov - Producer, Michael Nathanson - Producer, Maggie Gray - Set Designer, Simon Kaye - Sound/Sound Designer, Howard Franklin - Screenwriter, Robert Farrar - Screenwriter, Robert Farrar - Book Author

Similar Movies

If Looks Could Kill; Johnny Stecchino; The Man with One Red Shoe; The Wrong Guy; The Stupids; Hexed; Code Name: The Cleaner; Blonde and Blonder; Get Smart
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Album Review: The Man Who Knew Too Little
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  • Artist: Christopher Young
  • Rating: StarStarStarHalf Star
  • Release Date: November 18, 1997
  • Total Time: 40:44
  • Type: Soundtrack
  • Genre: Soundtrack

Review

Whatever the myriad failings of the 1997 Bill Murray vehicle The Man Who Knew Too Little, Christopher Young's clever, lively music isn't among them. It's the rare comedic score that's not only amusing on its own terms, but also avoids falling prey to the exaggerated slapstick approach so common to the genre. Young's nimble touch instead evokes past masters like Henry Mancini, employing smoky saxophones, walking basslines, and tart Hammond B-3 fills to sharply satirize the classic cool jazz sound. As always, he values subtlety over all else, favoring deadpan wit and wry twists instead of wacky arrangements and clownish melodies. Even the titles -- "Turkish Rumba Splat Silly Fat Lamb" and "Goose Neck Chili" among them -- are more amusing than any of the script's so-called punch lines. ~ Jason Ankeny, All Music Guide

Tracks

Track TitleComposersPerformersTime
The Man Who Knew Too Little Christopher Young (2:39)
Wandering Heart Christopher Young (3:11)
Turkish Rumba Splat Silly Fat Lamb Christopher Young (3:13)
Anahita Christopher Young (3:58)
Goose Neck Chili Christopher Young (5:14)
Demented Mentor Christopher Young (:56)
Love Needs a Pretty Face Christopher Young (4:31)
Licking Salt Off Water Weasels Christopher Young (2:07)
Cyrano and Fabio Christopher Young (1:01)
Constant Misery Christopher Young (2:30)
Barrytone Sex Christopher Young (2:41)
Preparing for a Funeral Christopher Young (2:44)
Bon Voyage Christopher Young (2:39)
Watch That Man Christopher Young (3:20)

Credits

John Barclay (Trumpet), Richard Cottle (Organ (Hammond)), Joe Gastwirt (Mastering), Nigel Hitchcock (Saxophone), Eric Jordan (Assistant Engineer), Dick Lewzey (Engineer), Dick Lewzey (Mixing), Lee Scott (Editing), Robert Townson (Executive Producer), Graham Walker (Supervisor), Christopher Young (Composer), Christopher Young (Producer), Christopher Young (Orchestration), Allan Wilson (Conductor), Ramon Breton (Mastering Assistant), Pete Anthony (Conductor), Pete Anthony (Orchestration), Jon Kull (Orchestration), Anna Bonn (Orchestration), Michael Caprio (Design), Mark Tucker (Mixing)
Wikipedia: The Man Who Knew Too Little
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The Man Who Knew Too Little
Directed by Jon Amiel
Produced by Arnon Milchan
Michael Nathanson
Mark Tarlov
Written by Novel:
Robert Farrar
Screenplay:
Robert Farrar
Howard Franklin
Starring Bill Murray
Peter Gallagher
Joanne Whalley
Alfred Molina
Richard Wilson
Geraldine James
John Standing
Anna Chancellor
Music by Christopher Young
Cinematography Robert M. Stevens
Editing by Pamela Power
Studio Regency Enterprises
Distributed by Warner Bros.
Release date(s) November 14, 1997
Running time 94 minutes
Country United States
Language English

The Man Who Knew Too Little is a 1997 comedy film starring Bill Murray, directed by Jon Amiel, and written by Robert Farrar and Howard Franklin. The film is based on Farrar's novel Watch That Man, and the title is a parody of Alfred Hitchcock's 1956 film The Man Who Knew Too Much.

Contents

Plot

Wallace Ritchie (Murray) flies to England to spend his birthday with his brother, James (Peter Gallagher). James has business guests coming over and must find something to occupy his brother until dinner's over. Wallace ends up taking part in the "Theatre of Life," which promises to treat the participant as a character in a crime drama. Trouble begins when Wallace answers a phone call intended for a hitman, and is mistaken for a real spy. He becomes tangled up in a plot to kill Russian and British dignitaries on the eve of the signing of an important peace agreement between the nations. For him, it's all an act, but to the men who want a second Cold War, Wallace is public enemy number one.

Ghostbusters Reference

At the end of the movie, as Murray and Whalley are on their beach get-away, a secret agent approaches Murray posing as a waiter and attempts to poison him. The agent’s name is "Venkman" ("Alright Venkman... now!"), which is an obvious reference to Murray's character Dr. Peter Venkman in the movie Ghostbusters.

Cast

External links


 
 

 

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Movies. Copyright © 2009 All Media Guide, LLC. Content provided by All Movie Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Man Who Knew Too Little" Read more