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The Rainbow

 
Artist: The Rainbows
  • Formed: 1955, Washington, D.C.
  • Genres: Rhythm & Blues

Biography

One of Washington, D.C.'s pioneering vocal groups, the Rainbows recorded three singles titled after women's names: "Mary Lee," "Shirley," and "Minnie." "Mary Lee" was released on Morgan "Bobby" Robinson's Red Robin label in 1955; the Rainbows on that record consisted of lead singer Ronald "Posie" Miles, John Berry, and other unknown members who left after the release ran its course. Red Robin leased "Mary Lee" to Pilgrim Records, who promoted it into a small regional hit. For its follow-up, "Shirley" (1956), Berry recruited Chester Simmons and Don Covay to form the lineup most associated with the group. Copies of "Shirley" can be found on three different labels -- Pilgrim, Argyle, and Red Robin -- but none did it any justice. D.C. disc jockey Jay Ferry played the Rainbows locally, but DJs in other cities weren't as loving. "Minnie" on Rama Records in 1957 became their swan song, and despite popularity in Washington, the sales were disappointing and the group disbanded. At least four tracks -- "Baraboo," "Honey Hush," "Jelly Bean," and "The Bug" -- are still rotting in Red Robin's vaults. Covay became a solo act and scored with "Have Mercy" and "See Saw"; he was more successful as a writer and supplied material to many artists. John Berry also took to songwriting, cranking out more than 125 titles registered with BMI; his most successful, "Pony Time," became a hit for Chubby Checker. Simmons and fill-ins Marvin Gaye, James Nolan, and Reese Palmer formed the Marquees. ~ Andrew Hamilton, All Music Guide
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Wikipedia: The Rainbow
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The Rainbow  
Author D. H. Lawrence
Country United Kingdom
Language English
Publication date 1915
Followed by Women in Love

The Rainbow is a 1915 novel by British author D. H. Lawrence. It follows three generations of the Brangwen family, particularly focusing on the sexual dynamics of, and relations between, the characters.

Lawrence's frank treatment of sexual desire and the power plays within relationships as a natural and even spiritual force of life, though perhaps tame by modern standards, caused The Rainbow to be prosecuted in an obscenity trial in late 1915, as a result of which all copies were seized and burnt. After this ban it was unavailable in Britain for 11 years, although editions were available in the USA.

The Rainbow was followed by a sequel in 1920, Women in Love. Although Lawrence conceived of the two novels as one, considering the titles The Sisters and The Wedding Ring for the work, they were published as two separate novels at the urging of his publisher. However, after the negative public reception of The Rainbow, Lawrence's publisher opted out of publishing the sequel. This is the cause of the five-year gap between the two novels.

In 1989, the novel was adapted into the UK film The Rainbow, directed by Ken Russell who also directed the 1969 adaptation Women in Love. In 1988, the BBC produced a television adaptation directed by Stuart Burge with Imogen Stubbs in the role of Ursula Brangwen.

Contents

Further reading

Editions

Letters

  • The Letters of D. H. Lawrence, ed. James Boulton and others, 7 vols. (Cambridge: Cambridge University Press, 1979-93).

Biography

  • Delany, Paul, D. H. Lawrence's Nightmare: The Writer and his Circle in the Years of the Great War (Hassocks, Sussex: Harvester Press,1979)
  • Kincaid-Weekes, Mark, D H Lawrence: Triumph to Exile, 1912 - 1922 (Cambridge: Cambridge University Press, 1996 )

Criticism

  • Beynon, Richard, The Rainbow and Women in Love ( Cambridge: Icon Books) 1997
  • Clarke, Colin (ed.), D. H. Lawrence: The Rainbow and Women in Love: A Casebook (London: Macmillan, 1969),
  • Holderness, Graham, D. H. Lawrence: History, Ideology and Fiction (Dublin: Gill and Macmillan, 1982).
  • Ingram, Allan, The Language of D. H. Lawrence (London: Macmillan, 1990).
  • Kinkead-Weekes, Mark, The Marble and the Statue: The Exploratory Imagination of D. H. Lawrence, in Maynard Mack and lan Gregor (eds.), Imagined Worlds: Essays in Honour of John Butt (London: Methuen, 1968), 371-418.
  • Kinkead-Weekes, Mark, The Marriage of Opposites in The Rainbow, in Mara Kalnins (ed.), D. H. Lawrence: Centenary Essays (Bristol: Bristol Classical Press, 1986), 21-39.
  • Kinkead-Weekes, Mark, 'The Sense of History in The Rainbow', in Peter Preston and Peter Hoare (eds.), D. H. Lawrence in the Modern World (Cambridge: Cambridge University Press, 1989), 121-38.
  • Leavis, F. R., D H Lawrence: Novelist (London: Chatto and Windus, 1955)
  • Leavis, F. R., Thought, Words and Creativity: Art and Thought in Lawrence (London: Chatto and Windus, 1976)
  • Meyers, Jeffrey (ed.), D. H. Lawrence and Tradition (London: Athlone Press, 1985).
  • Meyers, Jeffrey (ed.), The Legacy of D. H. Lawrence: New Essays (London: Macmillan, 1987).
  • Mudrick, Marvin, The Originality of The Rainbow in Harry T Moore (ed.) A D. H. Lawrence Miscellany (Carbondale: Southern Illinois University Press, 1959).
  • Pinkney, Tony, D. H. Lawrence (Hemel Hempstead: Harvester Wheatsheaf, 1990).
  • Ross, Charles L., The Revisions of the Second Generation in The Rainbow, Review of English Studies, 27 (1976), 277-95.
  • Ross, Charles L The Composition of (The Rainbow' and Women in Love: A History (Charlottesville: University Press of Virginia, 1979).
  • Sanders, Scott, D. H. Lawrence: The World of the Major Novels (London: Vision Press, 1973).
  • Simpson, Hilary, D. H. Lawrence and Feminism (London: Groom Helm, 1982).
  • Smith, Anne (ed.), Lawrence and Women (London: Vision Press, 1978).

External links

Internet Archive on-line edition: [1]


 
 

 

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Rainbow" Read more