"The Perfect Kiss" is a 1985 single by New Order. It was the first New Order song to be included on a studio album at the same time as its release as a single. The vinyl version has Factory catalog number FAC 123 and the video has the opposite number, FAC 321.
The song has a complex arrangement which includes a number of instruments and methods not normally used by New Order. For example, a bridge features frogs croaking melodically. The band reportedly included them because Morris loved the effect and was looking for any excuse to use it. At the end of a track, the faint bleating of a (synthesized) sheep can be heard. Sheep samples would reappear in later New Order singles "Fine Time" and "Ruined in a Day". Despite being a fan favorite, the song was not performed live between 1993 and 2006 due to the complexity of converting the programs from the E-mu Emulator to the new Roland synthesiser. However, it returned to the live set at a performance in Athens on June 3, 2006.
"The Perfect Kiss" reached only #46 in the UK charts, most likely due to a lack of marketing by Factory Records and the obscure Peter Saville sleeve: uniform grey with the word "perfect" embossed on the front side and "kiss The" on the back, like a wraparound band. It was about this time that the photographer Geoff Power [see 'Shellshock'] was introduced to Peter Saville. So enamoured was Peter by Geoff's work that he originally offered the photographer the cover to Low-life. Then when that fell through, they worked on a cover for Perfect Kiss using one of Geoff's photo's, which can be seen later in New Order's songbook, 'X'. With time running out and Peter's decision not to run with this image [it didn't fit in Peter's subsequent portraits of the band on Low-life], Geoff was offered an OMD album cover instead. Suffice to say Geoff decided to hang on until a subsequent New Order release came up a year later [Shellshock].
Interpretations
Bernard Sumner has not clarified the song's meaning and as such it has many interpretations. In one, the lyrics describe a night out gone awry. The narrator describes a surprise visit by an unhinged friend who is carrying a firearm. Despite his better judgement, the narrator accepts his friend's invitation to go out. The friend is killed in some unspecified violent act and the narrator expresses regret that he had not stayed home (and, one can infer, masturbated, from the line "...should have stayed at home/playing with my pleasure zone"). The song concludes with his understanding that "the perfect kiss is the kiss of death."
Versions
Lasting nearly 9 minutes, the full 12" single version of the song is longer than even "Blue Monday", New Order's 1983 dance epic. This version also appears on the vinyl edition of Substance, with the CD pressings deleting 44 seconds of the climatic finale, due to time limitations of the CD format in 1987 (future remasterings of Substance did not restore the missing 44 seconds, even though newer CDs would allow for it). The full version was eventually released unedited on the 2-disc deluxe edition of Low-Life, marking its first appearance on CD.
The version on the original Low-Life and all post-Substance compilations is a 4:48 edit that omits the third verse (the one that mentions the song's title) and fades out before the climax. This version is present on the A-side of the 7" single from the Philippines; most 7" issues from other countries have on the A-side a version that is further edited to 4:24 (in some or all cases without the percussion introduction). The UK 7" promo release on Factory Records is a rarely-heard edit which compresses most of the elements of the full, 8:46 version (including the ending but not the third verse) into 3:50.
There is also a live studio recording which corresponds to the music video; it is available on the bonus disc included with some editions of Retro and on various promotional vinyl releases.
The song has been remixed by third parties like Razormaid and Hot Tracks and has been covered by bands including Capsule Giants, Nude[1], International[2], Paradoxx, Razed In A New Division Of Agony, and Amoeba Crunch[3].
B-sides
"The Kiss of Death" is a typical New Order dub version: it is a mostly instrumental remix of the a-side with added effects; it notably features the opening of the album version. "Perfect Pit" is a short recording of synthesized bass and drum parts that sounds like Gillian Gilbert and Stephen Morris practicing.
Music video
Jonathan Demme directed "The Perfect Kiss" video, which is unlike any other New Order clip. Set in the band's practice room, it simply depicts the band playing the song from beginning to end. According to Factory Records owner Tony Wilson, Demme was looking forward to filming dynamic shots of Stephen Morris behind the drum kit and was dismayed to find that the drums in the song were all programmed. The video prominently features references to Joy Division, including a poster for Joy Division and a dimly lit figure resembling the late Ian Curtis watching the band from a doorway during the session.
The video appeared on the Substance 1989 VHS tape and the DVD A Collection. An edit of the video version appeared on a US 12" single in 1985. The full audio take, including Demme's remarks before and after the performance, appeared on a bonus CD included with early copies of the box set Retro. Since it is a unique live performance, the video version of the song sounds different from other released versions.
Track listing
UK 12" - FAC 123
- "The Perfect Kiss" - 8:46
- "The Kiss of Death" - 7:02
- "Perfect Pit" - 1:24
Chart positions
Notes and references
See The New Order Discography for full release details and alternate sleeve art.