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The Notebook

 
Movies:

The Notebook

  • Director: Nick Cassavetes
  • AMG Rating: starstarstar
  • Genre: Romance
  • Movie Type: Romantic Drama, Period Film
  • Themes: Star-Crossed Lovers, Lovers Reunited, Class Differences
  • Main Cast: Ryan Gosling, Rachel McAdams, James Garner, Gena Rowlands, James Marsden
  • Release Year: 2004
  • Country: US
  • Run Time: 124 minutes
  • MPAA Rating: PG13

Plot

Directed by Nick Cassavetes, this adaptation of author Nicholas Sparks' bestselling novel revolves around Noah Calhoun's (James Garner) regular visits to a female patron (Gena Rowlands) of an area nursing home. Rather than bore her with the inanities of everyday life, Calhoun reads from an old, faded notebook containing the sweeping account of a young couple (Ryan Gosling and Rachel McAdams) whose love affair was tragically put to a halt after their separation in the midst of World War II. Seven years later, the couple was reunited, and, despite having taken radically different paths, they found themselves unable to resist the call of a second chance. The Notebook also features Joan Allen, Sam Shepard, and Kevin Connolly. ~ Tracie Cooper, All Movie Guide

Review

The only way The Notebook resembles anything on Nick Cassavetes' resumé is that it features his mother, Gena Rowlands. But this departure is a good thing. Too fixated early in his career on (poorly) imitating the gritty mannerisms of his father, iconoclast filmmaker John Cassavetes, the younger Cassavetes gives himself over here to a lyrical romance that takes place mostly in the 1940s. The clean production design of a period piece suits him well, and while it may not be grubby-fingernails real, The Notebook carries with it an undeniable believability. Nicholas Sparks' novel contains plenty of pat scenarios, but they possess a wonderful third dimension in the hands of the film's two exciting central performers: Rachel McAdams and Ryan Gosling. Both are effortlessly charming and likeable, giving fine personage to the young lovers who struggle against society's expectations of them. McAdams in particular is a revelation, proving as effective a flawed protagonist as she was an icy backstabber in Mean Girls -- though this is much subtler work. Adults who see The Notebook as a teen romance, despite its wartime setting, should be heartened by the Oscar nominees who fill out the cast, as Joan Allen and James Garner join Rowlands to add credibility. Although the framing story involving Garner and Rowlands sometimes seems like a distraction, it has a fulfilling enough resolution to work in concert with the main narrative. The constant between both time periods is Cassavetes' camera, which has the liberated feel of a child breaking free from his father's influence. John Cassavetes may not have shot many rowboats on swan-filled lakes, but his son seems to have matured to the realization that this, too, is a legitimate form of honest storytelling. ~ Derek Armstrong, All Movie Guide

Cast

Kevin Connolly - Fin; Sam Shepard - Frank Calhoun; Joan Allen - Anne Hamilton; David Thornton - John Hamilton; Obba Babatunde - Band Leader; Matthew Barry - Dr. Barnwell; Starletta DuPois - Nurse Esther; Ed Grady - Harry; Robert Fraisse - Buyer #1; Mark Johnson - Photographer; Patrick Leonard - Lieutenant Davis; Scott Ritenour - Lon's Employee; Hugh A. Robertson - Pastor; Deborah Hobart - Aunt Kitty; Rebecca Koon - Aunt Georgia; Mark Garner - Lon's Employee; Sherril M. Turner - Linda Jean; Robert Washington - Elgin; Traci Dinwiddie - Veronica; Jonathan Parks Jordan - Seabrook Boy; Heather Wahlquist - Sara Tuffington; Barbara Weetman - Buyer #2; Todd Lewis - Reporter; Geoffrey Knight - Barker; Eve Kagan - Sarah Lawrence Girl; Meredith Zealy - Maggie; Milton Buras - Lon's Employee; Cullen Moss - Bodee; Jamie Brown - Martha Shaw; Tim Ivey - Rower; Anthony-Michael Q. Thomas - Nurse Keith; Renée Amber - Nurse At Counter; Jennifer Echols - Nurse Selma; Andrew Schaff - Matthew Jamison III; Matt Shelly - Seabrook Boy; Michael D. Fuller - Seabrook Boy; Leslea Fisher - Seabrook Girl; Jude Kitchens - Tommy The Ferris Wheel Operator; Meredith O'Brien - Mrs. Tuffington; Kweli Leapart - Willa; Frederick Bingham - Postman; Daniel Czekalski - Recruitment Officer; Peter Rosenfeld - Professor; Bradley D. Capshaw - Injured Soldier; James Scott Deaton - Injured Soldier; Stephanie Wheeler - Sarah Lawrence Girl; Erin Guzowski - Sarah Lawrence Girl; Chuck Pacheco - Bus Driver; John A. Cundari - Maitre D'; Dan Chamblin - Buyer #3; Sasha Azevedo - Wife Of Buyer #3; Robert Ivey - Dressmaker; Sandra W. VanNatta - Aunt Jeanette; Lindy Newton - Heather Lynn; Sylvia Jefferies - Rosemary; Elizabeth Bond - Lon's Secretary; Nancy DeMayo - Mary Allen; Julianne Keller Lewis - Davanee; Madison Wayne Ellis - Noah, Jr.; Riley Novak - Edmond; Ronald Betts - Male Nurse; Tim O'Brien - Mr. Tuffington; James Middleton - Aaron

Credit

Scott Ritenour - Art Director, Anthony Cargioli - Boom Operator, Timothy Cargioli - Boom Operator, Matthew Barry - Casting, Nancy Green-Keyes - Casting, Richard Futch - Casting, Margaret Mullins - Casting, Chad Stall - Choreography, Collin Fowler - Coordinator, Helene Ross - Coordinator, Daniel E. Hydrick III - Coordinator, Jerry Hey - Conductor, Nicoletta Massone - Costume Designer, Karyn Wagner - Costume Designer, Randy Fletcher - First Assistant Director, Robert Ditchburn - First Assistant Director, Nick Cassavetes - Director, Alan Heim - Editor, Avram Kaplan - Executive Producer, Toby Emmerich - Executive Producer, Charlene Roberson - Hair Styles, Dale Brownell - Hair Styles, Cindi Hobgood - Location Manager, Steve Rhea - Location Manager, Lise Grégoire - Location Manager, Aaron Zigman - Composer (Music Score), Charlene Roberson - Makeup, Teresa Foshee - Makeup, Linda Grimes - Makeup, Janet Carey - Makeup, Sarah Mays-Roberts - Makeup, Robert Stecko - Camera Operator, Peter Rosenfeld - Camera Operator, Sarah Knowles - Production Designer, Robert Fraisse - Cinematographer, Daniele Rohrbach - Production Manager, Mark Johnson - Producer, Catherine Sudolcan - Producer, Lynn Harris - Producer, Geoffrey S. Grimsman - Set Designer, Mark Garner - Set Designer, Jonathan S. Gaynor - Sound Mixer, Jean Frenette - Stunts, Mike Chute - Stunts, Benoît Gauthier - Stunts, Robert Kurt Brubaker - Stunts, Ted Larkin - Stunts, Rex Riddick - Stunts, Gillis Jere - Stunts, Patrick Kerton - Stunts, Dave McKeown - Stunts Coordinator, Cal Johnson - Stunts Coordinator, Kevin Connolly - Supervisor/Manager, Ryal Cosgrove - Special Effects Supervisor, Avram Kaplan - Unit Production Manager, Bernard Vincent - Unit Production Manager, Nick Cassavetes - Screenwriter, Jeremy Leven - Screenwriter, Jan Sardi - Screenwriter, Keith Sherer - Second Unit Director Of Photography, Christine La Fontaine - Production Assistant, Ben Hammock - Production Assistant, Renée Amber - Production Assistant, Bill Balas - Production Assistant, Kelly Chambers - Production Assistant, Joe Dornich - Production Assistant, Jason Duncan - Production Assistant, Kate Hart - Production Assistant, Mikkel Johansen - Production Assistant, Jason Scott - Production Assistant, John David Solomon - Production Assistant, Jim Harrison - Production Assistant, David Dryer - Visual Effects Supervisor, Mark Dornfeld - Visual Effects Supervisor, Claude Letessier - Sound Effects Editor, Jason King - Sound Effects Editor, Rickley W. Dumm - Sound Effects Editor, Woodrow "Woody" Wilson - Animal Trainer/Wrangler, Floyd Barnfield - Animal Trainer/Wrangler, Erik Holmberg - Executive in Charge of Production, Bob Scifo - Matte Artist, Justin Brandstater - Matte Artist, Alp Altiner - Matte Artist, Paul Broucek - Executive Music Producer, Alan Aldridge - First Assistant Camera, Keith Sherer - First Assistant Camera, John David Reynolds - Gaffer, Gaetan St. Onge - Gaffer, Rocky Amon - Grip, Michael V. Andrews - Grip, Lee Donaldson - Grip, Jim Duncan - Grip, Ben D. Griffith, Jr. - Grip, Dwayne Hatchell - Grip, Brian Knox - Grip, Thomas Michal - Grip, Stephen Mills - Grip, Eric Jones - Grip, Dennis Zoppe - Key Grip, Kenneth MacKenzie - Key Grip, Philip Tallman - Music Editor, Gary Grant - Musical Performer, Dan Higgins - Musical Performer, Dean Parks - Musical Performer, Bill Reichenbach - Musical Performer, Jimmie Wood - Musical Performer, Warren Luening - Musical Performer, Robert Zimmitti - Musical Performer, Charlie Loper - Musical Performer, Rick Reynolds - Post Production Supervisor, Chrissie Davis - Production Coordinator, Todd Lewis - Production Supervisor, Maureen Farley - Properties Master, Brad Sherman - Re-Recording Mixer, Jonathan Taylor - Re-Recording Mixer, Melinda Taksen - Script Supervisor, Philip Hardage - Second Assistant Director, Alexandre Bernard - Second Assistant Director, Johanne Caporicci - Second Assistant Director, Bob Shelley - Special Effects Coordinator, Melissa Moseley - Still Photographer, Paul Timothy Carden - Supervising Sound Editor, Kelly Cabral - Supervising Sound Editor, Michele Ferrone - Visual Effects Producer, Maggie Burback - Costume/Wardrobe, Catherine A. Abreo - Costume/Wardrobe, Angela Amaro - Costume/Wardrobe, Edie Doherty - Costume/Wardrobe, Pauline White-Kasswike - Costume/Wardrobe, Ann Hadsell - ADR Mixer, Claudia Carle - ADR Recordist, Pat Glasser - Assistant Hair, Craig M. Rogers - Assistant Location Manager, Bass Hampton - Assistant Location Manager, Deana Albers - Assistant Properties, Valerie VanNorte - Assistant Properties, Aynee Osborn - Assistant Sound Editor, Jack McCollum - Best Boy Electric, Kelly Curry - Best Boy Grip, Randall Freeman - Best Boy Grip, Angela Amaro - Buyer, Edie Doherty - Buyer, Pauline White-Kasswike - Buyer, Chris Satrazemis - Camera Loader, Andy Ryan - Chief Lighting Technician, Thomas A. Morris, Jr. - Construction Coordinator, Reese James Spensley - Costumes Supervisor, Lori Read - Costumes Supervisor, Michelle Lynn Regina - DGA Intern, Lauren Stephens - Dialogue Editor, Thomas Younkman - Dialogue Editor, Elizabeth Kenton - Dialogue Editor, Michael Bonsignore - Dolly Grip, Michel Bertrand - Dolly Grip, Ronald Betts - Electrician, Bill Allanson II - Electrician, Bradley Banks - Electrician, Raymond Benthall - Electrician, James Frederich - Electrician, William Hand - Electrician, Michael S. Neely - Electrician, Thomas C. Nisbet - Electrician, Art Schultz - Electrician, Glenn Cowan - First Assistant Editor, Perri Pivovar - First Assistant Editor, Tim Wilson - First Assistant Editor, Jim Moriana - Foley Artist, Jeff Wilhoit - Foley Artist, George Harding III - Greensman, Andy Krish - Greensman, Geoffrey Cormier - Greensman, Peter Dillenbeck - Greensman, Charles Mack - Greensman, Michael Maynard - Greensman, Timothy "Schemp" Shaughnessy - Greensman, Thomas Halligan - Key Costumer, Susan Oliver - Key Costumer, Nicole Lapierre - Key Make-up, Kenneth Bryant - Leadman, Andrew Schaff - Personal Assistant, Matt Shelly - Personal Assistant, Tom Williams - Personal Assistant, Steve Reynolds - Post Production Accountant, Karen Eisenstadt - Production Accountant, Lynell Bangs - Production Accountant, Jon Davidson - Production Controller, Leon Dudevoir - Production Executive, Bo Webb - Second Assistant Camera, Monica Barrios-Smith - Second Assistant Camera, Michael Shapiro - Set Dresser, Andrea "Drew" Sywanyk - Set Dresser, Patrick Furhman - Set Dresser, Scott A. Lawson - Set Dresser, Bennet Silver - Set Dresser, Rick Mobbs - Storyboard Artist, Karen L. Bosma - Transportation Coordinator, Robert Gillis - Transportation Coordinator, Lee Siler - Transportation Coordinator, Jim DiSensi - Transportation Coordinator, Syd Dutton - Visual Effects, Illusion Arts - Visual Effects, Bill Taylor - Visual Effects, Custom Film Effects - Visual Effects, Chuck Potter - Set Decorator, Summer Eubanks - Set Decorator, Nicholas Sparks - Book Author, Barbara Harris - ADR Voice Casting, Evelyn Jackson - Assistant Choreographer, Kat Callahan - Craft Service/Catering, Alain Lacombe - Craft Service/Catering, Elio Acanfora - Driver, Beverly Ballzigler - Driver, Kenneth Bennett - Driver, Tina DelCastillo - Driver, Gordon G. Fewox, Jr. - Driver, Bobby Galliher - Driver, Perry Hickman - Driver, Terry Johnson - Driver, David W. McAnany - Driver, Pat McCartney - Driver, Tonny C. Meckelvaney - Driver, Michael Mitchum - Driver, Pamela A. Plummer - Driver, John J. Reynolds, Jr. - Driver, Scott Siler - Driver, Raylor Simpson - Driver, William Sylvester - Driver, Ken Wilson - Driver, Doug Wright - Driver, Stephen Mills - Driver, Nerses Gezalyan - Foley Mixer, Bobby Hart - Negative Cutter, Brian Marshall Turner - Set Medic/First Aid, Johnetta Boone - Character Design, Christopher Bogart - Painter, Kevin Fleming - Painter, Cheryl Clarey - Painter, Stephen Eno - Painter, Mark Fulton - Painter, Sharon Gilchrist - Painter, Rebecca Leonard - Painter, Judith Orszula - Painter, Melissa E. Porter - Painter, Cindy Seay - Painter, Elise S. Smith - Painter, Nicole Strojny - Painter

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Wikipedia: The Notebook (film)
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The Notebook

Theatrical release poster
Directed by Nick Cassavetes
Produced by Toby Emmerich
Mark Johnson
Written by Novel
Nicholas Sparks
Adaptation
Jan Sardi
Screenplay
Jeremy Leven
Narrated by James Garner
Starring James Garner
Gena Rowlands
Ryan Gosling
Rachel McAdams
Music by Aaron Zigman
Cinematography Robert Fraisse
Editing by Alan Heim
Distributed by New Line Cinema
Release date(s) June 25, 2004
Running time 123 min.
Country United States
Language English
Budget $30 million
Gross revenue $115,603,229

The Notebook is a 2004 United States romantic drama film directed by Nick Cassavetes, based on the novel of the same name by Nicholas Sparks. The film stars Ryan Gosling and Rachel McAdams as Noah and Allie, a young couple who fall in love during the early 1940s. Their story is narrated from the present day by an elderly man played by James Garner, telling the tale to a fellow patient, played by Gena Rowlands.

Contents

Plot

In a modern-day nursing home, an elderly man named Duke begins to read a love story from his notebook to a female fellow patient who has lost her memory.

In 1940, at a carnival in Seabrook Island, South Carolina, local country boy Noah Calhoun sees 17-year-old heiress Allie Hamilton for the first time and is immediately smitten. She continuously refuses his persistent advances until their well-meaning friends lure them together; they then get to know each other on a midnight walk through empty Seabrook.

Noah and Allie spend an idyllic summer together. One night, a week before Allie is to leave town, she and Noah go up to an abandoned house called the Windsor Plantation. Noah tells her that he hopes to buy the house. They are interrupted by Noah's friend Fin with the news that Allie's parents have the police out looking for her. When Allie returns home, she and her parents have an argument and her mother forbids her from seeing Noah again, calling him "trash" and saying he is not right for her. Outside, Allie fights with Noah. He believes her parents are right and that he is not good enough for her, and the two break up. Allie immediately regrets the decision but Noah drives away. The next morning, Allie's mother reveals that they are going home right away. Allie tries to find Noah, but when she goes to the lumber yard Fin tells her he is out making a delivery. She begs Fin to tell Noah that she loves him and is sorry for everything, and Fin reluctantly agrees. When Fin tells Noah what Allie said, Noah tries to see Allie before she leaves but arrives at her house to find that she has already left. Noah, devastated by their separation, writes her one letter every day for a year, only to get no reply. Noah and Allie eventually have no choice but to move on with their lives. Allie continues to attend Sarah Lawrence College, while Noah and Fin enlist to fight in World War II where Fin is killed in battle.

Allie volunteers as a nurse for wounded soldiers. There, she meets the wealthy Lon Hammond, Jr. , a well-connected young lawyer who is handsome, sophisticated, charming, and comes from an old Southern family. The two eventually become engaged, to the joy of Allie's parents, although Allie wonders why she is reminded of Noah's face when Lon asks her to marry him.

When Noah returns home, he discovers his father has sold their house so that Noah can go ahead and buy his dream house, the Windsor Plantation. While visiting Charleston to file some paper work, Noah witnesses Allie and Lon kissing at a restaurant. Devastated, Noah convinces himself that if he keeps his promise to her and fixes up the house, Allie will come back to him. When his father dies shortly thereafter, the house is all Noah has left. He tries to sell the house, but finds he cannot do it and refuses all offers for it.

In 1947, While trying on her wedding dress, Allie spots an article about Noah's renovation on the Windsor Plantation in a newspaper and faints. She decides to visit Noah in Seabrook and he invites her to dinner, during which Allie tells Noah about her engagement. Later in the evening, Noah asks Allie to come back the next day, saying he wants to show her something.

In the present, it is made evident that the elderly woman is Allie — suffering from dementia, which has stolen her memories — and that Duke is her husband. Allie does not recognize their children and grandchildren, who beg Duke to come home with them. Duke insists on staying with Allie, refusing to abandon her.

Back in 1947, Allie and Noah go rowing on a nearby lake in the morning and reminisce about their summer together. He shows her a part of the creek where dozens of swans have gathered, explaining that they will eventually leave when the summer ends. As a rain storm starts Noah rows to shore, where Allie, after getting a good look at him in the rain, demands to know why Noah never wrote to her. After Noah tells her he wrote to her every day for one year, he says their romance was never over and that it still isn't over, and they share a passionate kiss, before making love.

The next day, Allie’s mother appears on Noah’s doorstep while Noah is out, telling Allie that Lon has followed her to Seabrook after Allie's father told him about Noah. Her mother takes Allie out for a drive to show her that there had been a time in her life when she could relate to Allie's present situation. She drives Allie to a coal deposit, where men are shoveling coal. She points out one man and explains that she and him used to be "out of our minds in love" with each other. She starts to cry and tells Allie that she truly does love Allie's father but that she doesn't deserve him, then looks meaningfully at the man and mutters "I don't even know who that is anymore." The man spots her and looks stunned for a moment before they drive off again. On returning to Noah's, she hands her daughter the bundle of 365 letters that Noah had written to her with a quill pen. When alone, Noah asks Allie what she is going to do; Allie is confused and confesses that she doesn’t know. Noah becomes frustrated that they are "back to this," the place where, even after they have loved each other completely and totally, they don't know if it is enough. Noah asks her to just stay with him, admitting that it is going to be really hard, and that they will fight, but he is willing to go through anything because he wants to be with her. Confused as ever and upset, Allie drives off.

While driving, Allie is almost involved in a car accident and pulls over on the side of the road shaken. There, she unties the stack of Noah's letters and opens the first one, reading it. She later drives to the hotel and confesses to Lon, who is angry but admits that he still loves her. He tells her that he does not want to convince his fiancée that she should be with him, but Allie tells him he does not have to, because she already knows she should be with Lon, but she says she loves and wants to be with Noah.

The film goes back to the elderly couple, and Duke asks his fellow patient who Allie chose. She soon realizes the answer herself; young Allie appears at Noah's doorstep, having left Lon at the hotel and chosen Noah. They embrace in reunion.

Duke's elderly companion suddenly realizes that she herself is Allie. She remembers her past, and that Duke is Noah. They joyfully spend a brief intimate moment together; after originally finding out about her impending illness, she had herself written their story in the notebook with the title and instructions for Noah: "The story of our lives, by Allie Calhoun. Read this to me, and I'll come back to you." But soon Allie relapses, losing her memories of Noah yet again. She panics, and has to be sedated by the attending physician. This proves to be too difficult for Noah to watch and he breaks down. The next morning, Noah is found unconscious in bed and he is rushed to the hospital; he later returns to the nursing home's intensive care ward. He goes to Allie's room later that night, and Allie remembers again. She asks him if he thinks their love can make miracles, and he says that miracles are what bring her back to him every time. She then asks him if he thinks their love can take them away together, and he replies, "I think our love can do anything we want it to." Noah's last words before falling asleep are "I'll be seeing you". The next morning, a nurse finds them in bed together, having both died in their sleep, holding each other's hands, and the credits roll with a shot of the swans flying away.

Cast

Reception

Critical response

The film received mixed reviews from critics. The review aggregate at Rotten Tomatoes reported that 52% of critics gave the film positive reviews, based on 144 reviews.[1] Metacritic reported the film had an average score of 53 out of 100, based on 34 reviews.[2].

Box office performance

The film opened June 25, 2004 in the United States and Canada and grossed $13.4 million in 2,303 theaters its opening weekend, ranking #4 at the box office.[3] The film grossed a total of $115.6 million worldwide, $81 million in the United States and Canada and $34.6 million in other countries.[4]

References

External links


 
 
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