The Miller's Tale

The character "Miller" from The Miller's Prologue and Tale

"The Miller's Tale" (Middle English: The Milleres Tale) is the second of Geoffrey Chaucer's Canterbury Tales (1380s-1390s), told by a drunken miller to "quite" (requite) The Knight's Tale. When the host Harry Bailey asks for something to "quite with it," this can be taken to mean "to pay for it". While the host who wants The Monk's Tale to follow means to balance, the Miller takes the other meaning. It is a vulgar, ribald, and satirical fabliau in stark contrast to the courtly love of the Knight's Tale.

The Miller's Prologue is the first "quite" that occurs in the tales (to "quite" someone is to make repayment for a service, the service here being the telling of stories).

Synopsis

"The Miller's Tale" is of a student (Nicholas) who persuades his jealous old landlord's much younger wife (Alison) to sleep with him. They plan a way to have sex by duping John, the landlord, through an elaborate scheme in which Nicholas convinces him that he has found, through his astrology, that a flood of Biblical proportions is imminent. Their safety depends, says Nicholas, on waiting overnight in separate tubs suspended from the rafters, and to cut their tubs from the roof when the water has risen. He adds that if the landlord tells anyone else people will think he is mad (although he says this to make sure that no man tells the landlord to see sense in the matter). This comic prank allows Nicholas and Alison the opportunity to sneak down, after the landlord falls asleep, and have sex.

While Nicholas and Alison lie together, the foppish and fastidious parish clerk, Absolon, who is also attracted to Alison and believes her husband to be away, appears kneeling at the bedchamber's low "shot-wyndowe" (privy vent) and asks Alison for a kiss. In the darkness, she presents her "hole" (bottom) at the window and he "kissed her naked arse full savorly". He realizes the prank and goes away enraged. He borrows a red hot coulter (a pointed blade-like plough part) from the early-rising blacksmith. Returning, he asks for another kiss, intending to burn Alison. This time Nicholas, who had risen from bed to go to the toilet in the privy, sticks his own backside out the window and flatulates in Absolon's face. The enraged suitor thrusts the coulter "amidde the ers" (between the cheeks) burning Nicholas' bottom and the skin "a hands-breadth round about". In agony, Nicholas cries for water, awakening John. Hearing someone screaming for water, he thinks that the Second Flood has come, panics, and cuts his tub loose, falling to the floor and breaking his arm. The rest of the town awakens to find him lying in the tub. He tries to explain what he's doing in the tub, and sure enough in accordance with Nicholas' prophecy, he is considered a madman, and a cuckold too.

Analysis

This section may contain unpublished synthesis of published material that conveys ideas not attributable to the original sources. See the talk page for details. (October 2007)

The tale appears to combine the motifs of two separate fabliaux, the 'second flood' and 'misdirected kiss', both of which appear in continental European literature of the period. Its bawdiness serves not only to introduce the Reeve's tale, but the general sequence of low comedy which terminates in the unfinished Cook's tale.

The character of Absolon introduces another theme of the Tales, the corruption of the Church. The Nun's Priest's Tale and The Shipman's Tale deals with the same theme; the Summoner, Friar and Pardoner personify it. Absolon is a clerk, but thinks of little except wooing young women at church:

Alison, however, does not return Absolon's affections, although she readily takes his gifts.

A third theme, that of knowledge and science, appears in several marginal comments. Nicholas is an avid astrologer (as Chaucer himself was^{[citation needed]}), equipped with, "His Almageste, and bookes grete and smale, / His astrelabie, longynge for his art..." John the carpenter represents unintellectual laymen; John tells Nicholas:

He also recounts a story (sometimes told of Thales) of an astrologer who falls into a pit while studying the stars. The issue of whether learned or unlearned faith is better is also relevant to The Prioress' Tale and The Parson's Tale.

Parody

"The Millers Tale" has often been made out to look like a parody of the Knight's previous tale^{[citation needed]}, with the pursuit of a woman and reference to the stars. This was made to "lighten the mood" and to appeal to the lower class. It was also intended to add layers to the comedy.

Continuations

The fifteenth-century Tale of Beryn depicts the Miller trying and failing to explain the stained glass windows of Canterbury cathedral.

Chaucer refers to the Distichs of Cato with this passage: "He knew nat Catoun, for his wit was rude." The Distichs of Cato was one of the most common textbooks in schools throughout medieval Europe, and was familiar to most anyone with a basic education in Latin.

Pop culture references

The song, "A Whiter Shade of Pale," by Procol Harum appears to contain a reference to Chaucer's work: "And so it was that later as the miller told his tale, that her face, at first just ghostly, turned a whiter shade of pale."^[1]

References

1. ^ The words of 'A Whiter Shade of Pale'

External links

Wikisource has original text related to this article:

The Canterbury Tales/The Miller's Prologue and Tale

Wikibooks has more on the topic of The Miller's Tale

• Read "The Miller's Tale" with interlinear translation, from a Harvard University website
• The Canterbury Tales (based on British Library copies of William Caxton's editions), via a De Montfort University website
• A study guide for The Miller's Prologue and Tale from a UK teacher's personal website
• Modern Translation of the Miller's Tale and Other Resources at eChaucer