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The Millennium

 
Artist: The Millennium
  • Formed: 1968
  • Genres: Rock
  • Representative Albums: "Begin," "Magic Time: The Millennium/Ballroom Sessions," "Again"
  • Representative Songs: "To Claudia on Thursday," "I Just Want to Be Your Friend," "It's You"

Biography

Influenced by psychedelia and California rock, pop/rock producer Curt Boettcher (the Association) decided to assemble a studio supergroup who would explore progressive sounds in 1968. Millennium's resultant album would find no commercial success and only half-baked artistic success, but nonetheless retains some period charm. Influenced in roughly equal measures by the Association, the Mamas and the Papas, the Smile-era Beach Boys, Nilsson, the Left Banke, and the Fifth Dimension, Boettcher and his friends came up with a hybrid that was at once too unabashedly commercial for underground FM radio and too weird for the AM dial. It would have fit in better on the AM airwaves, though; the almost too-cheerful sunshine harmonies and catchy melodies dominate the suite-like, diverse set of elaborately produced '60s pop/rock tunes. ~ Richie Unterberger, All Music Guide
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Wikipedia: The Millennium
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The Millennium was a California supergroup conceived by Curt Boettcher. The group consisted of psychedelic rock musicians, and they incorporated sunshine pop harmonies.

The group consisted of:

The roots of the band lie in several groups. Curt Boettcher had originally worked with drummer Ron Edgar for a brief time in the folk group The GoldeBriars. Following the dissolution of The GoldeBriars, Ron Edgar joined the group The Music Machine, which also featured Doug Rhodes on bass. The Music Machine scored a top-20 hit with the song Talk Talk before disbanding. Boettcher had also formed a group called The Ballroom, which featured Sandy Salisbury as a vocalist. Lee Mallory had worked as a songwriter and solo performer, and Boettcher had produced some of his recordings, including a cover of Phil Ochs' That's The Way It's Gonna Be. The group also featured support from legendary session musicians such as Jerry Scheff in the studio.

The Millennium recorded one album, the highly influential, yet commercially unsuccessful Begin in 1968. The album was an interesting combination of breezy pop and psychedelic rock. At the time, it was the most expensive record Columbia had ever produced. Before disbanding, the group recorded one last follow-up single: Just About The Same b/w Blight, as well as several tracks that were later released on compilations. Curt Boettcher went on to make several attempts at recording solo albums (only one was released during his lifetime, the album There's An Innocent Face), as did Sandy Salisbury and Joey Stec. Michael Fennelly would end up in the early 70s group Crabby Appleton, who signed with Elektra Records (probably because of Jac Holzman, who was a huge fan of Begin and who also signed Curt Boettcher to a solo deal) and released two albums, scoring a top-40 hit with the single Go Back.

Joey Stec founded the record label Sonic Past Music in the late 1990s and this label has subsequently released previously unavailable albums from The Millennium, Curt Boettcher, Sandy Salisbury, Lee Mallory, and Joey Stec.

Discography

  • Begin (1968, Columbia Records)

Compilations

  • The Second Millennium (2000, Dreamsville)
  • The Millennium Continues (2000, Trattoria)
  • Magic Time (2001, Sundazed Records)
  • Voices of the Millennium (Sonic Past Music)[1]
  • Pieces (Sonic Past Music)

References

  1. ^ Sonic Past Music » The Millennium

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Millennium" Read more