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The Scarlet Empress

 
Movies:

The Scarlet Empress

 
  • Director: Josef von Sternberg
  • AMG Rating: starstarstarstar
  • Genre: Historical Film
  • Movie Type: Period Film, Biopic
  • Themes: Rise To Power, Crowned Heads
  • Main Cast: Marlene Dietrich, John Lodge, Sam Jaffe, Louise Dresser, Maria Sieber
  • Release Year: 1934
  • Country: US
  • Run Time: 110 minutes

Plot

Of the two 1934 film versions of the life of Russia's Catherine the Great, Josef von Sternberg's The Scarlet Empress was the most opulent and exotic. Marlene Dietrich plays the German-born Catherine, who is required to marry Russia's mad Grand Duke Peter (Sam Jaffe, decked out in a Harpo Marx wig). As if her joke of a marriage isn't torment enough, Catherine must endure the excesses of her new mother-in-law, Empress Elizabeth (Louise Dresser). Eventually, Catherine finds solace -- and romance -- in the form of Count Alexei (John Lodge). But even this balm is denied her when the ambitious Alexei begins wooing the much-older Elizabeth. When the old Empress dies, Catherine ascends to the Russian throne, knowing full well that her addled husband would kill her at the slightest provocation. Soon her power outstrips Peter's, and the opportunistic Alexei now comes back into her life. The finale finds Catherine emerging triumphant over all her enemies -- and, in the film's least subtle sequence (which is saying a lot!), the new Empress is shown astride a horse, to whom she displays far more affection than any of her human compatriots. The Scarlet Empress has even less to do with accuracy than Paul Czinner's Catherine the Great of the same year, which starred Elizabeth Bergner. Watch for Dietrich's real-life daughter Maria Sieber (aka Maria Riva) as the 7-year-old Catherine in the early scenes. ~ Hal Erickson, All Movie Guide

Review

The Scarlet Empress is a largely fictional account of the life of Catherine the Great, but that doesn't stop it from being one of the best and most adult biopics of the 1930s. Directed in grand style by Josef von Sternberg, the film is a visual feast, though it is Marlene Dietrich's performance in the title role that has given the film its enduring appeal. A truer account of the life of Catherine the Great probably could not have been made in the U.S. in the 1930s. Nonetheless, The Scarlet Empress is unusually frank and occasionally suggestive. The film was the last of the great collaborations between von Sternberg and Dietrich. She would go on to make well-remembered films for other directors, while von Sternberg's later career would be less successful. ~ Richard Gilliam, All Movie Guide

Cast

C. Aubrey Smith - Prince August; Ruthelma Stevens - Countess Elizabeth; Olive Tell - Princess Johanna; Gavin Gordon - Gregory Orloff; Jane Darwell - Mlle. Cardell; Harry Woods - Doctor; Davison Clark - Archimandrite Simeon Todorsky; John Davidson - Marquis De La Chetardie; Gerald Fielding - Officer; Eric Alden - Lackeys; Erville Alderson - Chancellor Alexei Bestuzhev; Richard Alexander - Count Von Breummer; James Burke - Guard; Anna Duncan; Elinor Fair; Julanne Johnston; Phillip G. Sleeman - Count Lestocq; Jameson Thomas - Lt. Ovtsyn; Edward Van Sloan - Herr Wagner; Hans Heinrich Von Twardowski - Ivan Shuvalov; Bruce Warren; James Marcus - Innkeeper; May Foster; Eunice Moore; Dina Smirnova; Marie Wells - Marie Choglokov; Nadine Beresford; Belle Johnstone; Patricia Patrick; Blanche Rose - Aunt; Agnes Steele; George Davis - Jester

Credit

Hans Dreier - Art Director, Peter Ballbusch - Art Director, Richard Kollorsz - Art Director, Travis Banton - Costume Designer, Josef von Sternberg - Director, Josef von Sternberg - Editor, Josef von Sternberg - Composer (Music Score), Bert Glennon - Cinematographer, Gordon Jennings - Special Effects, Manuel Komroff - Screenwriter, Felix Mendelssohn - Featured Music, Pyotr Tchaikovsky - Featured Music, Richard Wagner - Featured Music

Similar Movies

Anastasia; Catherine the Great; The Private Life of Henry VIII; The Private Lives of Elizabeth and Essex; Forbidden Paradise
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Wikipedia: The Scarlet Empress
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The Scarlet Empress

French movie poster for L'Impératrice Rouge (The Scarlet Empress)
Directed by Josef von Sternberg
Produced by Emanuel Cohen
Josef von Sternberg
Starring Marlene Dietrich
John Lodge
Sam Jaffe
Louise Dresser
Maria Sieber
Music by Bernhard Kaun
Cinematography Bert Glennon
Editing by Josef von Sternberg
Sam Winston
Distributed by Paramount Pictures
Release date(s) Flag of the United States September 15, 1934
Running time 95 min.
Country  United States
Language English

The Scarlet Empress is a 1934 historical drama film made by Paramount Pictures about the life of Catherine the Great (Catherine II). It was directed and produced by Josef von Sternberg, with Emanuel Cohen as executive producer, from a screenplay by Eleanor McGeary, based on the diary of Catherine II, arranged by Manuel Komroff.

The film stars Marlene Dietrich as Catherine, with John Davis Lodge, Sam Jaffe (in his film debut), C. Aubrey Smith, Louise Dresser and Maria Riva. Dietrich's daughter Maria Riva (later known as Maria Sieber) plays Catherine as a child.

Synopsis

Sophia Frederica (Marlene Dietrich), is the daughter of a minor German prince and an ambitious mother. She is brought to Russia by Count Alexei (John Lodge) to marry the half-wit Grand Duke Peter (Sam Jaffe). As if her marriage is not torment enough, she must endure the excesses of her husband's aunt, Empress Elizabeth (Louise Dresser). Elizabeth renames her Catherine and awards her the Order of St. Catherine.

Catherine finds solace with Count Alexei, but he begins wooing the much-older Elizabeth. Catherine finds lovers among the Russian army. When the old Empress dies, Catherine ascends to the Russian throne, knowing full well that her addled husband would kill her at the slightest provocation. Soon her power outstrips Peter's, and the opportunistic Alexei now comes back into her life. The finale finds Catherine emerging triumphant over all her enemies and the new Empress is shown astride a horse, to whom she displays far more affection than any of her human compatriots.

Style

The film is notable for its expressionist art design von Sternberg creates for the Russian palace. In film critic Robin Wood's words:

"a hyperrealist atmosphere of nightmare with its gargoyles, its grotesque figures twisted into agonized contortions, its enormous doors that require a half-dozen women to close or open, its dark spaces and ominous shadows created by the flickerings of innumerable candles, its skeleton presiding over the royal wedding banquet table."[1]

This decor is historically inaccurate, as Grand Duke Peter in fact preferred Neoclassical art and architecture.[citation needed]

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