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The Nazis Strike

 
Movies:

The Nazis Strike

  • Directors: Frank Capra; Anatole Litvak
  • Genre: History
  • Movie Type: Politics & Government, Military & War
  • Release Year: 1943
  • Country: US
  • Run Time: 41 minutes

Plot

The Nazi Strike was the second of Col. Frank Capra's government-ordained "Why We Fight" series. This hard-hitting documentary artfully assembles existing stock footage to trace the rise of Adolf Hitler and his thirst for world conquest. Virtually wresting the German government from more moderate politicos, Hitler installs a dictatorship. Having subjugated the Jewish citizens in his own country, Der Fuhrer moves onto the Rhineland and Austria, and demands the annexation of Czechoslovakia. Despite his assurances of "peace in our time," Hitler marches into Poland. World War II is the undesirable but inevitable end result. Like all the "Why We Fight" films, The Nazi Strike was designed to clarify the meaning and importance of the war effort to the average GI. ~ Hal Erickson, All Movie Guide

Credit

Frank Capra - Director, Anatole Litvak - Director, William W. Hornbeck - Editor, Dimitri Tiomkin - Composer (Music Score), Frank Capra - Producer, Anthony Veiler - Screenwriter, Eric M. Knight - Screenwriter, Robert Heller - Screenwriter
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Wikipedia: The Nazis Strike
Top
Why We Fight: The Nazis Strike
Directed by Frank Capra; Anatole Litvak
Produced by Office of War Information
Written by Julius Epstein; Philip Epstein
Narrated by Walter Huston
Cinematography Robert Flaherty
Editing by William Hornbeck
Distributed by War Activities Committee of the Motion Pictures Industry
Release date(s) 1943
Running time 41 min
Country United States
Language English
Preceded by Prelude to War
Followed by Divide and Conquer

The Nazis Strike was the second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and with the Nazis as their latest incarnation.

Contents

Heartland Theory

Hitler's plan for world domination is described in terms of Halford John Mackinder's Heartland Theory.

In the Middle Ages a plague of slavery descended on the world. From the wilds of Mongolia rode a mighty army of fierce horsemen, led by Genghis Khan. Burning, looting, pillaging ... the barbarian horde swept across Asia and Eastern Europe. Genghis Khan conquered most of the world of the thirteenth century. Adolf Hitler was determined to outdo him, and conquer all the world of the twentieth century.
Set up at Munich was an institute devoted to the little-known science of geopolitics, vaguely defined as "the military control of space". Germany's leading geopolitician, a former general, Karl Haushofer, was head man. Here was gathered together more information about your home town than you yourself know.
To the German geopolitician, the world is not made up of men and women and children, who live and love and dream of better things. It is made up of only two elements – labor and raw materials. The geopoliticians' job was to transform Hitler's ambition to control these elements into cold, hard reality.
On their map our planet is neatly divided into land and water. Water forms three quarters of the earth's surface, land only one quarter. And in that one quarter of the earth's surface lies the world's wealth, all its natural resources - and the world's manpower.
Control the land and you control the world - that was Hitler's theory. This all-important "land" the geopoliticians now break up into two areas - one the Western Hemisphere which together with Australia and all the islands of the world including Japan, comprises one third of the total land area. The other area, which consists of Europe, Asia and Africa, makes up the other two thirds. This supercontinent, which they call the "World Island", is not only twice as large as the rest of the land area, but also includes seven-eighths of the world's population.
The heart of this "World Island" comprises Eastern Europe and most of Asia. This they call the "Heartland", which just about coincides with the old empire of Genghis Khan.
Hitler's step-by-step plan for world conquest can be summarized this way:
Conquer Eastern Europe and you dominate the Heartland.
Conquer the Heartland and you dominate the World Island.
Conquer the World Island.......... and you dominate the World.
That was the dream in Hitler's mind as he stood at Nuremberg.

Fifth column activity

The next focus of the film is the "softening-up" of the Western democracies using fascist organizations such as the Belgian Rexists, the Sudeten German National Socialist Party of Konrad Henlein, the British Union of Fascists and the German-American Bund. Meanwhile, within Germany the Nazis are beginning an enormous process of rearmament.

Germany then begins its territorial expansion with the first target being Austria, Hitler's "full-scale invasion test". He then uses his Sudeten "stooges" under Konrad Henlein to "soften up" Czechoslovakia and annex the Sudetenland with the help of a Britain and France desperate to avoid war. Hitler's use of the concept of self-determination as a justification for these annexations is ridiculed by reference to prominent German Americans thoroughly loyal to the Allied cause, including Admiral Chester Nimitz, Henry J. Kaiser, Wendell Willkie and Senator Robert Wagner.

Invasion of Poland

The film concludes with the Invasion of Poland. The extreme disparity between the two sides is emphasized - the Nazis have 5000 modern tanks against Poland's 600 obsolete models, while the Luftwaffe had 6000 modern monoplanes opposed by the less than 1000 aircraft of the Polish Air Force, many of which are outdated biplanes. Animations are also used to graphically show how Polish army units were encircled and destroyed. The film suggests that most of the Polish air force was destroyed on the ground – suggesting that its makers learned the details of the Polish campaign largely from German sources. The stubborn resistance of Polish forces in the Hel peninsula is recognized, as are the widespread Nazi atrocities following the Polish defeat.

The Nazis are forced to stop at the River Bug when they meet the advancing Red Army. As the film was made when the Soviets were allied to the Western democracies against the Nazis, the film justifies this occupation by the Soviet need to obtain a buffer zone against a further Nazi advance to the east. Hitler now turns west to finish off Britain and France, which have declared war on Nazi Germany, rather than risk a two-front war.

See also

External links

Frank Capra's Why We Fight series
Prelude to War The Nazis Strike Divide and Conquer The Battle of Britain
The Battle of Russia The Battle of China War Comes to America

 
 
Learn More
Anatole Litvak (Director, Writer, Drama/Romance)
The Battle of Britain
Anthony Vincent Collins

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